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Falcon Crest
FALCON CREST versus DYNASTY versus DALLAS versus KNOTS LANDING versus the rest of them, week by week
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<blockquote data-quote="James from London" data-source="post: 5699" data-attributes="member: 22"><p><u>27/Jan/82: DYNASTY: The Car Explosion v. 28/Jan/82: KNOTS LANDING: Power Play v. 29/Jan/82: DALLAS: The Phoenix v. 29/Jan/82: FALCON CREST: Dark Journey</u></p><p></p><p>The highlights of this week's DYNASTY are the reactions to Sammy Jo and Steven's elopement - Krystle's dismay, Alexis's disgust, Claudia's brave face, Fallon's forlorn sarcasm ("She can make a bed without a wrinkly sheet?"). From the characters' point of view, this is probably Soap Land's most controversial marriage since Bobby and Pam's.</p><p></p><p>We don't get to see Blake's reaction to the news. Jeff is about to tell him when they are caught in the blast that gives the episode its title. DYNASTY being DYNASTY, this is a far bigger explosion than the one that killed Turner Bates on FALCON CREST two weeks ago. The spectacle is lost on Blake, however. "My God, I can't see," he exclaims. "I can't see anything at all!"</p><p></p><p>As if to compensate for last week's foray into the other-worldly, KNOTS LANDING now embraces the traditional Soap Land themes of power, sex, money and oil as never before. Similarly, JR, the titular phoenix of this week's DALLAS, returns to the game after mourning his father for the past three weeks, finally bedding Marilee Stone to get back into business with the cartel. While Jock's death has yet to be acknowledged on KNOTS, there are several thematic crossovers between the two Ewingverse shows this week.</p><p></p><p>Thirty years before his nephew champions methane ice as a viable source of alternate energy, Gary and Abby stumble onto something similar called methanol. On the brink of success, Gary's ambition manifests itself in a way it never has before. "A good job and a nice pay check are no big deal to me, they're nothin'!" he tells Val. "Unless you wanna be a wage slave the rest of your life, you gotta take risks … Is this all there is for us? Is Knots Landing as far as you wanna go?" On DALLAS, JR also has a new focus. "You built Ewing Oil from the ground up," he says to his father's portrait, communing with the dead as Val did in "The Three Sisters". "Whatever it took, you did it for Ewing Oil and I'm gonna do the same. I'm gonna pass it on bigger and stronger to my son. I'm back, Daddy, and nobody's gonna take Ewing Oil away from me or my son or his son. I swear to you, by God I'm gonna make you proud of me."</p><p></p><p>Their deal leads Gary and Abby to Mexico, while a worried Val frets at home. The obvious Soap Land parallel here is with Blake and Alexis's recent trip to Rome in DYNASTY. There's even an old flame equivalent of Rashid Ahmed along for the ride - Richard, acting in his capacity as lawyer. (This leads to a wonderfully awkward scene where Richard, speaking from experience, tries to warn Gary against getting involved with Abby.) As juicy as the Rome storyline was, what makes this one even better is the complicated nature of the characters.</p><p></p><p>Whereas on DYNASTY, there is no doubt that Krystle is an entirely blameless, innocent victim of Alexis's manipulations, Val brings her own history, her own doubts and neuroses to the table. One can see why Gary might feel stifled by her. "You gotta let him breathe, Valene," Lilimae advises. "Stand by your man, not on top of him."</p><p></p><p>Gary and Abby share a passionate kiss in Mexico just as Blake and Alexis did in Italy, albeit against the backdrop of a farmyard distillery rather than in the grounds of a sumptuous villa. Preceding both embraces, the woman praises the man's business capabilities. Alexis recalls "a young wildcatter, a young handsome, hungry husband who shouted out to the world, 'I'll show them!' and you did." Abby, meanwhile, excites Gary by looking to his future. "You can do it! You can make this whole thing happen!" she insists.