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Falcon Crest
FALCON CREST versus DYNASTY versus DALLAS versus KNOTS LANDING versus the rest of them, week by week
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<blockquote data-quote="James from London" data-source="post: 5505" data-attributes="member: 22"><p><u>05/Jan/82: FLAMINGO ROAD: Old Friends v. 06/Jan/82: DYNASTY: The Mid-East Meeting v. 07/Jan/82: KNOTS LANDING: Mistaken Motives v. 08/Jan/82: DALLAS: The Search v. 08/Jan/82: FALCON CREST: Kindred Spirits</u></p><p></p><p>So far this Soap Land season, we've had Cliff Barnes and the cartel buying up JR's promissory bank note to hold over his head and then Angela Channing purchasing the mortgage on Carl Reed's property so she could blackmail him into doing her bidding. In this week's FLAMINGO ROAD, Michael Tyrone goes one better. Furious at Claude Weldon's attempt to defraud him over the barrio, he simply buys the bank that holds the paper on the Weldon mill, then forecloses, wiping Claude out of business. This information is conveyed to Claude in the episode's brilliant opening scene where David Selby is almost demonic as Michael and Kevin McCarthy instantly falls apart as Claude - his clammy desperation simultaneously funny and pitiful. After contemplating suicide, Claude settles for being drunk and racist, branding the Cubans lazy and dirty and telling them to go back where they came from.</p><p></p><p>Two weeks ago, Eudora was alternately threatening to divorce Claude and have him imprisoned for forgery. This week, having returned from the Soap Land Sanatarium where she has been cured of her addictions as speedily as she acquired them, she begins singing from the same hymn sheet as Ellie Ewing - insisting that the Weldon family always stick together in times of crisis. Constance appeals to Michael Tyrone's mercy in her own unique way - first slapping him, then passionately kissing him, then slapping him again before vowing, "You're gonna damn the day you ever set foot on Flamingo Road!" It finally falls to Field, after demonstrating complete indifference to his father-in-law's situation for most the episode, to save the day. He agrees to support Michael's gambling application in the senate in return for the Weldon mill. However, there's a twist - Field will manage the mill himself, with Claude merely a minority partner.</p><p></p><p>In a relatively minor plot development, Michael pays off the gambling debts of Lute Mae's toy boy/employee, Tony. In return, Tony agrees to keep tabs on Lute Mae's house guest Sam Curtis - thereby becoming Soap Land's first spy in the house since Julie Grey. If Cecil Colby gets his way, Claudia Blaisdel - whom he runs into at Denver Carrington where she is now working - will be the next.</p><p></p><p>In "Mistaken Motives", Sid Fairgate has been dead for four months while in "The Search", Jock Ewing has been missing for two days - but there are equivalent shots of both men's wives alone in their marital beds in this week's eps. Where Karen cradles a pillow and cries, Ellie gently reaches over and strokes Jock's side of the bed. There's more grieving in FALCON CREST and DYNASTY where "almost three months" have passed since Jason Gioberti's death and an unspecified number of weeks have elapsed since Krystle miscarried her baby. It is noted by concerned relatives that Emma Channing and Krystle have barely left their respective houses since these events.</p><p></p><p>There is no shortage of well-meaning advice for those in mourning: On KNOTS, Val suggests to Karen that she attend a grief support group, which is where she becomes involved with widower Bill Medford. On FALCON CREST, Maggie recommends the Soap Land Sanatarium as a suitable place for Emma, (maybe she could have Eudora's old room?) which results in Emma running away from home. Meanwhile on DYNASTY, Blake first suggests, then cajoles, then finally orders a depressed Krystle to start seeing Dr. Nick Toscanni professionally.</p><p></p><p>Bill Medford is a lot like Teddy Becker from two KNOTS' episodes ago - a male character whom Karen can apparently lean on, but who turns out to have his own share of unresolved grief and who she must eventually extricate herself from. The big difference is that Bill somehow feels a much more real, believable character than Teddy - there's a darkness about him that's really compelling.