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Knots Landing
KNOTS LANDING versus DALLAS versus the rest of them week by week
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<blockquote data-quote="James from London" data-source="post: 110307" data-attributes="member: 22"><p><u>18 Nov 87: DYNASTY: The Primary v. 19 Nov 87: KNOTS LANDING: Flight of the Sunbirds v. 20 Nov 87: DALLAS: Bedtime Stories v. 20 Nov 87: FALCON CREST: Man Hunt</u></p><p></p><p>Alexis Colby and Abby Ewing both put romance before business this week. While Alexis allows Sean to whisk her away to an idyllic island just three days before the primary election on DYNASTY, Abby cancels an important board meeting to have dinner with Charles Scott on KNOTS. Conversely on DALLAS, Sue Ellen’s business and not-quite- romantic-yet interests are perfectly in sync — when Nicholas Pearce talks about taking her away, it’s to Miami to open the latest branch of Valentine Lingerie.</p><p></p><p>Neither intimate interlude goes according to plan. Alexis is left alone on the island overnight when Sean, having gone to fetch supplies from the mainland, is prevented from returning by bad weather. As the storm rages, Alexis screams and panics and ends sobbing on the floor. Abby is also abandoned when work commitments prevent Charles from making their date. Angry, she flashes back twenty years to when she learnt of Charles’s engagement to another woman. Like the present day Alexis, the teenage Abby falls apart, sobbing and throwing things — but then there’s a shift. She suddenly stops crying, looks at herself in the mirror and vows, “Never again,” before starting to brush her hair in a determined fashion. In a way, this is Abby’s equivalent of Val’s transformative “mirror moment” in Season 6 where she turned herself into Verna. Abby likewise becomes her own creation — the very character we have been watching for the past seven seasons. While it’s interesting to see this turning point in her life play out on screen, it also begs the question: does Abby’s quintessential Abby-ness really need explaining? Unlike the behaviour of JR and Alexis, which we’ve always known to be a result of their respective backstories (a son’s dysfunctional need to prove himself to his father; a scorned woman’s obsessive wish to avenge herself on her ex-husband), Abby has always seemed unfettered by her past; she’s not tortured — she wants more simply because she wants more. It’s kind of refreshing. By comparison, this new explanation, that she is the way she is just because of a broken heart, seems a little commonplace. (In fact, this very cliché was referenced during last week’s DALLAS — “What makes you so tough?” Nicholas Pearce asked April Stevens before concluding, tongue in cheek, that “someone, or lots of someones, hurt you way back when.”) Nonetheless, Gary’s question to Abby later in the episode — “Are you ever <em>not</em> performing?” — feels especially resonant given this fresh insight into her history. </p><p></p><p>KNOTS’ sudden wish to root Abby’s ruthless behaviour in a sad experience from her past echoes another scene from DALLAS, this one involving Casey Denault. Casey has always felt to me like a latter-day version of Alan Beam, a previous lackey of JR’s with his eye on the main chance and one of DALLAS’s most effective supporting characters ever. Whereas we were given no insight into what motivated Alan beyond his own greed (“I was born devious, JR, just like you,” he boasted), the current era of the show feels the need to explain Casey’s ambition by giving him a sentimental speech about his father. “My daddy died last year,” he tells a sympathetic realtor with a sob in his voice and violins on the soundtrack. “Spent most of his life working hard, making other people rich. He never had an office, he never had a view, he never had much of anything … I’m not gonna live like my daddy did or die like he did.”</p><p></p><p>On last week’s KNOTS, Al Parker proposed marriage to a woman he’d only known for a few episodes. Sean Rowan does the same thing on this week’s DYNASTY. “Marry you? I don’t even know you!” Lilimae exclaimed in response to Al’s question. “How can I marry you? I hardly know you,” echoes Alexis in reply to Sean’s. Each man discounts this argument, citing a similar example from his own family. “You wanna know how long my father knew my mother before they got married? Two weeks and not one day longer,” Sean tells Alexis, “and they spent all of their lives together and it was the best marriage I ever knew or heard about.” “My great-grandparents met the day they married and they stayed married till they died,” Al informs Lilimae. “Were they happy?” she asks, perhaps expecting a tale of unequivocal bliss similar to Sean’s. “I never met them,” Al shrugs. “You’ve known men, Alexis, and I’ve known women,” Sean continues breathlessly, “what we have together, where would we ever find it again?” Again, Al puts his own spin on this argument. “I know you well enough to know I know you well enough,” he tells Lilimae.