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Dallas the TV series
Knots Landing
KNOTS LANDING versus DALLAS versus the rest of them week by week
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<blockquote data-quote="James from London" data-source="post: 138972" data-attributes="member: 22"><p><u>25 Jan 89: DYNASTY: Ginger Snaps v. 26 Jan 89: KNOTS LANDING: Mrs. Peacock in the Library with the Lead Pipe v. 27 Jan 89: DALLAS: The Two Mrs. Ewings</u></p><p></p><p>Will Krystle survive her operation? Will Greg and Abby’s wedding actually take place? These were the burning questions we were left with at the end of the last episodes of DYNASTY and KNOTS LANDING. This week, however, neither show is in much of a hurry to answer them. We’re four scenes into DYNASTY before we learn that Krystle’s surgery took place two narrative weeks earlier and that she’s been in a coma ever since. “Blake, it’s over,” says Dr Walt Driscoll flatly. “Her heart’s still beating, but she’s dead … You’ve got to accept it. She’s gone.” He urges Blake to return home from Switzerland and get on with his life. “So I’m supposed to just leave, not even take time to mourn?” Blake asks. It’s an interesting question — and the point at which DYNASTY’s audacious decision to set Krystle’s prognosis at some unspecified point in the past really pays off. With the honourable exception of the year Karen Fairgate took to mourn Sid on KNOTS LANDING, Soap Land’s never been very comfortable when it comes to portraying the grieving process (Jeff Colby reprimanding his wife Kirby for not being over her father’s suicide on the day of his funeral being a prime example). “Blake, you’ve been mourning her for three years now, ever since I first told you about her condition,” Dr Walt points out. Combine this argument with the terms of Krystle’s living will (“She knew it might come to this and she wanted freedom for both of you”) and it’s clear that DYNASTY has learned from the not-so-final finality of Bobby Ewing’s death and the clunky exit of Pam Ewing two years later and even found a way around the awkward questions surrounding Laura Avery’s decision to die alone, and come up with the departure of a major Soap Land character that gets to have its cake and eat it too — a “death” that feels satisfyingly conclusive while still leaving the door open for a possible return.</p><p></p><p>As a consequence, the scene where Blake gathers the Carringtons to tell them that “Krystle is gone [and] I am determined to carry out her wish, that our lives must go on” feels far less jarring than the equivalent moment in last season’s DALLAS where Bobby told the Ewings to consider Pam “a closed subject.” The loss of the family matriarch might be the single most tragic thing to have happened to the Carringtons since the series began, but in the spirit of moving on, Blake goes directly from this scene into a furtive meeting with Dex about an entirely different, more dramatically pressing matter.</p><p></p><p>Indeed, now that Krystle is dead on DYNASTY, Greg and Abby are married on KNOTS and the range war is over on DALLAS, it’s time for other storylines that have been simmering quietly in the background — involving the repercussions of JR’s adventures in Haleyville, Jill’s attack on Val and the discovery of the body at the lake — to take centre stage once again.</p><p></p><p>DYNASTY’s ongoing mystery, which has already shifted from “Who is the dead man at the lake?” to “Who killed Roger Grimes?”, now expands to include “What else is Blake trying to hide?” His cryptic conversation with Dex provides more questions than answers. “If what happened at the bottom of the lake ever came to light … it would put shame onto the families,” says Dex. “We have to protect that secret,” Blake concurs.</p><p></p><p>There’s a great twist on KNOTS, meanwhile, when David Lamb, the guy Jill picked up on the night of Val’s overdose, resurfaces to accuse her of giving him syphilis. (“Do you know how many times I’ve been unfaithful in fifteen years? Once … and I have the stinking luck to do it with a slut that’s got VD!”) Perhaps surprisingly, KNOTS was a little more circumspect than DALLAS and DYNASTY when the soaps started making reference to AIDS and safe sex about a year ago, but it now gives us a lecture that’s practically ‘STDs 101’ — but with a strong sense of irony running through it. Lest we forget, Jill didn’t sleep with David even though he thinks she did. However, for the sake of her alibi, she is obliged to put herself and an extremely pissed off Gary through the indignity of getting tested. In the process, Gary inadvertently learns of Jill’s prescription for secobarbital “and she got the prescription filled the same week she went to San Francisco,” he tells Mack. Watching them finally start to put the pieces of the puzzle together is immensely satisfying.