</p><p></p><p>Logistically, it's a weird week for Gary, who must be kept at arm's length from Bill Medford, aka the original Gary in DALLAS, lest it causes a rip in the soap time continuum and both actors be sucked forever into the Soap Land vortex. In addition, the entirety of this week's KNOTS occurs during the time it takes for the Dallas Ewings to learn of Jock's disappearance and send the barbecue guests home. Gary is eventually told about his father offscreen when Ellie and then Lucy are seen to call him during "The Search". Perhaps understandably, Gary only appears once in this week's KNOTS, during a party scene where Lilimae entertains the neighbours with her latest composition, which she modestly introduces "the prettiest little song ever written."</p><p></p><p>This leads us to the latest round of Soap Land Song Wars, which is between Lilimae and Emma from FALCON CREST. Both accompanying themselves on the autoharp, (clearly the instrument of choice for the borderline delusional) they each perform a song with childhood associations. Lilimae's is "about the Pine Country where Val and I have our roots", while Emma sings a French song "about being young and beautiful and in love", taught to her by her Uncle Jason when she was a girl. It's a pretty ditty, and Emma's use of flashbacks, in which we see her as a young girl singing the same song with Uncle Jason back when he looked like Serge Gainsbourg, is certainly innovative. However, the winner is once again Lilimae. Her performance is as spirited as ever, but it's the reaction of her audience - Gary's near hysterical laughter, Abby's ironic swaying, Val's mortification - that clinches it.</p><p></p><p>There's also some minor teen girl rebellion brewing in Soap Land this week. Diana Fairgate, having misinterpreted her mother's relationship with Bill, retaliates by taking up with Roy (a high school Chip Roberts-in-training) and winds up in jail when he gets stopped for drunk driving. Meanwhile, a frustrated Vicky Gioberti ("Nobody here has ever even heard of New Wave - they're just now getting into Disco!") bails out on her chores to - gasp - go for a walk, which is how she ends up running into, and striking up a friendship with, the errant Emma.</p><p></p><p>"The Search" is DALLAS's fourth annual "What if ..?" episode, in which the Ewings are forced to contemplate an almost unthinkable scenario. In "Triangle" (Season 1), it's "What will happen if JR and Bobby are really dead?" In "Ellie Saves The Day" (Season 2), it's "What's going to happen if JR fails to strike oil in Southeast Asia and the bank forecloses on Ewing Oil?" In "Ewing vs. Ewing" (Season 3), the family reflects on the possibility of Jock and Ellie's divorcing and the subsequent break-up of the Ewing empire. Here, the question is "What's gonna happen if they don't find Jock?" The character insights that follow, while revelatory in Season 1, now simply reaffirm what we already know (e.g. "Everything JR does, he does for his daddy"). This sense of familiarity is articulated by Miss Ellie: "I feel like I've been through this before." Only this time, the story ends differently. The "What if …?" scenario comes true. "It can't end here," protests JR, "not in this stinkin' mud hole." This was the line that echoed in my head while watching the Ewings in New DALLAS struggle to comprehend how JR's life could end in some cheap Mexican hotel room.</p><p></p><p>I've always loved the scene where Pam catches Sue Ellen in JR's bedroom ordering a cab to take her and John Ross home ("Pam, I've gotta go now".) Caught between her past and her future - like Karen in this week's KNOTS, her character is "on new ground now" - Sue Ellen's decision to abandon the family in their time of need (like Eudora Weldon, Ellie believes "the family should pull together when there's trouble") is an act both of selfishness and self-preservation. Watching the scene this time around, all I could think of was the scene that takes place in the same room thirty-one years later where Sue Ellen raises a glass to JR's memory. In that context, the idea of self-preservation seems suddenly trivial.