</p><p></p><p>While Alexis yields, Lilimae comes up with a counter-proposition. “I’m very flattered by your marriage proposal, Al,” she begins. “Don’t say ‘but’,” he pleads. (There’s a similar exchange on this week’s DALLAS: “Lisa, you’re a very special person,” says Bobby. “There’s a ‘but’ coming, isn’t there?” she anticipates correctly.) “I think we should live together,” Lilimae continues. “Is that what they call it?” By the end of this week’s episodes, Alexis has married her fourth husband and Lilimae and Al have driven away into the sunset, never to be seen again. Their departure is funny and touching — a rare combination in Soap Land, but one entirely befitting Lilimae’s character.</p><p></p><p>“The bride wore red … It’s the only dress I packed,” explains Alexis at her impromptu nuptials. DALLAS’s bride-to-be Jenna dispenses with formality also. “The whole idea of a fancy full-dress wedding … It’s just not us. That’s for the people at Southfork,” she tells Ray. Back on KNOTS, Linda may have already married Eric Fairgate, but like Jenna has firm ideas about what she <em>doesn’t</em> want at her wedding reception: “Who needs hundreds of dollars worth of flowers and a champagne fountain … and an orchestra … and prime rib …?” This sounds like a blatant rejection of Soap Land convention. The DYNASTY wedding is also notable for the fact that the ceremony is conducted entirely in Spanish — with Sean translating for Alexis’s (and our) benefit. (Who could have imagined back then that New DYNASTY would contain entire scenes delivered in Spanish without so much as a concessionary subtitle?)</p><p></p><p>This week’s DYNASTY and KNOTS each end with a one-sided phone call. “Why did you call me here? It’s too late. It’s already done — I married the woman,” mutters Sean to an unknown someone. What could he mean? “It’s just you and me, kid,” Greg tells his baby daughter following his own middle of the night call — and we realise only too well what he means.</p><p></p><p>While Sean Rowan receives a mysterious call, his big-haired DALLAS counterpart, Nicholas Pearce, makes one. He calls his papa to warn him that, “I bumped into some guy called Pete something-or-other from the old neighbourhood” during last week’s episode. “He thought he recognised me, but I think I convinced him he was wrong.” After witnessing this meeting, April Stevens was so intrigued that she got a private detective on the case — the first instance on DALLAS of two second-tier characters with their own storyline that’s entirely separate from the main cast.</p><p></p><p>Elsewhere on DYNASTY, Fallon drags Jeff along to a UFO encounter group where Vernon Weddle, one of Soap Land’s best character actors, appears as an alien abductee: “I boarded the spacecraft and I thought, ‘Who are these forms — devils of some sort? Is this Hell?’” It's a long way from Pride, Texas, which is where we last saw Weddle, playing a weary foreman pleading with Bobby not to put his town out of business, and even further from his role as Afferton the snooty wedding planner in the DYNASTY pilot.</p><p></p><p>“I know it was wrong with Sammy Jo,” admits Josh on this week’s DYNASTY, referring to the kiss Steven witnessed between them at the end of the previous episode. “It was just a friendly little pass,” insists Sammy Jo in another scene. Gary and Val, who also shared a guilty smooch during last week’s KNOTS, spend this week’s ep telling everyone who’ll listen that the only reason they’re seeing each other is “for the kids’ sake.” However, despite all protestations to the contrary, both sets of blondes end up facing temptation again in their respective episodes’ penultimate scenes. “You shouldn’t be here,” Sammy Jo tells Josh. “I know,” he replies. “I guess I better leave,” Gary tells Val. “Yeah,” she replies. But then both couples end up in each other’s arms all over again. DALLAS ends on a similarly illicit note, minus the blonde hair, with JR on the brink of an affair. “If I choose, I can help you beat West Star,” purrs Kimberly Cryder, in that girlish but steely way of hers. “Why would you do that?” JR asks. “Your husband is the new chairman.” “Perhaps I’d like to see the two of you in combat, see who really is the strongest — winner take all,” she replies.