The Facts of Life

ClassyCo

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With THE FACTS OF LIFE live version forthcoming on ABC, I figured there was no time like the present to initiate a discussion about the original television series. A spin-off of the popular DIFF'RENT STROKES, the series aired on NBC from August 24, 1979, to May 7, 1988, producing nine seasons and 201 episodes.

It starred Charlotte Rae as Edna Garrett, a house mother (and later school dietitian) at an all-girls school. The first season was cluttered with a host of different young actresses, although this was later rectified with a quartet of young girls from season two onward: Lisa Whelchel as snooty rich girl Blair Warner; Kim Fields as sarcastic Tootie Ramsey; Mindy Cohn as goofball Natalie Green; and Nancy McKean as tomboyish Jo Polniaczek. With this stable ensemble, the series continued successfully for several years. Amidst behind-the-scenes controversies with the girls' weight, comedienne Joan Rivers jokingly referred to the show as "The Fats of Life" on her late-night talk show.

THE FACTS OF LIFE was well-known for tackling topical issues over the course of its nine-season-run. The show was enjoyed significant popularity overseas and has continued to draw respectable ratings in syndicated reruns.
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Crimson

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With THE FACTS OF LIFE live version forthcoming on ABC,

The "live" versions of ALL IN THE FAMILY and THE JEFFERSONS were fun because appropriate actors were cast. Having middle-aged actors playing the kids and teens of THE FACTS OF LIFE and DIFF'RENT STROKES looks like some misguided SNL sketch.

I have some nostalgia for THE FACTS OF LIFE; I watched it regularly although, like a lot of shows, my interest faded long before the series ended. Some years ago, a cable channel ran a marathon and I watched far more than I expected. The maddeningly infectious theme song kept hooking me.
 

ClassyCo

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I haven't seen the show in at least a decade, but just thinking it about it has the theme stuck in my head.

♬ You take the good, you take the bad, You take them both and there you have, The facts of life, the facts of life ♬ is going to be stuck in my head for days.
It's been randomly stuck inside my own head for the past two or three days.​
 

Daniel Avery

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Alan Thicke and Gloria Loring wrote the theme song, I believe. Yeah, that Alan Thicke.

Facts of Life wasn't quite as heavy-handed in its "messages" as Diff'rent Strokes, thankfully, and in the later years was more of a show about the relationships between the characters rather than "message of the week". It was thoroughly ridiculous that the girls/women would continue to live together (even sharing those tiny rooms) after they'd graduated college and were still running that novelty shop, but you could overlook a lot of that as "sitcom necessity".
 

DallasFanForever

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I have to admit it just wasn’t one of my favorite sitcoms. For some reason I just couldn’t get into it. I’ll give it its due though, as I did not realize it lasted for 9 seasons. That’s quite surprising to me.
 

Chris2

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I think it wins the record for most the most revamps of a single sitcom. The first season took place in the dorm of Eastland School, with Mrs Garrett as a housemother supervising seven girls. After the first season, the location moved to the school cafeteria, with Mrs Garrett now the school dietitian supervising four girls (including three carryovers from the previous season) on probation, and they helped in the kitchen. Then there were a few seasons where the girls are older and live with Mrs Garrett above her gourmet food shop and work there. And the last few seasons have the girls working and living with Mrs. Garrett’s sister at a gift shop, along with a couple of street urchins (one Australian). Very weird.

They also attempted a fourth revamp, with Blair back at Eastland running the school - now co-ed - and supervising a new set of kids, including the Australian urchin from the previous season. But NBC chose not to continue it.
 

ClassyCo

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I have to admit it just wasn’t one of my favorite sitcoms. For some reason I just couldn’t get into it. I’ll give it its due though, as I did not realize it lasted for 9 seasons. That’s quite surprising to me.
I like it best when it's Blair, Tootie, Natalie, Jo, and Mrs. Garrett and the girls are all still in school. So I guess that'll make me most partial to Seasons 2 through 4. I've watched the later seasons too, and I do like the "Reunion" episode they did that brought back the girls they lost during the second season shake-up, but the earlier seasons were best. When I think about THE FACTS OF LIFE, I think about them all being in school together, not adulting together and running a "hip" store.​