</p><p></p><p>Abby and Greg appear only a couple of times on this week’s KNOTS. The first is on their wedding night, which is when we realise that the ceremony must have gone without a hitch. It also becomes apparent that, unlike Richard Channing and Terry Ranson who got married for similar reasons on FALCON CREST a few years ago, they fully intend to consummate their union. “It’s not like we haven’t made love before,” Abby reminds Greg. “Yeah, but that was a long time ago. It doesn’t count,” he tells her. “You mean this is gonna be like the first time — exploration, <em>discovery?</em>” she says provocatively as she starts to unbutton his pyjamas.</p><p></p><p>If there’s a certain innuendo in Abby’s delivery of the word “discovery”, it’s pretty mild in comparison to the following exchange on DYNASTY. “As you know, I’m expanding rapidly,” says Dex, explaining his reason for offering Joanna Sills a job with his company. “Yes, I noticed that the other night,” she purrs in reply. For ‘80s Soap Land this is pretty racy stuff and very much in keeping with the ramped up sexiness that’s been on display of late. Likewise on DALLAS, the (brilliant) line JR delivers following a spat with Bobby — “Mama shoulda had her tubes tied together right after I was born” — seems to belong specifically to this era. (It also paves the way for the kind of explicitly gynaecological dialogue we now hear on New DYNASTY almost as a matter of course. New Alexis’s recent putdown — “You low-level vaginal climber" — springs most immediately to mind.)</p><p></p><p>Unlike Abby and Greg’s honeymoon, JR and Cally’s new marriage is very much about separate bedrooms. “You’re not gonna sweet-talk me into bed again,” says Cally. “Either you tell everybody I’m your wife or you can just stay away from me.” Whereas Jock encouraged JR to “see to your wife” on Pam’s first night at Southfork ten years ago, Miss Ellie is on hand to make sure JR doesn’t see too much of Cally on hers.</p><p></p><p>Greg has another reason to be excited on his wedding night. “Tomorrow morning, I’m finally gonna see what you look like without your eye makeup,” he tells Abby. It’s not like we haven’t seen Abby without her eye makeup before, but maybe<em> that</em> was so long ago it doesn’t count either. Ultimately, she manages to keep one step ahead of both Greg and the cameraman when she steps out of the shower the following morning <em>mascara intacta</em>. </p><p></p><p>Makeup — or more specifically, makeovers — play a specific role on this week’s DYNASTY and DALLAS as well. Just as Sable insisted on glamorising a reluctant Virginia prior to Krystle and Blake’s wedding, so Lucy volunteers to do the same for Cally in preparation for her first family dinner at Southfork. (She starts by taking her clothes shopping: “I’m gonna teach you the only two words you need to know … ‘Charge it.’”) When Sable presented Virginia to the wedding guests as “the sleeping beauty who has awakened”, everyone was thrilled. When Lucy presents Cally, looking more like a baby fawn disguised as a hooker, everyone is stunned.</p><p></p><p>Cally’s fish-out-of-water situation is funny — it’s not every day you see a Ewing wife reminiscing fondly about pig-feeding or searching for the nearest laundry tub — but it’s not Cally herself we are laughing at. Well, OK, maybe it is — especially when she tries to sit down in that too tight, too low-cut black dress Lucy has wickedly picked out for her (a moment reminiscent of Karen’s “slave to fashion” faux pas on last season’s KNOTS) — but we’re rooting for her nonetheless. She may be a cornpone archetype on paper, but she’s also as vulnerable and real a character as anyone else in Soap Land right now. And while the tone of her storyline is as lighthearted as DALLAS has ever been, the behaviour of nearly all the remaining Ewings is reassuringly in character. By tarting Cally up, Lucy is revelling in the family’s embarrassment just as she did when Bobby first brought Pam back to the ranch and she encouraged Ray to kiss the bride. As for JR, his reaction to seeing his new wife so gaudily attired is the same as when Sue Ellen tried to impress him with sexy lingerie back in the mini-series. “What the hell is that?” he asks in dismay before running for the hills: “Mama, I’ll be having dinner in town tonight.” Most resonant of all is Miss Ellie bestowing on Cally the same lecture she gave Pam in Season 1: “The Ewing men are very tough and the Ewing women have to be even tougher. I had to take a horsewhip to the boy’s father before he’d do right by me and you may have to do the same thing.” I really love how the horsewhip tale recurs all the way through the Ewing saga: from “Old Acquaintance” in ’78 to “The Early Years” in ’86 to this episode in ’89 to, albeit less directly, Cally’s reappearance as a middle-aged woman at JR’s memorial service in 2013.