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Falcon Crest
FALCON CREST versus DYNASTY versus DALLAS versus KNOTS LANDING versus the rest of them, week by week
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<blockquote data-quote="James from London" data-source="post: 5575" data-attributes="member: 22"><p><u>19/Jan/82: FLAMINGO ROAD: Heatwave v. 20/Jan/82: DYNASTY: Sammy Jo and Steven Marry v. 21/Jan/82: KNOTS LANDING: The Three Sisters v. 22/Jan/82: DALLAS: Head of the Family v. 22/Jan/82: FALCON CREST: Lord of the Manor</u></p><p></p><p>Once again, it's Pathetic Fallacy Week in Soap Land. The heavy rain Krystle drives through at the end of DYNASTY mirrors her presently stormy relationship with Blake and anticipates her tears when she stops to call home, only to hear Alexis's voice at the end of the line. The sudden icy wind Val experiences in the bathroom of the old house she visits in KNOTS LANDING is the first indication of her affinity with the supernatural. The ominous rumble of thunder over Southfork when JR fails yet again to show up for dinner heralds his explosive confrontation with Bobby later that same evening. But as its episode title suggests, nowhere are weather conditions more pronounced this week than in FLAMINGO ROAD. In Soap Land, as in film noir, a heatwave equals lust - perspiring, panting, innuendo-laden lust. So it comes to pass that Constance and Julio consummate their affair at the JR and Kristin Dirty Weekend Hotel in Tallahassee, the saxophone on the soundtrack going utterly berserk whenever they are together.</p><p></p><p>Since the beginning of January, Soap Land has been averaging a marriage proposal a week - first Sam popped the question to Lane and was accepted, then Fallon asked Nick who deferred, and last week Lilimae accepted Jackson's proposal, only for it to be subsequently rescinded. This week, Steven and Sammy Jo cut straight to the chase and exchange vows in front of a kindly looking justice of the peace, thereby providing Soap Land with its first wedding of the season.</p><p></p><p>I've never been too keen on the way Fallon's last minute change of heart regarding her abortion is depicted on DYNASTY. Blake's race-against-time dash to the Blandon Clinic echoes his similar rush to Claudia's house after her suicide attempt, suggesting that a woman's right to choose is something she needs to be protected from. That said, I'll grudgingly admit that there is something dramatically interesting about a character as headstrong and wilful as Fallon feeling compelled keeping a baby in spite of herself.</p><p></p><p>This is the week that Soap Land first delves into the paranormal. First, Alexis consults Adriana the psychic before leaving Rome. During her brief but brilliantly mad appearance, Adriana blames Alexis for Krystle's accident, a flashback of which she conjures in her crystal ball, ("She was hurt because of YOU!") before predicting that Alexis will marry again and that her new husband will then die ("HEEE WILL EX-PI-RE!!").</p><p></p><p>Wonderful as that scene is, it almost pales into insignificance next to what we're presented with on KNOTS LANDING. Dream seasons and UFOs notwithstanding, I'm not sure soap opera ever gets as perverse as this. Following an instalment where the Gary/Abby/Val triangle finally seemed to be gaining some traction after being teased for so long, (it is exactly a year since Abby first admitted to JR that she wanted Gary) and where Richard and Laura's marriage looked like it was headed towards some sort of climax, we are suddenly presented with the most stand alone, idiosyncratic episode in all of Soap Land. In fact, "The Three Sisters" doesn't really qualify as soap opera at all. Essentially, the cul-de-sac women are transposed to another genre, and with Abby sublimating her customary deviousness into an avid interest in ghost stories, it feels a bit like the DARK SHADOWS 1795 storyline where all the actors are re-cast as slight variations on their original characters. Even so, the episode makes better use of the women's existing personalities and relationships than KNOTS' last female-centric ep, "Moments of Truth", and throws up some interesting ironies. For example, a week after Lilimae criticised Val for being "logical and rational and a stickler for details" while she herself was "inspired by a larger vision", it is now Val who becomes the visionary. And as we see Joan van Ark first gaily skipping about in her nightdress playing peekaboo with the dead, and then preparing to join them by throwing herself from the roof of the house, we are witness to the birth of the high maintenance, highly strung "Poor Val" version of the character she will be for the rest of the series.</p><p></p><p>Following Fallon's decision to keep her baby, Val's psychic link with three ghostly, abandoned children, born of her being deprived of raising her own daughter, ("there's been a big emptiness in her, a need that never was fulfilled") is the week's second example of the power of the maternal instinct. It's also interesting that that this story should come so quickly on the heels of last week's episode which ended with Val watching her husband driving away with another woman and her child, "just like a real family" - a premonition of what is to come.