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<blockquote data-quote="Mel O&amp;#039;Drama" data-source="post: 197469" data-attributes="member: 23">The continuity between episodes has been a nice surprise. I&#039;m loving the elements of forced deception with journeys to separate railway stations and a second phone line being installed (Caroline imitating a cat was really funny).Elizabeth Counsell was on Brush Strokes around this time with similar - albeit far less subtle - designs on the lead character.Leading to her explaining irony and sarcasm. It works well because of the pairing of Penelope Keith&#039;s bluntness and Geoffrey Palmer&#039;s ability to seem as though his character&#039;s mind is constantly somewhere else.Nice to see some location work, presumably in Buckinghamshire. And the glamour of TV makes the Rover SD1 look very appealing indeed. It sounds so quiet and there&#039;s the burr walnut and the sumptuous velour seats. And it was quite a decent car by this time (despite the troubled history). It&#039;s the perfect mobile setting for terribly British smalltalk.</blockquote>

[QUOTE="Mel O'Drama, post: 197469, member: 23"] The continuity between episodes has been a nice surprise. I'm loving the elements of forced deception with journeys to separate railway stations and a second phone line being installed (Caroline imitating a cat was really funny). Elizabeth Counsell was on [I]Brush Strokes[/I] around this time with similar - albeit far less subtle - designs on the lead character. Leading to her explaining irony and sarcasm. It works well because of the pairing of Penelope Keith's bluntness and Geoffrey Palmer's ability to seem as though his character's mind is constantly somewhere else. Nice to see some location work, presumably in Buckinghamshire. And the glamour of TV makes the Rover SD1 look very appealing indeed. It sounds so quiet and there's the burr walnut and the sumptuous velour seats. And it was quite a decent car by this time (despite the troubled history). It's the perfect mobile setting for terribly British smalltalk. [/QUOTE]

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