</p><p></p><p>Interestingly, the one Ewing who doesn’t react to Cally’s arrival as one might expect is Bobby. In place of moral indignation at JR having taken advantage of an innocent young girl there’s a kind of amused detachment, as if he were a viewer watching at home. This results in some fun exchanges between the brothers. “She’s nothing but a little hillbilly,” JR insists. “She’s hillbilly with a marriage license,” counters Bobby. “Well, I’m gonna take care of that soon enough,” JR replies. “Yeah, I guess you’re right — divorcing her would be a lot kinder than staying married to her,” quips Bobby. This last line is essentially a jokier version of the point Greg made to Paige just before his wedding to Abby last week: “If we spent any time together, the way you feel right now is the way you would always feel.”</p><p></p><p>Back on DYNASTY, cousin Virginia undergoes a second makeover in as many episodes, but this time it’s all her own handiwork. After exhibiting an unexplained hostility towards Dex, she shows up at his apartment. “You really don’t remember, do you?” she asks him. While he is distracted by a phone call, she swiftly applies some Abby-style eye makeup, redoes her hair and slips off her raincoat to reveal a dominatrix-style variation on Cally’s tight black dress. “Do you remember now? … I used to call myself Ginger,” she pouts. Dex’s slack-jawed response suggests that he certainly does remember.</p><p></p><p>As if one redheaded relative who answers to the name of Virginia was not enough, another arrives in Soap Land this week — Val’s Aunt Ginny Bea on KNOTS. Like her DYNASTY namesake she has secrets, but hers involve homemade cookies and beat poets rather than prostitution and eating out of trashcans. The cookies are those she’s been feeding to Bobby and Betsy on the sly, while her claim that she has never previously visited California turns out to be a fib. “I visited California in the fifties,” she admits to Karen. “I used to listen to Ginsberg read poetry at City Lights.” The real reason for her current visit is to check on Val. “Honey, I didn’t want her to think I was spying on her,” she explains.</p><p></p><p>While Ginny has Val’s twins literally eating out of her hand, their cousin John Ross is less receptive to the new relative in his midst. At first, he mistakes Cally for a friend of Lucy’s, but soon learns to follow his father’s lead and regard his new stepmom with contempt: “Don’t expect me to call you Mother … I already have a mother who looks and acts like a mother, not like one of the girls in my class.”</p><p></p><p>John Ross putting Cally down feels like a turning point as significant as Olivia calmly standing up to her mother on last week’s KNOTS. Whereas Olivia finally seems to be emerging from her brat phase, John Ross is now entering his. Perhaps it’s no coincidence that these character developments are happening just a few months before Abby and Sue Ellen’s respective departures from Soap Land. Both Olivia and John Ross have been very much defined by their relationships to their moms and without them around, they’ll need to be established as more independent personalities.</p><p></p><p>During a talk with Christopher, John Ross admits to a certain ambivalence regarding Sue Ellen: “She shot my dad. But she’s my mom. I don’t know what to think about her.” Needless to say, these mixed feelings will carry over into their relationship on New DALLAS. Over on DYNASTY, Adam makes a similarly interesting admission about Krystle. “We didn’t get that close, but now that she’s gone I miss her,” he tells Virginia.</p><p></p><p>Elsewhere on DYNASTY, Zorelli endears himself to Fallon when he shows up at her son’s skating lesson and takes a tumble on the ice. This is a near-identical scenario to Bobby and Lisa Alden’s meet-cute on last season’s DALLAS. One might chalk this up to coincidence if David Paulsen, himself a former ice skater, was not the producer of both episodes. This time around, however, Paulsen resists the urge to make a cameo appearance as a skater unsteady on the ice, leaving the prat falls to Zorelli instead.