</p><p></p><p></p><p>In Jock's absence, the title of this week's DALLAS episode, "Head of the Family", is an ambiguous one. The natural successor he may be, but JR shows no interest in assuming the mantle, preferring to bury himself in booze and hookers. A frustrated Bobby makes a bid for the title when he suggests to Miss Ellie that he take over as President of Ewing Oil, at least on an interim basis, but she won't hear of it. Then at the end of the episode, little John Ross throws his hat into the ring by assuming Jock's position at the head of the family dinner table. In contrast, the title of this week's FALCON CREST, "Lord of the Manor", is clearly an ironic reference to Lance, whom Angela entrusts with the family business while she attends a wine competition in Rome.</p><p></p><p>With Alexis returning from Rome this week, it's entirely possible that the two women would have passed each other in mid-air. And just like Alexis in last week's DYNASTY, Angela is joined in Italy by her ex-husband - but this time, it's the man who wishes to rekindle the romance while the woman is more focused on business. Despite both FALCON CREST and DYNASTY acknowledging the comparative ease of international travel - Blake speaks of a three-hour flight on Concorde while Douglas Channing casually references "the jet age" - this is the precisely the kind of globetrotting one almost never sees on DALLAS.</p><p></p><p>Given her family's history, Angela's Rome is understandably more rustic and quaint than Alexis's sumptuous, decadent version. It's also slightly less interesting. The more dramatic stuff in this week's FALCON CREST happens back in the Tuscany Valley, where Lance attempts to double-cross a crooked wine distributor by selling him low-quality wine in premium labelled bottles. It doesn't take him long to get out of his depth and by the time Chase cottons onto his scheme, Lance is no more interested in being lord of the manor than JR is in being head of the Ewings. "I don't care about her," Lance yells about his grandmother, "I don't care about Falcon Crest, I don't care about anything anymore!" "The man is dead - it doesn't matter anymore," shrugs JR with reference to his father. Interestingly, JR and Lance are then given polar opposite advice by their shows' respective good guys, Bobby and Chase. "I know what he'd want if he were alive," says Bobby of Jock. "He'd want his boys up and doin' - and that includes running Ewing Oil the way he ran it." "When are you gonna stop trying to fill Angela's shoes?" Chase asks Lance wearily. While Bobby's words are enough to put JR back on track, Lance remains in angry despair: "You don't know what it's like living in this house - I've got my grandmother on my back, my mother's out of her mind hiding from her in the laboratory - it's a mad house!"</p><p></p><p>This week's DALLAS is strongest when it focuses on Ellie's and Bobby's attempts to rally JR, Ray and the rest of the family. The further from Southfork it strays - e.g. Lucy's first modelling session with Roger (oh, wouldn't it have been amazing if KNOTS' three ghostly sisters had shown up in the background of Lucy's glamour shots?), Sue Ellen's attempts at entertaining her weirdly bourgeois new social circle - the weaker and stupider it becomes.</p><p></p><p>Like Claudia in DYNASTY, Sue Ellen is finding it difficult to adjust to life as a single woman. "I'm sure a lot of people find it easy, living alone, being single, but it's hard for me," she sighs. "I found this charming little apartment on 3rd Street. Well, the charm lasted a few hours. It's been a nightmare," complains Claudia. Both are fortunate enough to have a wealthy older man, Clayton Farlow and Cecil Colby respectively, to confide in, and to offer them alternative accommodation - Clayton reminds Sue Ellen she has a standing invitation to return to the Southern Cross while Cecil offers to rent Claudia a swanky Colby Co apartment at a reduced rate. In each case, we catch our first glimpse of the older man's as yet unspoken ulterior motive. While Clayton's are clearly romantic, Cecil's appear somewhat more sinister.</p><p></p><p>Meanwhile, Donna's exasperation at her husband's treatment of her in this week's DALLAS ("I have let him do just about everything except ride over me on horseback ... I'm beginning not to care anymore") mirrors Laura's in last week's KNOTS ("I'm just so tired of taking it and taking it and taking it"). Donna being Donna, her idea of wanton retaliation isn't to throw herself at her married boss the way Laura did, but to commit herself to writing another political biography.</p><p></p><p>Pam is the only Ewing wife who seems truly happy this week, but even her sense of wellbeing is precarious. To protect it, Bobby concocts a story about Christopher's biological parents as tragic as the tale of how KNOTS' three sisters were left to grow up alone - for if Pam were to learn the truth, she might end up on the roof of another building alongside Val. The central theme emerging from this week's Soap Land is that if a woman's maternal instinct isn't satisfied, if it is "frustrated and suppressed" as Laura describes Val's - as opposed to Fallon's which won't be denied - then the result is madness. (Blake's suggestion that Krystle's jealousy towards him and Alexis is solely a manifestation of the depression caused by her miscarriage seems to endorse this view.)</p><p></p><p>And this week's Soap Land Top 5 are …</p><p></p><p>1 (1) KNOTS LANDING</p><p>2 (2) DYNASTY</p><p>3 (3) DALLAS</p><p>4 (5) FALCON CREST</p><p>5 (4) FLAMINGO ROAD</p></blockquote><p></p>