</p><p></p><p>While neither Blake's self-belief nor his strengths as a businessman have ever been in question, the uncertainties surrounding Gary's are pivotal to this story. Whereas Val stands as a cautious reminder of his past failures and weaknesses, Abby symbolises his untapped potential. "She affects you in a way that really frightens me," Val admits. The difference between the two women is angrily articulated by Gary in the ep's final scene - while Val is <em>worried</em> that he will become a Ewing like his big brother, "ruthless and miserable", Abby is <em>hoping</em> he will.</p><p></p><p>The subject of Ewing identity is also raised in DALLAS. Having bestowed the highest praise possible on his son, calling him "a real Ewing", JR likens Ray to Gary, saying that he "just doesn't have the strength of character of a real Ewing." "I <em>am</em> a Ewing," insists Gary on KNOTS, "I'm <em>Gary</em> Ewing." One of the things I've found so moving on New DALLAS is that the same struggles of family identity that surrounded the original "lesser Ewings", Gary and Ray, are now felt by the new generation of leading men, John Ross and Christopher. (Also, the miniature oil rig we see in John Ross's apartment in 2012 recalls the one JR shows him as a little boy on his first visit to Ewing Oil at the beginning of this week's episode.)</p><p></p><p>That there is next to no musical score in this week's KNOTS adds a strangely neutral quality to the fast moving events of the ep - Gary going into partnership with Abby, Gary mortgaging his house without telling his wife. Without music to "comment" on these events, and Gary and Abby insisting that everything is going great, Val and her anxieties seem even more isolated and out of step.</p><p></p><p>There is enough music to form a contender for this week's Soap Land Song Wars, however. It's an unidentified track - let's call it "Mighty Long Road" - a real nice country blues song by Charlie Hart, the recording of which Kenny presides over in his studio. It's up against Afton's opening night number at a swanky new club in DALLAS. A sexy, languid cover of the jazz standard "All of Me" as opposed to one of her own compositions, it's my favourite of all her performances. Two strong contenders then, both of which are met with onscreen bemusement - first Kenny's, when he sees that Lilimae, slippery as her elm tea, has managed to infiltrate Charlie's backing group, and then Sue Ellen's, when she walks into the club on Clayton's arm and sees her ex-husband's former mistress up onstage. Things get even more awkward when Sue Ellen realises that Afton is now involved with Cliff, whom she herself is also dating. All this super-soapy tension gives Afton's number the edge over Charlie's.</p><p></p><p>But who could have guessed what a charming little double act Lilimae and Kenny make? There's an interesting parallel between Kenny's attitude towards Lilimae in this episode - he's the only character honest enough to tell her how untalented a musician she is - and James Houghton's admission that he couldn't match the excitement of the rest of the cast when Julie Harris joined the show because he wasn't sure who she was.</p><p></p><p>This week's FALCON CREST contains Soap Land's most embarrassing moments to date. After a fight with her parents, Vicky decides to leave home so Lance hooks her up with Diana, an aspiring actress who lives in San Francisco. (Not to get bogged down in continuity, but it does seem odd that Vicky would trust Lance so readily just a few weeks after she witnessed him stab her boyfriend with a broken bottle.) Diana immediately starts grooming Vicky to star in a porno film. This is not part of some nefarious scheme of Lance's - the girl just happens to a procurer for the sex trade in the same way that the guy who picked Lucy up in "Hitchhike" just happened to be a gun toting lunatic (or the photographer whom Lucy has recently started modelling for just happens to start stalking her in this week's DALLAS).</p><p></p><p>The scene where Vicky attends her first acting class and starts earnestly improvising with the pornographer who is pretending to be her drama coach playing the role of her father is so cringeworthy I had to watch it through my fingers. The sight of Chase posing as an out of town pervert looking for "kinky stuff" was almost as toe curling.</p><p></p><p>It's interesting to see how FALCON CREST depicts the real world - full of red lights, inflatable sex dolls and statistics on missing teenagers. The message seems to be that however gothic, twisted or claustrophobic life gets in the Tuscany Valley, the world outside of it is even worse.</p><p></p><p>And this week's Soap Land Top 5 are …</p><p>1 (1) KNOTS LANDING</p><p>2 (3) DALLAS</p><p>3 (2) DYNASTY</p><p>4 (5) FALCON CREST</p></blockquote><p></p>