</p><p></p><p>Carlton Travis arranges a more literal form of combat to observe on this week’s FALCON CREST. He casts Richard Channing into the wilderness and orders his henchmen to track him down and kill him. Don’t ask me why, but he agrees to call off the hunt if Angela and Maggie can prove within twenty-four hours that he isn’t responsible for the murder of his brother which took place fifty years before. This results in a vague mashup of JR and BD Calhoun’s fight to the death on DALLAS, and Caress Morelle’s attempt to solve the mystery of the fire that killed Ellen Carrington on DYNASTY, with an added against-the-clock deadline. Maggie’s appalled reaction to the insanely convoluted world she now finds herself in rings true, but the rest of the story is lame. In particular, the sight of Richard Channing as a kick-ass survivalist, complete with a RAMBO-style bandana, is kind of embarrassing. At least when JR went up against Calhoun, we weren’t expected to buy him as a credible opponent.</p><p></p><p>Following Abby Ewing and Angela Channing, DALLAS’s Bobby becomes the latest Soap Land character of late to run into someone from his youth. Rather than a former sweetheart, Tammy Miller is a classmate from the University of Texas, who confesses to a secret crush on Bobby back in the day. Tammy functions primarily as a pretty blonde plot point, but to make her seem sympathetic and vulnerable rather than just some anonymous pickup, she is written as an insecure divorcee, acutely aware of the ageing process and the double standards that exist between men and women. “Here I am, a woman in my thirties and I’ve only made love to one man in my life,” she admits. “Men just seem to get better with age. It's true - a woman has to worry about every pound and every wrinkle.” Abby touches on the same topic, albeit more glibly, after Gary compliments her appearance. “Ah do try,” she says in her phoney southern belle accent. “God knows, it gets mow and mow difficult.” Gary chuckles. “I do hope you’re laughing with me and not at me,” she adds in her normal voice.</p><p></p><p>While we’re on the subject, it feels as if DALLAS has indeed been laughing at rather than with Marilee Stone recently. While she’s always been a cartoonish, larger than life character, the combination of her age and sexual appetite has made her the object of JR and Casey’s shared derision of late in a way that feels a little nastier than it has in the past. While it’s hard to imagine two female characters making fun of JR for the same reasons, the subject of his age vis-à-vis his sexual reputation is raised this week. “I wonder if all the wonderful things I’ve heard about you could possibly be true?” Kimberly Cryder enquires. “Oh, I was a pretty fair long-distance runner in my time,” he replies. “Not any longer?” she asks teasingly.</p><p></p><p>When Tammy invites Bobby back to her place at the end of their evening together, one assumes he’ll politely turn her down, just as he has so many women before (the first two Jennas, Joanna Cassidy, Marilee, Holly, Katherine, etc.), and at first he does (“I don’t think I should”) — but then he changes his mind. On one level, this is unremarkable — one-night-stands in Soap Land are hardly new — but on another, this is uncharted territory. We’re talking about Bobby Ewing here, the genre’s original Romeo. There again, in the prequel novelisation of DALLAS by Lee Raintree, his nickname was “the screwing Ewing”. Finally, after all these years, he has the chance to live up to it. But he also has competition — for the first ever time in the onscreen Ewing-verse, all three brothers are at it simultaneously: Gary’s cheating on Jill with Val, JR’s cheating on Sue Ellen with Kimberly, and even though Bobby might not technically be cheating on Pam with Tammy, it still kind of feels like it.</p><p></p><p>Synchronicity of the week: “You’re becoming like a surrogate mother for him [Christopher] — and that’s just not right,” Bobby tells Lisa on DALLAS in the same week that Karen Atkinson becomes a surrogate mother for Adam’s baby on DYNASTY — and that just doesn’t feel right to Dana. “I might be the biological mother of Adam’s child, but that’s where it ends,” Karen assures her. Turns out Lisa Alden is the biological aunt of Bobby’s child, but that <em>isn’t</em> where it ends — not if the shot of her watching Christopher from a distance after Bobby has given her her marching orders is anything to go by.</p><p></p><p>Back on FALCON CREST, Dan Fixx acquires his very own Dandy Dandridge, a borderline vagrant who does his best to make himself indispensable (helping Dab rebuild his house) while simultaneously availing himself of the contents of his wallet. But whereas Dandy merely reminded Cliff of his long-lost daddy, this guy actually <em>is</em> Dan’s long-lost daddy. Suffice to say, he’s more Amos Krebbs than Paul Galveston.</p><p></p><p>1 (1) KNOTS LANDING</p><p>2 (3) DALLAS</p><p>3 (-) DYNASTY</p><p>4 (3) FALCON CREST</p></blockquote><p></p>