</p><p></p><p>This week is the first time both DALLAS and DYNASTY travel overseas. While Alexis stays in "my favourite suite in all Italy!" - all flowers and concierges and "lovely boys" helping her with her luggage - the Ewing boys rough it, trekking through formulaic jungles, dossing down in tents and on makeshift cots (Matthew Blaisdel just out of sight). Lance, Chase and Cole also take a "Dove Hunt" style camping trip this week - Cole's inevitable injury allowing for some father/son bonding while Lance goes for help, only to become embroiled in a series of Kim-from-24 style misadventures. (Like Diana in KNOTS, he even endures a brief spell in jail.) Nice as Cole and Chase's heart to heart is, ("All my life, I always thought you could do anything ... I never thought I could measure up to you," Cole admits, thereby revealing himself to be yet another Soap Land son with his father on a pedestal) one can't help but feel the episode misses a trick by not having Cole and Lance be the ones left alone together - a much more combustible, intriguing combination.</p><p></p><p>Although it's great fun to watch Alexis prowling the Carrington grounds and lurking in the shadows, it's even more of a blast to see her this week in her decadent, sinful element, flirting and scheming with old flame Rashid Ahmed. As Rashid, John Saxon is as flamboyant as he was pedestrian in last week's FALCON CREST. In fact, it's sort of fun to imagine Rashid as Tony Cumson's alter ego. The back stories of both characters slot together easily enough - having left the Tuscany Valley at the end of the 60s, Tony would have had plenty of time to reinvent himself as "a Mid-eastern Gulbenkian" (Angela Channing even referred to him having a background in oil) who then hooks up with Alexis in Capri, Portofino and Dubrovnik during her years as part of the 1970s jet set. His recent attempt to settle down with Julia and Lance at Falcon Crest having failed, he dons his fake moustache and accent once more before flying to Rome for another tryst with Alexis, aka "the beautiful woman who is always too busy enjoying herself wherever it is to worry about what time it is wherever she is not!"</p><p></p><p>And this week's Soap Land Top 5 are …</p><p>1 (-) DYNASTY</p><p>2 (-) KNOTS LANDING</p><p>3 (1) DALLAS</p><p>4 (-) FLAMINGO ROAD</p><p>5 (2) FALCON CREST</p></blockquote><p></p>
[QUOTE="James from London, post: 5505, member: 22"] [U]05/Jan/82: FLAMINGO ROAD: Old Friends v. 06/Jan/82: DYNASTY: The Mid-East Meeting v. 07/Jan/82: KNOTS LANDING: Mistaken Motives v. 08/Jan/82: DALLAS: The Search v. 08/Jan/82: FALCON CREST: Kindred Spirits[/U] So far this Soap Land season, we've had Cliff Barnes and the cartel buying up JR's promissory bank note to hold over his head and then Angela Channing purchasing the mortgage on Carl Reed's property so she could blackmail him into doing her bidding. In this week's FLAMINGO ROAD, Michael Tyrone goes one better. Furious at Claude Weldon's attempt to defraud him over the barrio, he simply buys the bank that holds the paper on the Weldon mill, then forecloses, wiping Claude out of business. This information is conveyed to Claude in the episode's brilliant opening scene where David Selby is almost demonic as Michael and Kevin McCarthy instantly falls apart as Claude - his clammy desperation simultaneously funny and pitiful. After contemplating suicide, Claude settles for being drunk and racist, branding the Cubans lazy and dirty and telling them to go back where they came from. Two weeks ago, Eudora was alternately threatening to divorce Claude and have him imprisoned for forgery. This week, having returned from the Soap Land Sanatarium where she has been cured of her addictions as speedily as she acquired them, she begins singing from the same hymn sheet as Ellie Ewing - insisting that the Weldon family always stick together in times of crisis. Constance appeals to Michael Tyrone's mercy in her own unique way - first slapping him, then passionately kissing him, then slapping him again before vowing, "You're gonna damn the day you ever set foot on Flamingo Road!" It finally falls to Field, after demonstrating complete indifference to his father-in-law's situation for most the episode, to save the day. He agrees to support Michael's gambling application in the senate in return for the Weldon mill. However, there's a twist - Field