[QUOTE="James from London, post: 5575, member: 22"] [U]19/Jan/82: FLAMINGO ROAD: Heatwave v. 20/Jan/82: DYNASTY: Sammy Jo and Steven Marry v. 21/Jan/82: KNOTS LANDING: The Three Sisters v. 22/Jan/82: DALLAS: Head of the Family v. 22/Jan/82: FALCON CREST: Lord of the Manor[/U] Once again, it's Pathetic Fallacy Week in Soap Land. The heavy rain Krystle drives through at the end of DYNASTY mirrors her presently stormy relationship with Blake and anticipates her tears when she stops to call home, only to hear Alexis's voice at the end of the line. The sudden icy wind Val experiences in the bathroom of the old house she visits in KNOTS LANDING is the first indication of her affinity with the supernatural. The ominous rumble of thunder over Southfork when JR fails yet again to show up for dinner heralds his explosive confrontation with Bobby later that same evening. But as its episode title suggests, nowhere are weather conditions more pronounced this week than in FLAMINGO ROAD. In Soap Land, as in film noir, a heatwave equals lust - perspiring, panting, innuendo-laden lust. So it comes to pass that Constance and Julio consummate their affair at the JR and Kristin Dirty Weekend Hotel in Tallahassee, the saxophone on the soundtrack going utterly berserk whenever they are together. Since the beginning of January, Soap Land has been averaging a marriage proposal a week - first Sam popped the question to Lane and was accepted, then Fallon asked Nick who deferred, and last week Lilimae accepted Jackson's proposal, only for it to be subsequently rescinded. This week, Steven and Sammy Jo cut straight to the chase and exchange vows in front of a kindly looking justice of the peace, thereby providing Soap Land with its first wedding of the season. I've never been too keen on the way Fallon's last minute change of heart regarding her abortion is depicted on DYNASTY. Blake's race-against-time dash to the Blandon Clinic echoes his similar rush to Claudia's house after her suicide attempt, suggesting that a woman's right to choose is something she needs to be protected from. That said, I'll grudgingly admit that there is something dramatically interesting about a character as headstrong and wilful as Fallon feeling compelled keeping a baby in spite of herself. This is the week that Soap Land first delves into the paranormal. First, Alexis consults Adriana the psychic before leaving Rome. During her brief but brilliantly mad appearance, Adriana blames Alexis for Krystle's accident, a flashback of which she conjures in her crystal ball, ("She was hurt because of YOU!") before predicting that Alexis will marry again and that her new husband will then die ("HEEE WILL EX-PI-RE!!"). Wonderful as that scene is, it almost pales into insignificance next to what we're presented with on KNOTS LANDING. Dream seasons and UFOs notwithstanding, I'm not sure soap opera ever gets as perverse as this. Following an instalment where the Gary/Abby/Val triangle finally seemed to be gaining some traction after being teased for so long, (it is exactly a year since Abby first admitted to JR that she wanted Gary) and where Richard and Laura's marriage looked like it was headed towards some sort of climax, we are suddenly presented with the most stand alone, idiosyncratic episode in all of Soap Land. In fact, "The Three Sisters" doesn't really qualify as soap opera at all. Essentially, the cul-de-sac women are transposed to another genre, and with Abby sublimating her customary deviousness into an avid interest in ghost stories, it feels a bit like the DARK SHADOWS 1795 storyline where all the actors are re-cast as slight variations on their original characters. Even so, the episode makes better use of the women's existing personalities and relationships than KNOTS' last female-centric ep, "Moments of Truth", and throws up some interesting ironies. For example, a week after Lilimae criticised Val for being "logical and rational and a stickler for details" while she herself was "inspired by a larger vision", it is now Val who becomes the visionary. And as we see Joan van Ark first gaily skipping about in her nightdress playing peekaboo with the dead, and then preparing to join them by throwing herself from the roof of the house, we are witness to the birth of the high maintenance, highly strung "Poor Val" version of the character she will be for the rest of the series. Following Fallon's decision to keep her baby, Val's psychic link with three ghostly, abandoned children, born of her being deprived of raising her own daughter, ("there's been a big emptiness in her, a need that never was fulfilled") is the week's second example of the power of the maternal instinct. It's also interesting that that this story should come so quickly on the heels of last week's episode which ended with Val watching her husband driving away with another woman and her child, "just like a real family" - a premonition of what is to come. In Jock's absence, the title of this week's DALLAS episode, "Head of the Family", is an ambiguous one. The natural successor he may be, but JR shows no interest in assuming the mantle, preferring to bury himself in booze and hookers. A frustrated Bobby makes a bid for the title when