I like how you broke this all down for us into a more cohesive format to see the transitions and "revamps" of the course of nine seasons.
I think it wins the record for most the most revamps of a single sitcom. The first season took place in the dorm of Eastland School, with Mrs Garrett as a housemother supervising seven girls.
The first was really a mess, cluttered with far too many characters for a half-hour comedy. Charlotte Rae was a highlight, sure, and the girls that eventually got carried over (i.e. Lisa Whelchel, Kim Fields, and Mindy Cohn) were good, but the rest of them just seemed like too much. Too many personalities that crossed over and in some ways paralleled one another. And that first season theme song was awful!​
After the first season, the location moved to the school cafeteria, with Mrs Garrett now the school dietitian supervising four girls (including three carryovers from the previous season) on probation, and they helped in the kitchen.
This is the set-up I think about when I think of THE FACTS OF LIFE in my mind. These was the glory days of the show. Once they thinned out the cast and brought on Nancy McKeon as Jo, the cast just rounded out better. With fewer girls occupying the screen time, each of the four girls they decided to focus on brought a distinct personality to the table, and Mrs. Garrett was there managing it all. Hilarity galore!​
Then there were a few seasons where the girls are older and live with Mrs Garrett above her gourmet food shop and work there.
Having the girls grow up, still live together, and still be friends was good for sentimental reasons. Audiences that followed the show and looked at these characters as part of their family and circle of friends wanted to see them stick together and go forward with their lives. On a more logical note, however, the characters would've eventually drifted apart as their personal and professional lives drew them all in different directions. As close of they all were, it isn't reality for four maturing women to continue to live together with the overseeing of a "housemother" (and this is from a viewer who is an avid viewer of THE GOLDEN GIRLS and has been for years).​
And the last few seasons have the girls working and living with Mrs. Garrett’s sister at a gift shop, along with a couple of street urchins (one Australian). Very weird.
Yeah, I think "weird" basically sums up this phase of the show. I've never been a major fan of Cloris Leachman (not even on MARY TYLER MOORE from a decade earlier), so she definitely makes me miss Charlotte Rae if ever I watch an episode from those final seasons. Maybe if they had let the girls go it alone it would've worked better, but then I guess the title of the show wouldn't have made much sense.​
They also attempted a fourth revamp, with Blair back at Eastland running the school - now co-ed - and supervising a new set of kids, including the Australian urchin from the previous season. But NBC chose not to continue it.
This revamp seems like the most functional way they could've kept the show going after Season 9. But the network wasn't really interested. Charlotte Rae had already bailed, I don't think they really wanted to keep Cloris Leachman around, and Nancy McKeon and Mindy Cohn both wanted out. Lisa Whelchel seemed very content on staying, and Kim Fields probably would've had the offer been right, but NBC was weary to continue a show that was already nine years old, had declining ratings, and continuing cast shake-ups. I suppose it was smart on the network's part to cut their ties with a show that had served them well. Perhaps they just didn't want to completely run the show in the ground before calling it a day.


Alan Thicke and Gloria Loring wrote the theme song, I believe. Yeah, that Alan Thicke.

Facts of Life wasn't quite as heavy-handed in its "messages" as Diff'rent Strokes, thankfully, and in the later years was more of a show about the relationships between the characters rather than "message of the week". It was thoroughly ridiculous that the girls/women would continue to live together (even sharing those tiny rooms) after they'd graduated college and were still running that novelty shop, but you could overlook a lot of that as "sitcom necessity".
Yeah, THE FACTS OF LIFE weren't as involved in the "very special episode" gimmick as shows like DIFF'RENT STROKES and MAUDE. But they did push it sometimes. I'd agree that I liked it better when they left the "messages" out of it. I don't watch sitcoms to see points being made.​
 

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I like that when they brought in Cloris Leachman, they did not make her a straight replacement for Mrs. Garrett. The girls no longer needed a mother-figure. Beverly Ann was more of a landlady/friend and a part of the ensemble rather than the star. In some ways, she needed the girls to be the voice of reason for her just as much as they needed advice from Beverly Ann.
 

ClassyCo

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I like that when they brought in Cloris Leachman, they did not make her a straight replacement for Mrs. Garrett. The girls no longer needed a mother-figure. Beverly Ann was more of a landlady/friend and a part of the ensemble rather than the star. In some ways, she needed the girls to be the voice of reason for her just as much as they needed advice from Beverly Ann.
That's true. Had Cloris been brought on as a "straight" replacement for Charlotte, I would've liked her even less. So... at least they didn't do that.
 

Chris2

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If I had been running the railroad, after Charlotte left, I would have moved the timeline ahead a year so that Tootie would have been in college and Jo and Blair would have already graduated from college. Then I would have moved the setting to New York City, with the four girls living together. The three older girls are working and Tootie is attending a school in NYC. No contrived gift shop setting and no Cloris or children, who just took away from the appeal of the four young women and their friendships. I don’t think they needed an adult figure at that point; in fact, Charlotte realized that and had been decreasing her appearances in her last couple of seasons.

The Blair-Runs-Eastland format was actually developed for Nancy McKeon; they had established that Jo was interested in education in previous seasons. They were going to have Jo return to Eastland as a teacher. But McKeon declined to do it, so it was - awkwardly - rewritten for Blair, where she buys the school and appoints herself headmistress. NBC was moving towards more sophisticated sitcoms at the time and passed on it. Just as well, because the new students in those last few episodes were really poorly conceived and cast - even worse than the first season girls. The producers who ran the show at the end of the series just didn’t know how to write authentic younger characters.

I like how you broke this all down for us into a more cohesive format to see the transitions and "revamps" of the course of nine seasons.