will manage the mill himself, with Claude merely a minority partner. In a relatively minor plot development, Michael pays off the gambling debts of Lute Mae's toy boy/employee, Tony. In return, Tony agrees to keep tabs on Lute Mae's house guest Sam Curtis - thereby becoming Soap Land's first spy in the house since Julie Grey. If Cecil Colby gets his way, Claudia Blaisdel - whom he runs into at Denver Carrington where she is now working - will be the next. In "Mistaken Motives", Sid Fairgate has been dead for four months while in "The Search", Jock Ewing has been missing for two days - but there are equivalent shots of both men's wives alone in their marital beds in this week's eps. Where Karen cradles a pillow and cries, Ellie gently reaches over and strokes Jock's side of the bed. There's more grieving in FALCON CREST and DYNASTY where "almost three months" have passed since Jason Gioberti's death and an unspecified number of weeks have elapsed since Krystle miscarried her baby. It is noted by concerned relatives that Emma Channing and Krystle have barely left their respective houses since these events. There is no shortage of well-meaning advice for those in mourning: On KNOTS, Val suggests to Karen that she attend a grief support group, which is where she becomes involved with widower Bill Medford. On FALCON CREST, Maggie recommends the Soap Land Sanatarium as a suitable place for Emma, (maybe she could have Eudora's old room?) which results in Emma running away from home. Meanwhile on DYNASTY, Blake first suggests, then cajoles, then finally orders a depressed Krystle to start seeing Dr. Nick Toscanni professionally. Bill Medford is a lot like Teddy Becker from two KNOTS' episodes ago - a male character whom Karen can apparently lean on, but who turns out to have his own share of unresolved grief and who she must eventually extricate herself from. The big difference is that Bill somehow feels a much more real, believable character than Teddy - there's a darkness about him that's really compelling. Logistically, it's a weird week for Gary, who must be kept at arm's length from Bill Medford, aka the original Gary in DALLAS, lest it causes a rip in the soap time continuum and both actors be sucked forever into the Soap Land vortex. In addition, the entirety of this week's KNOTS occurs during the time it takes for the Dallas Ewings to learn of Jock's disappearance and send the barbecue guests home. Gary is eventually told about his father offscreen when Ellie and then Lucy are seen to call him during "The Search". Perhaps understandably, Gary only appears once in this week's KNOTS, during a party scene where Lilimae entertains the neighbours with her latest composition, which she modestly introduces "the prettiest little song ever written." This leads us to the latest round of Soap Land Song Wars, which is between Lilimae and Emma from FALCON CREST. Both accompanying themselves on the autoharp, (clearly the instrument of choice for the borderline delusional) they each perform a song with childhood associations. Lilimae's is "about the Pine Country where Val and I have our roots", while Emma sings a French song "about being young and beautiful and in love", taught to her by her Uncle Jason when she was a girl. It's a pretty ditty, and Emma's use of flashbacks, in which we see her as a young girl singing the same song with Uncle Jason back when he looked like Serge Gainsbourg, is certainly innovative. However, the winner is once again Lilimae. Her performance is as spirited as ever, but it's the reaction of her audience - Gary's near hysterical laughter, Abby's ironic swaying, Val's mortification - that clinches it. There's also some minor teen girl rebellion brewing in Soap Land this week. Diana Fairgate, having misinterpreted her mother's relationship with Bill, retaliates by taking up with Roy (a high school Chip Roberts-in-training) and winds up in jail when he gets stopped for drunk driving. Meanwhile, a frustrated Vicky Gioberti ("Nobody here has ever even heard of New Wave - they're just now getting into Disco!") bails out on her chores to - gasp - go for a walk, which is how she ends up running into, and striking up a friendship with, the errant Emma. "The Search" is DALLAS's fourth annual "What if ..?" episode, in which the