</p><p></p><p>Zorelli and Fallon wind up back at his place for a taking-off-each-other’s-clothes scene that’s a more sweetly uncertain variation on Sue Ellen and Nicholas’s breathy strip from last season’s DALLAS. Zorelli’s apartment isn’t as fancy as Nick’s. Its exposed-brickwork-and-dartboard decor more strongly resembles Mack’s new office space on KNOTS — a suitably “authentic” environment for two macho yet caring Italian-American justice-seekers who don’t always play by the rules. Mack’s realtor makes sure to play the authenticity card in her sales pitch: “This is the original hardwood floor. It’s a real neighbourhoody neighbourhood — no strip shopping centres, no big national chains.” Mack’s first order of business as an attorney-for-hire is a pro-bono case on behalf of a group of homeless people, which he wins with ease. (Krystle would surely have applauded.) The bad news is that despite changing his job, he still hasn’t been able to ditch his perpetually gurning, aren’t-I-just-adorable secretary, Peggy, who has replaced FC’s Melissa as the one Soap Land character who makes me swear irrationally at the screen.</p><p></p><p>Other Zorelli/Mack parallels: While Fallon nicknames Zorelli Zorro, Mack recalls “a deli that was on the block when I was growing up on New York called Lazorro’s and I played Zorro because I was always ripping off apples and carrots and stuff.” And just as Mack made a song and dance about finding anchovies on his pizza a few weeks ago, Zorelli also proves somewhat particular on the subject: “A pizza should be hot and dripping with onion and cheese and anchovies, if a person likes that kind of thing.”</p><p></p><p>Alexis, a no-show for the second DYNASTY episode in a row, is proving to be a more impressive business woman off screen than on. “She has managed to put out most of the fires we started at her overseas offices,” complains Sable. Sue Ellen, meanwhile, appears impressively assertive onscreen, coolly announcing her intention to own and run a Hollywood movie studio. However, she does lose serious business points for rolling her eyes at a guy who tries to pitch the concept of an ATM machine to her (“We’re gonna go world-wide with these Automatic Teller Machines! They’ll take any credit card, any bank card and they’ll automatically compute the rate of exchange in foreign countries!”) “From now on, I don’t wanna see any more people like that coming in for financing,” she informs her secretary dismissively.</p><p></p><p>As an heiress with no discernible talent for business, DALLAS’s Lucy serves pretty much the same purpose as Emma on FALCON CREST — to deliver wisecracks at family functions and get her heart broken on a regular basis. As this role is not compatible with a lasting relationship, it makes sense that Emma should be written out of FC immediately following her wedding to RD Young at the end of last week’s episode. Likewise, Lucy’s return to DALLAS must necessarily spell the end of her marriage to Mitch and thus she receives her final divorce papers in this week’s ep.</p><p></p><p>Lucy’s too upset to attend the annual Oil Barons Ball which is a shame because it’s the last Ball of the series and the most fun one since 1983 when Cliff was voted Oil Man of the Year and the Barneses and Ewings beat each other up. This year’s party plays like an extended version of the powder room scene from that Ball when Pam, Jenna, Katherine, Afton and Sue Ellen all came face to face. Here, sparks fly when various combinations of female characters who are or have been involved with Bobby (Tracey, Tammy, April), JR (Cally, Sue Ellen, April again) and even Cliff (Tammy, Marilee Stone) interact. Unlike DYNASTY and FALCON CREST, DALLAS has never been all that interested in bitchiness for its own sake, so each of these confrontations feels specific and dramatically juicy. The best of the lot is the first meeting of Cally and Sue Ellen which, in turn, leads to a showdown between Sue Ellen and her ex-husband: “JR, you got that little girl into bed by telling her that I was a drunk, a cheat and I neglected my child!” She then lands a punch on him even more impressive than the whack Sable gives Jeff Colby at the end of this week’s DYNASTY when he accuses her of trying to get her claws into Blake: “Ever since my father had the good sense to get rid of you, you’ve been on the prowl for a new coat of arms.”</p><p></p><p>While DYNASTY ends on a shot of Sable seething and KNOTS with Jill looking scared after realising Gary may be onto her, DALLAS concludes with a great freeze frame of the Ball in disarray, with various characters looking or heading in different directions following the news that Carter McKay is the new Head of West Star. “It won’t be long before we’re wishing Jeremy Wendell was back!” predicts JR.</p><p></p><p>And this week’s Top 3 are …</p><p></p><p>1 (3) DALLAS</p><p>2 (1) KNOTS LANDING</p><p>3 (-) DYNASTY</p></blockquote><p></p>
