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What was the last film you watched?
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<blockquote data-quote="Crimson" data-source="post: 438490" data-attributes="member: 5079"><p>With no exaggeration, I think it's one of the funniest scenes in cinema. I frequently pull it up on Youtube when I need a solid chuckle. Between Kline's aggrieved lunacy and Aitken's snotty nonchalance, it's a gem of a scene. Aitken's unperturbed delivery of that nonsensical name is peak droll comedy.</p><p></p><p></p><p></p><p>Right, Wanda is a perfect mix of Marilyn's 1953 roles -- the scheming feme fatale of NIAGARA and the comedic gold diggers of GENTLEMEN PREFER BLONDES and HOW TO MARRY A MILLIONAIRE. As much as I love the actual film, there is a quite wonderful version circa 1957 floating around in my head. I even have Marilyn film it right after finishing SHOWGIRL, although in real life her experience there with Olivier was awful and she was eager to return home.</p></blockquote><p></p>
[QUOTE="Crimson, post: 438490, member: 5079"] With no exaggeration, I think it's one of the funniest scenes in cinema. I frequently pull it up on Youtube when I need a solid chuckle. Between Kline's aggrieved lunacy and Aitken's snotty nonchalance, it's a gem of a scene. Aitken's unperturbed delivery of that nonsensical name is peak droll comedy. Right, Wanda is a perfect mix of Marilyn's 1953 roles -- the scheming feme fatale of NIAGARA and the comedic gold diggers of GENTLEMEN PREFER BLONDES and HOW TO MARRY A MILLIONAIRE. As much as I love the actual film, there is a quite wonderful version circa 1957 floating around in my head. I even have Marilyn film it right after finishing SHOWGIRL, although in real life her experience there with Olivier was awful and she was eager to return home. [/QUOTE]
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