The first was really a mess, cluttered with far too many characters for a half-hour comedy. Charlotte Rae was a highlight, sure, and the girls that eventually got carried over (i.e. Lisa Whelchel, Kim Fields, and Mindy Cohn) were good, but the rest of them just seemed like too much. Too many personalities that crossed over and in some ways paralleled one another. And that first season theme song was awful!​
Lol. Charlotte Rae singing a few verses of the theme was not a great idea. The writing in the first season was SO corny. They brought on new writers in season 2 and that helped. And some of the young actresses during that first year were not great. The actress playing Sue Ann was particularly bad - she seemed like she was acting in some small-town high school play.
 

ClassyCo

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Lol. Charlotte Rae singing a few verses of the theme was not a great idea. The writing in the first season was SO corny. They brought on new writers in season 2 and that helped. And some of the young actresses during that first year were not great. The actress playing Sue Ann was particularly bad - she seemed like she was acting in some small-town high school play.
Season 1 was certainly a mess, but thankfully NBC was in such a desperate need to build-up their comedy line-up that they decided THE FACTS OF LIFE deserved a retooling to find its audience. And once it found its core audience, the show survived for a good lengthy run.​

Molly Ringwald seemed to recover fairly well from getting fired, though!
Yeah, I think it's fair to say that Molly rebounded quite spectacularly. In just a few years, she was the protégé of sorts for filmmaker John Hughes, who showcased her brilliantly in three of his mid-'80s coming-of-age classics: as the morbidly overlooked Sam Baker in SIXTEEN CANDLES (1984), as the snooty Claire Standish in THE BREAKFAST CLUB (1985), and as misfit Andie Walsh in PRETTY IN PINK (1986).

These films easily rank as some of the best coming-of-age "slices of life" there's ever been. Molly was quickly thrust to the forefront of young Hollywood's most in-demand actresses. She was also grouped into a group referred to as the "Brat Pack", which basically consisted of young actors and actresses in the mid-'80s that made a name for themselves in coming-of-age films.

Younger audiences are probably most familiar with Molly from THE SECRET LIFE OF AN AMERICAN TEENAGER.

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Season 1 was certainly a mess, but thankfully NBC was in such a desperate need to build-up their comedy line-up that they decided THE FACTS OF LIFE deserved a retooling to find its audience. And once it found its core audience, the show survived for a good lengthy run.​
Such was the success of The Facts of Life that CBS got cocky and thought My Sister Sam would take some of the audience from The Facts of Life, hence the move out of the cosy slot it had with Newhart and Kate and Allie.

Unfortunately, that move badly damaged MSS.
 

ClassyCo

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Such was the success of The Facts of Life that CBS got cocky and thought My Sister Sam would take some of the audience from The Facts of Life, hence the move out of the cosy slot it had with Newhart and Kate and Allie.

Unfortunately, that move badly damaged MSS.
THE FACTS OF LIFE slaughtered MY SISTER SAM in the ratings when CBS decided to shake-up their schedule.
 

Seaviewer

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It was thoroughly ridiculous that the girls/women would continue to live together (even sharing those tiny rooms) after they'd graduated college and were still running that novelty shop, but you could overlook a lot of that as "sitcom necessity".
Fortuitously, they grew up into the Golden Girls era and joined a slew of four-female comedies like Designing Women and 227 with the same four stereotypes.
THE FACTS OF LIFE slaughtered MY SISTER SAM in the ratings when CBS decided to shake-up their schedule.
We were blissfully ignorant of the US scheduling but there were a number of occasions when perfectly good shows would have inexplicably short runs.
 

AndyB2008

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Alan Thicke and Gloria Loring wrote the theme song, I believe. Yeah, that Alan Thicke.

Facts of Life wasn't quite as heavy-handed in its "messages" as Diff'rent Strokes, thankfully, and in the later years was more of a show about the relationships between the characters rather than "message of the week". It was thoroughly ridiculous that the girls/women would continue to live together (even sharing those tiny rooms) after they'd graduated college and were still running that novelty shop, but you could overlook a lot of that as "sitcom necessity".
Alan and Gloria did write the theme, along with Al Burton.

Facts of Life aired on NBC, which also aired Days of Our Lives, from which Gloria Loring would have her only charting Hot 100 hit, and she would have had a US Hot 100 No.1 (her son Robin Thicke managed to go one better with his infamous record) were it not for Huey Lewis and The News.

Friends and Lovers was not written by Gloria Loring - it was written by Jay Gruska, who composed the music for the Dean Cain Superman TV series, and Paul Gordon, later to get a US Hot 100 No.1 when he co-wrote Next Time I Fall for Peter Cetera (who had left Chicago by this point for a solo career) and Amy Grant. Unfortunately Next Time I Fall was never a hit in the UK like Glory Of Love was (his duet with Cher, After All, was never a UK hit either despite being in the Cybill Shepherd film Chances Are), and Amy Grant had to wait 5 years later to get a UK chart hit.
 
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