[QUOTE="James from London, post: 5699, member: 22"] [U]27/Jan/82: DYNASTY: The Car Explosion v. 28/Jan/82: KNOTS LANDING: Power Play v. 29/Jan/82: DALLAS: The Phoenix v. 29/Jan/82: FALCON CREST: Dark Journey[/U] The highlights of this week's DYNASTY are the reactions to Sammy Jo and Steven's elopement - Krystle's dismay, Alexis's disgust, Claudia's brave face, Fallon's forlorn sarcasm ("She can make a bed without a wrinkly sheet?"). From the characters' point of view, this is probably Soap Land's most controversial marriage since Bobby and Pam's. We don't get to see Blake's reaction to the news. Jeff is about to tell him when they are caught in the blast that gives the episode its title. DYNASTY being DYNASTY, this is a far bigger explosion than the one that killed Turner Bates on FALCON CREST two weeks ago. The spectacle is lost on Blake, however. "My God, I can't see," he exclaims. "I can't see anything at all!" As if to compensate for last week's foray into the other-worldly, KNOTS LANDING now embraces the traditional Soap Land themes of power, sex, money and oil as never before. Similarly, JR, the titular phoenix of this week's DALLAS, returns to the game after mourning his father for the past three weeks, finally bedding Marilee Stone to get back into business with the cartel. While Jock's death has yet to be acknowledged on KNOTS, there are several thematic crossovers between the two Ewingverse shows this week. Thirty years before his nephew champions methane ice as a viable source of alternate energy, Gary and Abby stumble onto something similar called methanol. On the brink of success, Gary's ambition manifests itself in a way it never has before. "A good job and a nice pay check are no big deal to me, they're nothin'!" he tells Val. "Unless you wanna be a wage slave the rest of your life, you gotta take risks … Is this all there is for us? Is Knots Landing as far as you wanna go?" On DALLAS, JR also has a new focus. "You built Ewing Oil from the ground up," he says to his father's portrait, communing with the dead as Val did in "The Three Sisters". "Whatever it took, you did it for Ewing Oil and I'm gonna do the same. I'm gonna pass it on bigger and stronger to my son. I'm back, Daddy, and nobody's gonna take Ewing Oil away from me or my son or his son. I swear to you, by God I'm gonna make you proud of me." Their deal leads Gary and Abby to Mexico, while a worried Val frets at home. The obvious Soap Land parallel here is with Blake and Alexis's recent trip to Rome in DYNASTY. There's even an old flame equivalent of Rashid Ahmed along for the ride - Richard, acting in his capacity as lawyer. (This leads to a wonderfully awkward scene where Richard, speaking from experience, tries to warn Gary against getting involved with Abby.) As juicy as the Rome storyline was, what makes this one even better is the complicated nature of the characters. Whereas on DYNASTY, there is no doubt that Krystle is an entirely blameless, innocent victim of Alexis's manipulations, Val brings her own history, her own doubts and neuroses to the table. One can see why Gary might feel stifled by her. "You gotta let him breathe, Valene," Lilimae advises. "Stand by your man, not on top of him." Gary and Abby share a passionate kiss in Mexico just as Blake and Alexis did in Italy, albeit against the backdrop of a farmyard distillery rather than in the grounds of a sumptuous villa. Preceding both embraces, the woman praises the man's business capabilities. Alexis recalls "a young wildcatter, a young handsome, hungry husband who shouted out to the world, 'I'll show them!' and you did." Abby, meanwhile, excites Gary by looking to his future. "You can do it! You can make this whole thing happen!" she insists. While neither Blake's self-belief nor his strengths as a businessman have ever been in question, the uncertainties surrounding Gary's are pivotal to this story. Whereas Val stands as a cautious reminder of his past failures and weaknesses, Abby symbolises his untapped potential. "She affects you in a way that really frightens me," Val admits. The difference between the two women is angrily articulated by Gary in the ep's final scene - while Val is [i]worried[/i] that he will