[QUOTE="James from London, post: 138972, member: 22"] [U]25 Jan 89: DYNASTY: Ginger Snaps v. 26 Jan 89: KNOTS LANDING: Mrs. Peacock in the Library with the Lead Pipe v. 27 Jan 89: DALLAS: The Two Mrs. Ewings[/U] Will Krystle survive her operation? Will Greg and Abby’s wedding actually take place? These were the burning questions we were left with at the end of the last episodes of DYNASTY and KNOTS LANDING. This week, however, neither show is in much of a hurry to answer them. We’re four scenes into DYNASTY before we learn that Krystle’s surgery took place two narrative weeks earlier and that she’s been in a coma ever since. “Blake, it’s over,” says Dr Walt Driscoll flatly. “Her heart’s still beating, but she’s dead … You’ve got to accept it. She’s gone.” He urges Blake to return home from Switzerland and get on with his life. “So I’m supposed to just leave, not even take time to mourn?” Blake asks. It’s an interesting question — and the point at which DYNASTY’s audacious decision to set Krystle’s prognosis at some unspecified point in the past really pays off. With the honourable exception of the year Karen Fairgate took to mourn Sid on KNOTS LANDING, Soap Land’s never been very comfortable when it comes to portraying the grieving process (Jeff Colby reprimanding his wife Kirby for not being over her father’s suicide on the day of his funeral being a prime example). “Blake, you’ve been mourning her for three years now, ever since I first told you about her condition,” Dr Walt points out. Combine this argument with the terms of Krystle’s living will (“She knew it might come to this and she wanted freedom for both of you”) and it’s clear that DYNASTY has learned from the not-so-final finality of Bobby Ewing’s death and the clunky exit of Pam Ewing two years later and even found a way around the awkward questions surrounding Laura Avery’s decision to die alone, and come up with the departure of a major Soap Land character that gets to have its cake and eat it too — a “death” that feels satisfyingly conclusive while still leaving the door open for a possible return. As a consequence, the scene where Blake gathers the Carringtons to tell them that “Krystle is gone [and] I am determined to carry out her wish, that our lives must go on” feels far less jarring than the equivalent moment in last season’s DALLAS where Bobby told the Ewings to consider Pam “a closed subject.” The loss of the family matriarch might be the single most tragic thing to have happened to the Carringtons since the series began, but in the spirit of moving on, Blake goes directly from this scene into a furtive meeting with Dex about an entirely different, more dramatically pressing matter. Indeed, now that Krystle is dead on DYNASTY, Greg and Abby are married on KNOTS and the range war is over on DALLAS, it’s time for other storylines that have been simmering quietly in the background — involving the repercussions of JR’s adventures in Haleyville, Jill’s attack on Val and the discovery of the body at the lake — to take centre stage once again. DYNASTY’s ongoing mystery, which has already shifted from “Who is the dead man at the lake?” to “Who killed Roger Grimes?”, now expands to include “What else is Blake trying to hide?” His cryptic conversation with Dex provides more questions than answers. “If what happened at the bottom of the lake ever came to light … it would put shame onto the families,” says Dex. “We have to protect that secret,” Blake concurs. There’s a great twist on KNOTS, meanwhile, when David Lamb, the guy Jill picked up on the night of Val’s overdose, resurfaces to accuse her of giving him syphilis. (“Do you know how many times I’ve been unfaithful in fifteen years? Once … and I have the stinking luck to do it with a slut that’s got VD!”) Perhaps surprisingly, KNOTS was a little more circumspect than DALLAS and DYNASTY when the soaps started making reference to AIDS and safe sex about a year ago, but it now gives us a lecture that’s practically ‘STDs 101’ — but with a strong sense of irony running through it. Lest we forget, Jill didn’t sleep with David even though he thinks she did. However, for the sake of her alibi, she is obliged to put herself and an extremely pissed off Gary through the indignity of getting tested. In the process, Gary inadvertently learns of Jill’s prescription