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<blockquote data-quote="Willie Oleson" data-source="post: 82201" data-attributes="member: 8"><p>When Ann catches John Ross coming out of Emma's bedroom, she can longer deny the problem that threatens the harmony on Southfork.</p><p>That problem is Emma, and she tells her daughter that she won't allow her to wreck John Ross and Pamela's marriage.</p><p>[ATTACH=full]6266[/ATTACH]</p><p>Emma pushes the envelope when she accuses her mother of, well, pretty much everything - this was sort of acceptable when she still believed everything her father had told her.</p><p>But this time it's pure malice, and that's the reason Ann throws her out.</p><p>Later she regrets it because Emma could be in danger because of her father's involvement with the drugs cartel (it's not a traditional drugs cartel, but that doesn't make it less dangerous).</p><p>When Ann informs Harris about the situation he panics, and he tells the CIA man he wants out.</p><p>The CIA man calmly informs him there is nothing to "want" and orders Harris to continue with his mission.</p><p>[ATTACH=full]6267[/ATTACH]</p><p>But Harris has discovered some illegal-profit-stuff-things that could compromise the career of the dutiful CIA man, and he negotiates more manpower to protect his daughter.</p><p></p><p>Elena and Nicolas/Joaquin (they really love those double identities, don't they) are still digging for proof that the Ewings have framed Cliff for JR's murder.</p><p>Elena is not as cold-blooded as her quasi-stepbrother, so I'm curious to know how far she will go to avenge her father's misfortune.</p><p>[ATTACH=full]6268[/ATTACH]</p><p>Pamela receives a call from her father. She's not really interested in what he has to say, but Cliff is very surprised that she <em>believes</em> that he killed JR.</p><p>And somehow, that surprises <em>her</em>.</p><p>This is one of those exciting "uh-oh" moments because we know that this was the ultimate flaw in Bobby's (well, JR's) plan to eliminate Cliff Barnes.</p><p>If Pamela finds out about JR's post-mortem scheme, it could change everything!</p><p></p><p>In order to undo the damage done by John Ross, Sue Ellen tries to persuade the Governor to replace the railroad commissioner, the one with the woman-dressed-up-as-a-dog-fetish.</p><p>She knew he would refuse because that man is a significant contributor to McConaughey's career, but she tricked him with a present: a bottle of JR Ewing bourbon.</p><p>The cork of the bottle is bugged so they can record the underhanded strategy between the Governor and the railroad commissioner.</p><p>[ATTACH=full]6269[/ATTACH]</p><p>To be honest, I thought there was something cheesy 80s about it, but I can appreciate some unintentional humour every now and then.</p><p></p><p>And there's even more drama in the making, because Christopher Ewing's current sex-buddy - the dark-haired Kylie Minogue - has a child with John Ross' corrupt drilling foreman. The same guy who supplied Emma with the happy painkillers.</p><p>[ATTACH=full]6270[/ATTACH]</p><p>This story has a lot of potential, if properly intertwined with the other Southfork dramas.</p><p></p><p>In order to reactivate the deal with John Ross (icebreakers for Ewing Global's Antartic venture), Emma uses the information about Judith's side-business to blackmail her grandmother.</p><p>Judith teaches Emma the principles of being "a smart whore", and being used by John Ross is anything but smart.</p><p><em>"John Ross degrades you. If you think that's love then you're a worthless creature".</em></p><p><em>[ATTACH=full]6271[/ATTACH]</em></p><p>This scene shows Judith's instinct for self-preservation but also genuine concern for her granddaughter.</p><p>The question is: what does she value the most?</p><p></p><p>Judith is such a fabulous villain, especially now she's using a walking stick.</p><p>[ATTACH=full]6272[/ATTACH]</p><p></p><p>She could have been one of those Cleopatra Jones adversaries!</p><p>[MEDIA=youtube]RdqvrF41P4E[/MEDIA]</p><p></p><p>Bobby and Sue Ellen's plan to bug the Governor's office pays off, and this time it's John Ross who explodes with anger. It's a terrific scene.</p><p>[ATTACH=full]6273[/ATTACH]</p><p>It looks as if John Ross has become a full-time villain now.</p><p>But, looking back, it was a gradual process. In the first seasons I could still give him the benefit of the doubt.</p><p>Which doesn't change the fact that both John Ross and Bobby have good arguments why they should or shouldn't drill on Southfork.</p><p></p><p>John Ross tells his mother that she's The Enemy now.</p><p></p><p>As Alexis Colby would say: What a bunch!</p></blockquote><p></p>