Ewings are forced to contemplate an almost unthinkable scenario. In "Triangle" (Season 1), it's "What will happen if JR and Bobby are really dead?" In "Ellie Saves The Day" (Season 2), it's "What's going to happen if JR fails to strike oil in Southeast Asia and the bank forecloses on Ewing Oil?" In "Ewing vs. Ewing" (Season 3), the family reflects on the possibility of Jock and Ellie's divorcing and the subsequent break-up of the Ewing empire. Here, the question is "What's gonna happen if they don't find Jock?" The character insights that follow, while revelatory in Season 1, now simply reaffirm what we already know (e.g. "Everything JR does, he does for his daddy"). This sense of familiarity is articulated by Miss Ellie: "I feel like I've been through this before." Only this time, the story ends differently. The "What if …?" scenario comes true. "It can't end here," protests JR, "not in this stinkin' mud hole." This was the line that echoed in my head while watching the Ewings in New DALLAS struggle to comprehend how JR's life could end in some cheap Mexican hotel room. I've always loved the scene where Pam catches Sue Ellen in JR's bedroom ordering a cab to take her and John Ross home ("Pam, I've gotta go now".) Caught between her past and her future - like Karen in this week's KNOTS, her character is "on new ground now" - Sue Ellen's decision to abandon the family in their time of need (like Eudora Weldon, Ellie believes "the family should pull together when there's trouble") is an act both of selfishness and self-preservation. Watching the scene this time around, all I could think of was the scene that takes place in the same room thirty-one years later where Sue Ellen raises a glass to JR's memory. In that context, the idea of self-preservation seems suddenly trivial. This week is the first time both DALLAS and DYNASTY travel overseas. While Alexis stays in "my favourite suite in all Italy!" - all flowers and concierges and "lovely boys" helping her with her luggage - the Ewing boys rough it, trekking through formulaic jungles, dossing down in tents and on makeshift cots (Matthew Blaisdel just out of sight). Lance, Chase and Cole also take a "Dove Hunt" style camping trip this week - Cole's inevitable injury allowing for some father/son bonding while Lance goes for help, only to become embroiled in a series of Kim-from-24 style misadventures. (Like Diana in KNOTS, he even endures a brief spell in jail.) Nice as Cole and Chase's heart to heart is, ("All my life, I always thought you could do anything ... I never thought I could measure up to you," Cole admits, thereby revealing himself to be yet another Soap Land son with his father on a pedestal) one can't help but feel the episode misses a trick by not having Cole and Lance be the ones left alone together - a much more combustible, intriguing combination. Although it's great fun to watch Alexis prowling the Carrington grounds and lurking in the shadows, it's even more of a blast to see her this week in her decadent, sinful element, flirting and scheming with old flame Rashid Ahmed. As Rashid, John Saxon is as flamboyant as he was pedestrian in last week's FALCON CREST. In fact, it's sort of fun to imagine Rashid as Tony Cumson's alter ego. The back stories of both characters slot together easily enough - having left the Tuscany Valley at the end of the 60s, Tony would have had plenty of time to reinvent himself as "a Mid-eastern Gulbenkian" (Angela Channing even referred to him having a background in oil) who then hooks up with Alexis in Capri, Portofino and Dubrovnik during her years as part of the 1970s jet set. His recent attempt to settle down with Julia and Lance at Falcon Crest having failed, he dons his fake moustache and accent once more before flying to Rome for another tryst with Alexis, aka "the beautiful woman who is always too busy enjoying herself wherever it is to worry about what time it is wherever she is not!" And this week's Soap Land Top 5 are … 1 (-) DYNASTY 2 (-) KNOTS LANDING 3 (1) DALLAS 4 (-) FLAMINGO ROAD 5 (2) FALCON CREST [/QUOTE]
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Falcon Crest
FALCON CREST versus DYNASTY versus DALLAS versus KNOTS LANDING versus the rest of them, week by week
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