for secobarbital “and she got the prescription filled the same week she went to San Francisco,” he tells Mack. Watching them finally start to put the pieces of the puzzle together is immensely satisfying. Abby and Greg appear only a couple of times on this week’s KNOTS. The first is on their wedding night, which is when we realise that the ceremony must have gone without a hitch. It also becomes apparent that, unlike Richard Channing and Terry Ranson who got married for similar reasons on FALCON CREST a few years ago, they fully intend to consummate their union. “It’s not like we haven’t made love before,” Abby reminds Greg. “Yeah, but that was a long time ago. It doesn’t count,” he tells her. “You mean this is gonna be like the first time — exploration, [I]discovery?[/I]” she says provocatively as she starts to unbutton his pyjamas. If there’s a certain innuendo in Abby’s delivery of the word “discovery”, it’s pretty mild in comparison to the following exchange on DYNASTY. “As you know, I’m expanding rapidly,” says Dex, explaining his reason for offering Joanna Sills a job with his company. “Yes, I noticed that the other night,” she purrs in reply. For ‘80s Soap Land this is pretty racy stuff and very much in keeping with the ramped up sexiness that’s been on display of late. Likewise on DALLAS, the (brilliant) line JR delivers following a spat with Bobby — “Mama shoulda had her tubes tied together right after I was born” — seems to belong specifically to this era. (It also paves the way for the kind of explicitly gynaecological dialogue we now hear on New DYNASTY almost as a matter of course. New Alexis’s recent putdown — “You low-level vaginal climber" — springs most immediately to mind.) Unlike Abby and Greg’s honeymoon, JR and Cally’s new marriage is very much about separate bedrooms. “You’re not gonna sweet-talk me into bed again,” says Cally. “Either you tell everybody I’m your wife or you can just stay away from me.” Whereas Jock encouraged JR to “see to your wife” on Pam’s first night at Southfork ten years ago, Miss Ellie is on hand to make sure JR doesn’t see too much of Cally on hers. Greg has another reason to be excited on his wedding night. “Tomorrow morning, I’m finally gonna see what you look like without your eye makeup,” he tells Abby. It’s not like we haven’t seen Abby without her eye makeup before, but maybe[I] that[/I] was so long ago it doesn’t count either. Ultimately, she manages to keep one step ahead of both Greg and the cameraman when she steps out of the shower the following morning [I]mascara intacta[/I]. Makeup — or more specifically, makeovers — play a specific role on this week’s DYNASTY and DALLAS as well. Just as Sable insisted on glamorising a reluctant Virginia prior to Krystle and Blake’s wedding, so Lucy volunteers to do the same for Cally in preparation for her first family dinner at Southfork. (She starts by taking her clothes shopping: “I’m gonna teach you the only two words you need to know … ‘Charge it.’”) When Sable presented Virginia to the wedding guests as “the sleeping beauty who has awakened”, everyone was thrilled. When Lucy presents Cally, looking more like a baby fawn disguised as a hooker, everyone is stunned. Cally’s fish-out-of-water situation is funny — it’s not every day you see a Ewing wife reminiscing fondly about pig-feeding or searching for the nearest laundry tub — but it’s not Cally herself we are laughing at. Well, OK, maybe it is — especially when she tries to sit down in that too tight, too low-cut black dress Lucy has wickedly picked out for her (a moment reminiscent of Karen’s “slave to fashion” faux pas on last season’s KNOTS) — but we’re rooting for her nonetheless. She may be a cornpone archetype on paper, but she’s also as vulnerable and real a character as anyone else in Soap Land right now. And while the tone of her storyline is as lighthearted as DALLAS has ever been, the behaviour of nearly all the remaining Ewings is reassuringly in character. By tarting Cally up, Lucy is revelling in the family’s embarrassment just as she did when Bobby first brought Pam back to the ranch and she encouraged Ray to kiss the bride. As for JR, his reaction to seeing his new wife so gaudily attired is the same as when Sue Ellen tried to impress him with sexy lingerie back in the mini-series. “What the hell is that?” he asks in dismay before running for the hills: “Mama, I’ll be having dinner in town tonight.” Most resonant of all is Miss Ellie bestowing on Cally the same lecture she gave Pam in Season 1: “The Ewing men are very tough and the Ewing women have to be even tougher. I had to