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Crossroads: 1964-1988, 2001-2003
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<blockquote data-quote="James from London" data-source="post: 353585" data-attributes="member: 22"><p>Only one bit of <em>Nolly</em> jarred with me and that's the caption at the end the read something like <em>"Noele Gordon died in 1985. Crossroads didn't survive without her; it was axed in 1988."</em> I can understand why, but this was intentionally misleading. Gordon had been written out in 1981, which means the show lasted seven or eight years without her: that's not too shabby. I kept watching <em>Crossroads </em>until the end -- maybe not quite as regularly as I had as a kid, but that had more to do with me growing up than the quality of the show itself -- and it remained just as (un)watchable as it always has been, and just as schizoid: rape and fatal heroin overdoses mingling with recording studios in the motel basement and Miss Diane turning into a donkey. It's sentimental revisionism to suggest that Meg-era<em> Xrds</em> was some sort of sacred golden age. For all its memorable characters and storylines, there were weeks, if not months, at a time when 70s <em>Xrds</em> was so boring it was like watching paint dry, but one accepted it simply because there was nothing else on. From beginning to end, <em>Crossroads </em>was, as Fictional Real-Life Diane described in <em>Nolly</em>, "a tatty little soap", albeit one that occasionally unexpectedly (unintentionally?) transcended expectation:</p><p></p><p></p><p></p><p><em>Xrds</em> was never socially relevant and that's why people both loved and hated it, but I think the arrivals of <em>Brookside</em> and then especially <em>EastEnders</em> demonstrated as never before how soaps <em>could</em> be relevant while still conforming to the unspoken rules of the genre that <em>Xrds</em> and <em>Coronation Street</em> had laid down. That, added to the channel's growing distaste for it (a parallel can be made with what was happening at the same time to the equally long-running <em>Doctor Who,</em> which the BBC didn't even bother to officially cancel before ceasing production the year after <em>Crossroads</em>) that finally did for it.</p><p></p><p>Nolly was great and everything, but ultimately she wasn't <em>Crossroads.</em></p></blockquote><p></p>
[QUOTE="James from London, post: 353585, member: 22"] Only one bit of [I]Nolly[/I] jarred with me and that's the caption at the end the read something like [I]"Noele Gordon died in 1985. Crossroads didn't survive without her; it was axed in 1988."[/I] I can understand why, but this was intentionally misleading. Gordon had been written out in 1981, which means the show lasted seven or eight years without her: that's not too shabby. I kept watching [I]Crossroads [/I]until the end -- maybe not quite as regularly as I had as a kid, but that had more to do with me growing up than the quality of the show itself -- and it remained just as (un)watchable as it always has been, and just as schizoid: rape and fatal heroin overdoses mingling with recording studios in the motel basement and Miss Diane turning into a donkey. It's sentimental revisionism to suggest that Meg-era[I] Xrds[/I] was some sort of sacred golden age. For all its memorable characters and storylines, there were weeks, if not months, at a time when 70s [I]Xrds[/I] was so boring it was like watching paint dry, but one accepted it simply because there was nothing else on. From beginning to end, [I]Crossroads [/I]was, as Fictional Real-Life Diane described in [I]Nolly[/I], "a tatty little soap", albeit one that occasionally unexpectedly (unintentionally?) transcended expectation: [I]Xrds[/I] was never socially relevant and that's why people both loved and hated it, but I think the arrivals of [I]Brookside[/I] and then especially [I]EastEnders[/I] demonstrated as never before how soaps [I]could[/I] be relevant while still conforming to the unspoken rules of the genre that [I]Xrds[/I] and [I]Coronation Street[/I] had laid down. That, added to the channel's growing distaste for it (a parallel can be made with what was happening at the same time to the equally long-running [I]Doctor Who,[/I] which the BBC didn't even bother to officially cancel before ceasing production the year after [I]Crossroads[/I]) that finally did for it. Nolly was great and everything, but ultimately she wasn't [I]Crossroads.[/I] [/QUOTE]
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Crossroads: 1964-1988, 2001-2003
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