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<blockquote data-quote="Mel O&#039;Drama" data-source="post: 351465" data-attributes="member: 23"><p style="text-align: center"><strong><span style="font-size: 22px">Futtocks End </span></strong>(1970)</p> <p style="text-align: center"></p> <p style="text-align: center"><img src="https://external-content.duckduckgo.com/iu/?u=https%3A%2F%2Fwww.moviemem.com%2Fwp-content%2Fuploads%2F2020%2F07%2FFUTTOCKSENDHR-1.jpg&f=1&nofb=1&ipt=72b55257c1acdb101073104d900f2a44273473d29b1213006aa1ded9033c1fe1&ipo=images" alt="" class="fr-fic fr-dii fr-draggable " style="" /></p> <p style="text-align: center"></p> <p style="text-align: center">Following on from <em>A Home Of Your Own </em>and<em> San Ferry Anne</em>, this is the third of four Bob Kellet "silent" films of the era. Ronnie Barker is back, with Futtock being a variation of his Lord Rustless character from <em>Hark At Barker </em>(from an early 21st Century viewpoint I find it almost impossible to watch Rustless without seeing Stanley Johnson. Perhaps even Boris).</p> <p style="text-align: center"></p> <p style="text-align: center">Despite being presented as the centrepiece of the collection (at least on the Blu-ray set), I'd say the two earlier films charmed me a little more. Compared with the black and white films' early <em>Carry On</em> tone, this feels more like a <u>later</u> <em>Carry On</em>, with lots of cleavage and flashes of bottoms and silly "saucy" antics held together by a thin plot. It's not bad, though, and perfectly watchable, but let's just say I was ready for it to end by the time it wrapped up.</p> <p style="text-align: center"></p> <p style="text-align: center">Some familiar faces included Michael Hordern (he'll always be Badger to me); Julian Orchard (a familiar face from his dandy-type characters in a few <em>Carry Ons</em>) and Richard O'Sullivan playing the young boots. I'm fascinated by Richard's lifetime career taking him from troublemaking kid to swinging young thing (as he is here) to romantic lead to avuncular father figure, and now to elusive retiree.</p></blockquote><p></p>
[QUOTE="Mel O'Drama, post: 351465, member: 23"] [CENTER][B][SIZE=6]Futtocks End [/SIZE][/B](1970) [IMG]https://external-content.duckduckgo.com/iu/?u=https%3A%2F%2Fwww.moviemem.com%2Fwp-content%2Fuploads%2F2020%2F07%2FFUTTOCKSENDHR-1.jpg&f=1&nofb=1&ipt=72b55257c1acdb101073104d900f2a44273473d29b1213006aa1ded9033c1fe1&ipo=images[/IMG] Following on from [I]A Home Of Your Own [/I]and[I] San Ferry Anne[/I], this is the third of four Bob Kellet "silent" films of the era. Ronnie Barker is back, with Futtock being a variation of his Lord Rustless character from [I]Hark At Barker [/I](from an early 21st Century viewpoint I find it almost impossible to watch Rustless without seeing Stanley Johnson. Perhaps even Boris). Despite being presented as the centrepiece of the collection (at least on the Blu-ray set), I'd say the two earlier films charmed me a little more. Compared with the black and white films' early [I]Carry On[/I] tone, this feels more like a [U]later[/U] [I]Carry On[/I], with lots of cleavage and flashes of bottoms and silly "saucy" antics held together by a thin plot. It's not bad, though, and perfectly watchable, but let's just say I was ready for it to end by the time it wrapped up. Some familiar faces included Michael Hordern (he'll always be Badger to me); Julian Orchard (a familiar face from his dandy-type characters in a few [I]Carry Ons[/I]) and Richard O'Sullivan playing the young boots. I'm fascinated by Richard's lifetime career taking him from troublemaking kid to swinging young thing (as he is here) to romantic lead to avuncular father figure, and now to elusive retiree.[/CENTER] [/QUOTE]
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