take a horsewhip to the boy’s father before he’d do right by me and you may have to do the same thing.” I really love how the horsewhip tale recurs all the way through the Ewing saga: from “Old Acquaintance” in ’78 to “The Early Years” in ’86 to this episode in ’89 to, albeit less directly, Cally’s reappearance as a middle-aged woman at JR’s memorial service in 2013. Interestingly, the one Ewing who doesn’t react to Cally’s arrival as one might expect is Bobby. In place of moral indignation at JR having taken advantage of an innocent young girl there’s a kind of amused detachment, as if he were a viewer watching at home. This results in some fun exchanges between the brothers. “She’s nothing but a little hillbilly,” JR insists. “She’s hillbilly with a marriage license,” counters Bobby. “Well, I’m gonna take care of that soon enough,” JR replies. “Yeah, I guess you’re right — divorcing her would be a lot kinder than staying married to her,” quips Bobby. This last line is essentially a jokier version of the point Greg made to Paige just before his wedding to Abby last week: “If we spent any time together, the way you feel right now is the way you would always feel.” Back on DYNASTY, cousin Virginia undergoes a second makeover in as many episodes, but this time it’s all her own handiwork. After exhibiting an unexplained hostility towards Dex, she shows up at his apartment. “You really don’t remember, do you?” she asks him. While he is distracted by a phone call, she swiftly applies some Abby-style eye makeup, redoes her hair and slips off her raincoat to reveal a dominatrix-style variation on Cally’s tight black dress. “Do you remember now? … I used to call myself Ginger,” she pouts. Dex’s slack-jawed response suggests that he certainly does remember. As if one redheaded relative who answers to the name of Virginia was not enough, another arrives in Soap Land this week — Val’s Aunt Ginny Bea on KNOTS. Like her DYNASTY namesake she has secrets, but hers involve homemade cookies and beat poets rather than prostitution and eating out of trashcans. The cookies are those she’s been feeding to Bobby and Betsy on the sly, while her claim that she has never previously visited California turns out to be a fib. “I visited California in the fifties,” she admits to Karen. “I used to listen to Ginsberg read poetry at City Lights.” The real reason for her current visit is to check on Val. “Honey, I didn’t want her to think I was spying on her,” she explains. While Ginny has Val’s twins literally eating out of her hand, their cousin John Ross is less receptive to the new relative in his midst. At first, he mistakes Cally for a friend of Lucy’s, but soon learns to follow his father’s lead and regard his new stepmom with contempt: “Don’t expect me to call you Mother … I already have a mother who looks and acts like a mother, not like one of the girls in my class.” John Ross putting Cally down feels like a turning point as significant as Olivia calmly standing up to her mother on last week’s KNOTS. Whereas Olivia finally seems to be emerging from her brat phase, John Ross is now entering his. Perhaps it’s no coincidence that these character developments are happening just a few months before Abby and Sue Ellen’s respective departures from Soap Land. Both Olivia and John Ross have been very much defined by their relationships to their moms and without them around, they’ll need to be established as more independent personalities. During a talk with Christopher, John Ross admits to a certain ambivalence regarding Sue Ellen: “She shot my dad. But she’s my mom. I don’t know what to think about her.” Needless to say, these mixed feelings will carry over into their relationship on New DALLAS. Over on DYNASTY, Adam makes a similarly interesting admission about Krystle. “We didn’t get that close, but now that she’s gone I miss her,” he tells Virginia. Elsewhere on DYNASTY, Zorelli endears himself to Fallon when he shows up at her son’s skating lesson and takes a tumble on the ice. This is a near-identical scenario to Bobby and Lisa Alden’s meet-cute on last season’s DALLAS. One might chalk this up to coincidence if David Paulsen, himself a former ice skater, was not the producer of both episodes. This time around, however, Paulsen resists the urge to make a cameo appearance as a skater unsteady on the ice, leaving the prat falls to Zorelli instead. Zorelli and Fallon wind up back at his place for a taking-off-each-other’s-clothes scene that’s a more sweetly uncertain variation on Sue Ellen and Nicholas’s breathy strip from last season’s DALLAS. Zorelli’s apartment isn’t as