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<blockquote data-quote="Daniel Avery" data-source="post: 366445" data-attributes="member: 27"><p>There was also a scene where the villain shoved the young heroine into the back of a limousine. On that platform behind the back seat was a <em>desk phone</em> with light-up buttons for multiple lines, which must have been an early effort at a car phone. In mid-kidnapping there was a buzz (not a ring) from the phone, which distracted the villain long enough for the heroine to escape. I'm still not sure if this was what rich people had in their 1981 limos, or if the set designers had no idea what they were doing and it's actually a goof. It's kind of charming, since EON ran on a lowest-of-the-low budget yet managed to crank out fascinating and addictive stories.</p></blockquote><p></p>
[QUOTE="Daniel Avery, post: 366445, member: 27"] There was also a scene where the villain shoved the young heroine into the back of a limousine. On that platform behind the back seat was a [I]desk phone[/I] with light-up buttons for multiple lines, which must have been an early effort at a car phone. In mid-kidnapping there was a buzz (not a ring) from the phone, which distracted the villain long enough for the heroine to escape. I'm still not sure if this was what rich people had in their 1981 limos, or if the set designers had no idea what they were doing and it's actually a goof. It's kind of charming, since EON ran on a lowest-of-the-low budget yet managed to crank out fascinating and addictive stories. [/QUOTE]
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