[QUOTE="James from London, post: 110307, member: 22"] [U]18 Nov 87: DYNASTY: The Primary v. 19 Nov 87: KNOTS LANDING: Flight of the Sunbirds v. 20 Nov 87: DALLAS: Bedtime Stories v. 20 Nov 87: FALCON CREST: Man Hunt[/U] Alexis Colby and Abby Ewing both put romance before business this week. While Alexis allows Sean to whisk her away to an idyllic island just three days before the primary election on DYNASTY, Abby cancels an important board meeting to have dinner with Charles Scott on KNOTS. Conversely on DALLAS, Sue Ellen’s business and not-quite- romantic-yet interests are perfectly in sync — when Nicholas Pearce talks about taking her away, it’s to Miami to open the latest branch of Valentine Lingerie. Neither intimate interlude goes according to plan. Alexis is left alone on the island overnight when Sean, having gone to fetch supplies from the mainland, is prevented from returning by bad weather. As the storm rages, Alexis screams and panics and ends sobbing on the floor. Abby is also abandoned when work commitments prevent Charles from making their date. Angry, she flashes back twenty years to when she learnt of Charles’s engagement to another woman. Like the present day Alexis, the teenage Abby falls apart, sobbing and throwing things — but then there’s a shift. She suddenly stops crying, looks at herself in the mirror and vows, “Never again,” before starting to brush her hair in a determined fashion. In a way, this is Abby’s equivalent of Val’s transformative “mirror moment” in Season 6 where she turned herself into Verna. Abby likewise becomes her own creation — the very character we have been watching for the past seven seasons. While it’s interesting to see this turning point in her life play out on screen, it also begs the question: does Abby’s quintessential Abby-ness really need explaining? Unlike the behaviour of JR and Alexis, which we’ve always known to be a result of their respective backstories (a son’s dysfunctional need to prove himself to his father; a scorned woman’s obsessive wish to avenge herself on her ex-husband), Abby has always seemed unfettered by her past; she’s not tortured — she wants more simply because she wants more. It’s kind of refreshing. By comparison, this new explanation, that she is the way she is just because of a broken heart, seems a little commonplace. (In fact, this very cliché was referenced during last week’s DALLAS — “What makes you so tough?” Nicholas Pearce asked April Stevens before concluding, tongue in cheek, that “someone, or lots of someones, hurt you way back when.”) Nonetheless, Gary’s question to Abby later in the episode — “Are you ever [I]not[/I] performing?” — feels especially resonant given this fresh insight into her history. KNOTS’ sudden wish to root Abby’s ruthless behaviour in a sad experience from her past echoes another scene from DALLAS, this one involving Casey Denault. Casey has always felt to me like a latter-day version of Alan Beam, a previous lackey of JR’s with his eye on the main chance and one of DALLAS’s most effective supporting characters ever. Whereas we were given no insight into what motivated Alan beyond his own greed (“I was born devious, JR, just like you,” he boasted), the current era of the show feels the need to explain Casey’s ambition by giving him a sentimental speech about his father. “My daddy died last year,” he tells a sympathetic realtor with a sob in his voice and violins on the soundtrack. “Spent most of his life working hard, making other people rich. He never had an office, he never had a view, he never had much of anything … I’m not gonna live like my daddy did or die like he did.” On last week’s KNOTS, Al Parker proposed marriage to a woman he’d only known for a few episodes. Sean Rowan does the same thing on this week’s DYNASTY. “Marry you? I don’t even know you!” Lilimae exclaimed in response to Al’s question. “How can I marry you? I hardly know you,” echoes Alexis in reply to Sean’s. Each man discounts this argument, citing a similar example from his own family. “You wanna know how long my father knew my mother before they got married? Two weeks and not one day longer,” Sean tells Alexis, “and they spent all of their lives together and it was the best marriage I ever knew or heard about.” “My great-grandparents met the day they married and they stayed married till they died,” Al informs Lilimae. “Were they happy?” she asks, perhaps expecting a tale of unequivocal bliss similar to Sean’s. “I never met them,” Al shrugs. “You’ve known men, Alexis, and I’ve known women,” Sean