fancy as Nick’s. Its exposed-brickwork-and-dartboard decor more strongly resembles Mack’s new office space on KNOTS — a suitably “authentic” environment for two macho yet caring Italian-American justice-seekers who don’t always play by the rules. Mack’s realtor makes sure to play the authenticity card in her sales pitch: “This is the original hardwood floor. It’s a real neighbourhoody neighbourhood — no strip shopping centres, no big national chains.” Mack’s first order of business as an attorney-for-hire is a pro-bono case on behalf of a group of homeless people, which he wins with ease. (Krystle would surely have applauded.) The bad news is that despite changing his job, he still hasn’t been able to ditch his perpetually gurning, aren’t-I-just-adorable secretary, Peggy, who has replaced FC’s Melissa as the one Soap Land character who makes me swear irrationally at the screen. Other Zorelli/Mack parallels: While Fallon nicknames Zorelli Zorro, Mack recalls “a deli that was on the block when I was growing up on New York called Lazorro’s and I played Zorro because I was always ripping off apples and carrots and stuff.” And just as Mack made a song and dance about finding anchovies on his pizza a few weeks ago, Zorelli also proves somewhat particular on the subject: “A pizza should be hot and dripping with onion and cheese and anchovies, if a person likes that kind of thing.” Alexis, a no-show for the second DYNASTY episode in a row, is proving to be a more impressive business woman off screen than on. “She has managed to put out most of the fires we started at her overseas offices,” complains Sable. Sue Ellen, meanwhile, appears impressively assertive onscreen, coolly announcing her intention to own and run a Hollywood movie studio. However, she does lose serious business points for rolling her eyes at a guy who tries to pitch the concept of an ATM machine to her (“We’re gonna go world-wide with these Automatic Teller Machines! They’ll take any credit card, any bank card and they’ll automatically compute the rate of exchange in foreign countries!”) “From now on, I don’t wanna see any more people like that coming in for financing,” she informs her secretary dismissively. As an heiress with no discernible talent for business, DALLAS’s Lucy serves pretty much the same purpose as Emma on FALCON CREST — to deliver wisecracks at family functions and get her heart broken on a regular basis. As this role is not compatible with a lasting relationship, it makes sense that Emma should be written out of FC immediately following her wedding to RD Young at the end of last week’s episode. Likewise, Lucy’s return to DALLAS must necessarily spell the end of her marriage to Mitch and thus she receives her final divorce papers in this week’s ep. Lucy’s too upset to attend the annual Oil Barons Ball which is a shame because it’s the last Ball of the series and the most fun one since 1983 when Cliff was voted Oil Man of the Year and the Barneses and Ewings beat each other up. This year’s party plays like an extended version of the powder room scene from that Ball when Pam, Jenna, Katherine, Afton and Sue Ellen all came face to face. Here, sparks fly when various combinations of female characters who are or have been involved with Bobby (Tracey, Tammy, April), JR (Cally, Sue Ellen, April again) and even Cliff (Tammy, Marilee Stone) interact. Unlike DYNASTY and FALCON CREST, DALLAS has never been all that interested in bitchiness for its own sake, so each of these confrontations feels specific and dramatically juicy. The best of the lot is the first meeting of Cally and Sue Ellen which, in turn, leads to a showdown between Sue Ellen and her ex-husband: “JR, you got that little girl into bed by telling her that I was a drunk, a cheat and I neglected my child!” She then lands a punch on him even more impressive than the whack Sable gives Jeff Colby at the end of this week’s DYNASTY when he accuses her of trying to get her claws into Blake: “Ever since my father had the good sense to get rid of you, you’ve been on the prowl for a new coat of arms.” While DYNASTY ends on a shot of Sable seething and KNOTS with Jill looking scared after realising Gary may be onto her, DALLAS concludes with a great freeze frame of the Ball in disarray, with various characters looking or heading in different directions following the news that Carter McKay is the new Head of West Star. “It won’t be long before we’re wishing Jeremy Wendell was back!” predicts JR. And this week’s Top 3 are … 1 (3) DALLAS 2 (1) KNOTS LANDING 3 (-) DYNASTY [/QUOTE]
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