become a Ewing like his big brother, "ruthless and miserable", Abby is [i]hoping[/i] he will. The subject of Ewing identity is also raised in DALLAS. Having bestowed the highest praise possible on his son, calling him "a real Ewing", JR likens Ray to Gary, saying that he "just doesn't have the strength of character of a real Ewing." "I [i]am[/i] a Ewing," insists Gary on KNOTS, "I'm [i]Gary[/i] Ewing." One of the things I've found so moving on New DALLAS is that the same struggles of family identity that surrounded the original "lesser Ewings", Gary and Ray, are now felt by the new generation of leading men, John Ross and Christopher. (Also, the miniature oil rig we see in John Ross's apartment in 2012 recalls the one JR shows him as a little boy on his first visit to Ewing Oil at the beginning of this week's episode.) That there is next to no musical score in this week's KNOTS adds a strangely neutral quality to the fast moving events of the ep - Gary going into partnership with Abby, Gary mortgaging his house without telling his wife. Without music to "comment" on these events, and Gary and Abby insisting that everything is going great, Val and her anxieties seem even more isolated and out of step. There is enough music to form a contender for this week's Soap Land Song Wars, however. It's an unidentified track - let's call it "Mighty Long Road" - a real nice country blues song by Charlie Hart, the recording of which Kenny presides over in his studio. It's up against Afton's opening night number at a swanky new club in DALLAS. A sexy, languid cover of the jazz standard "All of Me" as opposed to one of her own compositions, it's my favourite of all her performances. Two strong contenders then, both of which are met with onscreen bemusement - first Kenny's, when he sees that Lilimae, slippery as her elm tea, has managed to infiltrate Charlie's backing group, and then Sue Ellen's, when she walks into the club on Clayton's arm and sees her ex-husband's former mistress up onstage. Things get even more awkward when Sue Ellen realises that Afton is now involved with Cliff, whom she herself is also dating. All this super-soapy tension gives Afton's number the edge over Charlie's. But who could have guessed what a charming little double act Lilimae and Kenny make? There's an interesting parallel between Kenny's attitude towards Lilimae in this episode - he's the only character honest enough to tell her how untalented a musician she is - and James Houghton's admission that he couldn't match the excitement of the rest of the cast when Julie Harris joined the show because he wasn't sure who she was. This week's FALCON CREST contains Soap Land's most embarrassing moments to date. After a fight with her parents, Vicky decides to leave home so Lance hooks her up with Diana, an aspiring actress who lives in San Francisco. (Not to get bogged down in continuity, but it does seem odd that Vicky would trust Lance so readily just a few weeks after she witnessed him stab her boyfriend with a broken bottle.) Diana immediately starts grooming Vicky to star in a porno film. This is not part of some nefarious scheme of Lance's - the girl just happens to a procurer for the sex trade in the same way that the guy who picked Lucy up in "Hitchhike" just happened to be a gun toting lunatic (or the photographer whom Lucy has recently started modelling for just happens to start stalking her in this week's DALLAS). The scene where Vicky attends her first acting class and starts earnestly improvising with the pornographer who is pretending to be her drama coach playing the role of her father is so cringeworthy I had to watch it through my fingers. The sight of Chase posing as an out of town pervert looking for "kinky stuff" was almost as toe curling. It's interesting to see how FALCON CREST depicts the real world - full of red lights, inflatable sex dolls and statistics on missing teenagers. The message seems to be that however gothic, twisted or claustrophobic life gets in the Tuscany Valley, the world outside of it is even worse. And this week's Soap Land Top 5 are … 1 (1) KNOTS LANDING 2 (3) DALLAS 3 (2) DYNASTY 4 (5) FALCON CREST [/QUOTE]
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FALCON CREST versus DYNASTY versus DALLAS versus KNOTS LANDING versus the rest of them, week by week
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