he suggests to Miss Ellie that he take over as President of Ewing Oil, at least on an interim basis, but she won't hear of it. Then at the end of the episode, little John Ross throws his hat into the ring by assuming Jock's position at the head of the family dinner table. In contrast, the title of this week's FALCON CREST, "Lord of the Manor", is clearly an ironic reference to Lance, whom Angela entrusts with the family business while she attends a wine competition in Rome. With Alexis returning from Rome this week, it's entirely possible that the two women would have passed each other in mid-air. And just like Alexis in last week's DYNASTY, Angela is joined in Italy by her ex-husband - but this time, it's the man who wishes to rekindle the romance while the woman is more focused on business. Despite both FALCON CREST and DYNASTY acknowledging the comparative ease of international travel - Blake speaks of a three-hour flight on Concorde while Douglas Channing casually references "the jet age" - this is the precisely the kind of globetrotting one almost never sees on DALLAS. Given her family's history, Angela's Rome is understandably more rustic and quaint than Alexis's sumptuous, decadent version. It's also slightly less interesting. The more dramatic stuff in this week's FALCON CREST happens back in the Tuscany Valley, where Lance attempts to double-cross a crooked wine distributor by selling him low-quality wine in premium labelled bottles. It doesn't take him long to get out of his depth and by the time Chase cottons onto his scheme, Lance is no more interested in being lord of the manor than JR is in being head of the Ewings. "I don't care about her," Lance yells about his grandmother, "I don't care about Falcon Crest, I don't care about anything anymore!" "The man is dead - it doesn't matter anymore," shrugs JR with reference to his father. Interestingly, JR and Lance are then given polar opposite advice by their shows' respective good guys, Bobby and Chase. "I know what he'd want if he were alive," says Bobby of Jock. "He'd want his boys up and doin' - and that includes running Ewing Oil the way he ran it." "When are you gonna stop trying to fill Angela's shoes?" Chase asks Lance wearily. While Bobby's words are enough to put JR back on track, Lance remains in angry despair: "You don't know what it's like living in this house - I've got my grandmother on my back, my mother's out of her mind hiding from her in the laboratory - it's a mad house!" This week's DALLAS is strongest when it focuses on Ellie's and Bobby's attempts to rally JR, Ray and the rest of the family. The further from Southfork it strays - e.g. Lucy's first modelling session with Roger (oh, wouldn't it have been amazing if KNOTS' three ghostly sisters had shown up in the background of Lucy's glamour shots?), Sue Ellen's attempts at entertaining her weirdly bourgeois new social circle - the weaker and stupider it becomes. Like Claudia in DYNASTY, Sue Ellen is finding it difficult to adjust to life as a single woman. "I'm sure a lot of people find it easy, living alone, being single, but it's hard for me," she sighs. "I found this charming little apartment on 3rd Street. Well, the charm lasted a few hours. It's been a nightmare," complains Claudia. Both are fortunate enough to have a wealthy older man, Clayton Farlow and Cecil Colby respectively, to confide in, and to offer them alternative accommodation - Clayton reminds Sue Ellen she has a standing invitation to return to the Southern Cross while Cecil offers to rent Claudia a swanky Colby Co apartment at a reduced rate. In each case, we catch our first glimpse of the older man's as yet unspoken ulterior motive. While Clayton's are clearly romantic, Cecil's appear somewhat more sinister. Meanwhile, Donna's exasperation at her husband's treatment of her in this week's DALLAS ("I have let him do just about everything except ride over me on horseback ... I'm beginning not to care anymore") mirrors Laura's in last week's KNOTS ("I'm just so tired of taking it and taking it and taking it"). Donna being Donna, her idea of wanton retaliation isn't to throw herself at her married boss the way Laura did, but to commit herself to writing another political biography. Pam is the only Ewing wife who seems truly happy this week, but even her sense of wellbeing is precarious. To protect it, Bobby concocts a story about Christopher's biological parents as tragic as the tale of how KNOTS' three sisters were left to grow up alone - for if Pam were to learn the truth, she might end up on the roof of another building alongside Val. The central theme emerging from this week's Soap Land is that if a woman's maternal instinct isn't satisfied, if it is "frustrated and suppressed" as Laura describes Val's - as opposed to Fallon's which won't be denied - then the result is madness. (Blake's suggestion that Krystle's jealousy towards him and Alexis is solely a manifestation of the depression caused by her miscarriage seems to endorse this view.) And this week's Soap Land Top 5 are … 1 (1) KNOTS LANDING 2 (2) DYNASTY 3 (3) DALLAS 4 (5) FALCON CREST 5 (4) FLAMINGO ROAD [/QUOTE]
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Falcon Crest
FALCON CREST versus DYNASTY versus DALLAS versus KNOTS LANDING versus the rest of them, week by week
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