continues breathlessly, “what we have together, where would we ever find it again?” Again, Al puts his own spin on this argument. “I know you well enough to know I know you well enough,” he tells Lilimae. While Alexis yields, Lilimae comes up with a counter-proposition. “I’m very flattered by your marriage proposal, Al,” she begins. “Don’t say ‘but’,” he pleads. (There’s a similar exchange on this week’s DALLAS: “Lisa, you’re a very special person,” says Bobby. “There’s a ‘but’ coming, isn’t there?” she anticipates correctly.) “I think we should live together,” Lilimae continues. “Is that what they call it?” By the end of this week’s episodes, Alexis has married her fourth husband and Lilimae and Al have driven away into the sunset, never to be seen again. Their departure is funny and touching — a rare combination in Soap Land, but one entirely befitting Lilimae’s character. “The bride wore red … It’s the only dress I packed,” explains Alexis at her impromptu nuptials. DALLAS’s bride-to-be Jenna dispenses with formality also. “The whole idea of a fancy full-dress wedding … It’s just not us. That’s for the people at Southfork,” she tells Ray. Back on KNOTS, Linda may have already married Eric Fairgate, but like Jenna has firm ideas about what she [I]doesn’t[/I] want at her wedding reception: “Who needs hundreds of dollars worth of flowers and a champagne fountain … and an orchestra … and prime rib …?” This sounds like a blatant rejection of Soap Land convention. The DYNASTY wedding is also notable for the fact that the ceremony is conducted entirely in Spanish — with Sean translating for Alexis’s (and our) benefit. (Who could have imagined back then that New DYNASTY would contain entire scenes delivered in Spanish without so much as a concessionary subtitle?) This week’s DYNASTY and KNOTS each end with a one-sided phone call. “Why did you call me here? It’s too late. It’s already done — I married the woman,” mutters Sean to an unknown someone. What could he mean? “It’s just you and me, kid,” Greg tells his baby daughter following his own middle of the night call — and we realise only too well what he means. While Sean Rowan receives a mysterious call, his big-haired DALLAS counterpart, Nicholas Pearce, makes one. He calls his papa to warn him that, “I bumped into some guy called Pete something-or-other from the old neighbourhood” during last week’s episode. “He thought he recognised me, but I think I convinced him he was wrong.” After witnessing this meeting, April Stevens was so intrigued that she got a private detective on the case — the first instance on DALLAS of two second-tier characters with their own storyline that’s entirely separate from the main cast. Elsewhere on DYNASTY, Fallon drags Jeff along to a UFO encounter group where Vernon Weddle, one of Soap Land’s best character actors, appears as an alien abductee: “I boarded the spacecraft and I thought, ‘Who are these forms — devils of some sort? Is this Hell?’” It's a long way from Pride, Texas, which is where we last saw Weddle, playing a weary foreman pleading with Bobby not to put his town out of business, and even further from his role as Afferton the snooty wedding planner in the DYNASTY pilot. “I know it was wrong with Sammy Jo,” admits Josh on this week’s DYNASTY, referring to the kiss Steven witnessed between them at the end of the previous episode. “It was just a friendly little pass,” insists Sammy Jo in another scene. Gary and Val, who also shared a guilty smooch during last week’s KNOTS, spend this week’s ep telling everyone who’ll listen that the only reason they’re seeing each other is “for the kids’ sake.” However, despite all protestations to the contrary, both sets of blondes end up facing temptation again in their respective episodes’ penultimate scenes. “You shouldn’t be here,” Sammy Jo tells Josh. “I know,” he replies. “I guess I better leave,” Gary tells Val. “Yeah,” she replies. But then both couples end up in each other’s arms all over again. DALLAS ends on a similarly illicit note, minus the blonde hair, with JR on the brink of an affair. “If I choose, I can help you beat West Star,” purrs Kimberly Cryder, in that girlish but steely way of hers. “Why would you do that?” JR asks. “Your husband is the new chairman.” “Perhaps I’d like to see the two of you in combat, see who really is the strongest — winner take all,” she replies. Carlton Travis arranges a more literal form of combat to observe on this week’s FALCON CREST. He casts Richard Channing into the wilderness and orders his henchmen to track him down and kill him. Don’t ask me why, but he agrees to call off the hunt if Angela and Maggie can prove within twenty-four hours that he isn’t responsible