[QUOTE="Willie Oleson, post: 82201, member: 8"] When Ann catches John Ross coming out of Emma's bedroom, she can longer deny the problem that threatens the harmony on Southfork. That problem is Emma, and she tells her daughter that she won't allow her to wreck John Ross and Pamela's marriage. [ATTACH=full]6266[/ATTACH] Emma pushes the envelope when she accuses her mother of, well, pretty much everything - this was sort of acceptable when she still believed everything her father had told her. But this time it's pure malice, and that's the reason Ann throws her out. Later she regrets it because Emma could be in danger because of her father's involvement with the drugs cartel (it's not a traditional drugs cartel, but that doesn't make it less dangerous). When Ann informs Harris about the situation he panics, and he tells the CIA man he wants out. The CIA man calmly informs him there is nothing to "want" and orders Harris to continue with his mission. [ATTACH=full]6267[/ATTACH] But Harris has discovered some illegal-profit-stuff-things that could compromise the career of the dutiful CIA man, and he negotiates more manpower to protect his daughter. Elena and Nicolas/Joaquin (they really love those double identities, don't they) are still digging for proof that the Ewings have framed Cliff for JR's murder. Elena is not as cold-blooded as her quasi-stepbrother, so I'm curious to know how far she will go to avenge her father's misfortune. [ATTACH=full]6268[/ATTACH] Pamela receives a call from her father. She's not really interested in what he has to say, but Cliff is very surprised that she [I]believes[/I] that he killed JR. And somehow, that surprises [I]her[/I]. This is one of those exciting "uh-oh" moments because we know that this was the ultimate flaw in Bobby's (well, JR's) plan to eliminate Cliff Barnes. If Pamela finds out about JR's post-mortem scheme, it could change everything! In order to undo the damage done by John Ross, Sue Ellen tries to persuade the Governor to replace the railroad commissioner, the one with the woman-dressed-up-as-a-dog-fetish. She knew he would refuse because that man is a significant contributor to McConaughey's career, but she tricked him with a present: a bottle of JR Ewing bourbon. The cork of the bottle is bugged so they can record the underhanded strategy between the Governor and the railroad commissioner. [ATTACH=full]6269[/ATTACH] To be honest, I thought there was something cheesy 80s about it, but I can appreciate some unintentional humour every now and then. And there's even more drama in the making, because Christopher Ewing's current sex-buddy - the dark-haired Kylie Minogue - has a child with John Ross' corrupt drilling foreman. The same guy who supplied Emma with the happy painkillers. [ATTACH=full]6270[/ATTACH] This story has a lot of potential, if properly intertwined with the other Southfork dramas. In order to reactivate the deal with John Ross (icebreakers for Ewing Global's Antartic venture), Emma uses the information about Judith's side-business to blackmail her grandmother. Judith teaches Emma the principles of being "a smart whore", and being used by John Ross is anything but smart. [I]"John Ross degrades you. If you think that's love then you're a worthless creature". [ATTACH=full]6271[/ATTACH][/I] This scene shows Judith's instinct for self-preservation but also genuine concern for her granddaughter. The question is: what does she value the most? Judith is such a fabulous villain, especially now she's using a walking stick. [ATTACH=full]6272[/ATTACH] She could have been one of those Cleopatra Jones adversaries! [MEDIA=youtube]RdqvrF41P4E[/MEDIA] Bobby and Sue Ellen's plan to bug the Governor's office pays off, and this time it's John Ross who explodes with anger. It's a terrific scene. [ATTACH=full]6273[/ATTACH] It looks as if John Ross has become a full-time villain now. But, looking back, it was a gradual process. In the first seasons I could still give him the benefit of the doubt. Which doesn't change the fact that both John Ross and Bobby have good arguments why they should or shouldn't drill on Southfork. John Ross tells his mother that she's The Enemy now. As Alexis Colby would say: What a bunch! [/QUOTE]
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