for the murder of his brother which took place fifty years before. This results in a vague mashup of JR and BD Calhoun’s fight to the death on DALLAS, and Caress Morelle’s attempt to solve the mystery of the fire that killed Ellen Carrington on DYNASTY, with an added against-the-clock deadline. Maggie’s appalled reaction to the insanely convoluted world she now finds herself in rings true, but the rest of the story is lame. In particular, the sight of Richard Channing as a kick-ass survivalist, complete with a RAMBO-style bandana, is kind of embarrassing. At least when JR went up against Calhoun, we weren’t expected to buy him as a credible opponent. Following Abby Ewing and Angela Channing, DALLAS’s Bobby becomes the latest Soap Land character of late to run into someone from his youth. Rather than a former sweetheart, Tammy Miller is a classmate from the University of Texas, who confesses to a secret crush on Bobby back in the day. Tammy functions primarily as a pretty blonde plot point, but to make her seem sympathetic and vulnerable rather than just some anonymous pickup, she is written as an insecure divorcee, acutely aware of the ageing process and the double standards that exist between men and women. “Here I am, a woman in my thirties and I’ve only made love to one man in my life,” she admits. “Men just seem to get better with age. It's true - a woman has to worry about every pound and every wrinkle.” Abby touches on the same topic, albeit more glibly, after Gary compliments her appearance. “Ah do try,” she says in her phoney southern belle accent. “God knows, it gets mow and mow difficult.” Gary chuckles. “I do hope you’re laughing with me and not at me,” she adds in her normal voice. While we’re on the subject, it feels as if DALLAS has indeed been laughing at rather than with Marilee Stone recently. While she’s always been a cartoonish, larger than life character, the combination of her age and sexual appetite has made her the object of JR and Casey’s shared derision of late in a way that feels a little nastier than it has in the past. While it’s hard to imagine two female characters making fun of JR for the same reasons, the subject of his age vis-à-vis his sexual reputation is raised this week. “I wonder if all the wonderful things I’ve heard about you could possibly be true?” Kimberly Cryder enquires. “Oh, I was a pretty fair long-distance runner in my time,” he replies. “Not any longer?” she asks teasingly. When Tammy invites Bobby back to her place at the end of their evening together, one assumes he’ll politely turn her down, just as he has so many women before (the first two Jennas, Joanna Cassidy, Marilee, Holly, Katherine, etc.), and at first he does (“I don’t think I should”) — but then he changes his mind. On one level, this is unremarkable — one-night-stands in Soap Land are hardly new — but on another, this is uncharted territory. We’re talking about Bobby Ewing here, the genre’s original Romeo. There again, in the prequel novelisation of DALLAS by Lee Raintree, his nickname was “the screwing Ewing”. Finally, after all these years, he has the chance to live up to it. But he also has competition — for the first ever time in the onscreen Ewing-verse, all three brothers are at it simultaneously: Gary’s cheating on Jill with Val, JR’s cheating on Sue Ellen with Kimberly, and even though Bobby might not technically be cheating on Pam with Tammy, it still kind of feels like it. Synchronicity of the week: “You’re becoming like a surrogate mother for him [Christopher] — and that’s just not right,” Bobby tells Lisa on DALLAS in the same week that Karen Atkinson becomes a surrogate mother for Adam’s baby on DYNASTY — and that just doesn’t feel right to Dana. “I might be the biological mother of Adam’s child, but that’s where it ends,” Karen assures her. Turns out Lisa Alden is the biological aunt of Bobby’s child, but that [I]isn’t[/I] where it ends — not if the shot of her watching Christopher from a distance after Bobby has given her her marching orders is anything to go by. Back on FALCON CREST, Dan Fixx acquires his very own Dandy Dandridge, a borderline vagrant who does his best to make himself indispensable (helping Dab rebuild his house) while simultaneously availing himself of the contents of his wallet. But whereas Dandy merely reminded Cliff of his long-lost daddy, this guy actually [I]is[/I] Dan’s long-lost daddy. Suffice to say, he’s more Amos Krebbs than Paul Galveston. 1 (1) KNOTS LANDING 2 (3) DALLAS 3 (-) DYNASTY 4 (3) FALCON CREST [/QUOTE]
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KNOTS LANDING versus DALLAS versus the rest of them week by week
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