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<blockquote data-quote="Mel O&amp;#039;Drama" data-source="post: 438494" data-attributes="member: 23">In the short time since I&#039;ve watched the film, I&#039;ve probably watched this clip somewhere between eight and twelve times. They bounce off each other wonderfully, and I love that her matter-of-fact dismissal of his oft-repeated line (&quot;Don&#039;t call me stupid&quot;. &quot;Why on earth not?&quot;)&nbsp; is what causes Kline&#039;s character to lose it. The fact that it comes at the end of the farcical sequence with characters hiding behind doors and sofas makes it so much richer. Yes. That line never fails to laugh out loud. Of course! Now you&#039;ve pointed it out, it&#039;s screamingly obvious. This would add another layer to a rewatch of the film for me. Perfect.&nbsp; I know Marilyn&#039;s life was very tumultuous at the time, so I&#039;m sure it would have taken a great deal of patience from co-stars and director (still George Crichton, presumably), but the end result sounds like magic.</blockquote>

[QUOTE="Mel O'Drama, post: 438494, member: 23"] In the short time since I've watched the film, I've probably watched this clip somewhere between eight and twelve times. They bounce off each other wonderfully, and I love that her matter-of-fact dismissal of his oft-repeated line ("Don't call me stupid". "Why on earth not?") is what causes Kline's character to lose it. The fact that it comes at the end of the farcical sequence with characters hiding behind doors and sofas makes it so much richer. Yes. That line never fails to laugh out loud. Of course! Now you've pointed it out, it's screamingly obvious. This would add another layer to a rewatch of the film for me. Perfect. I know Marilyn's life was very tumultuous at the time, so I'm sure it would have taken a great deal of patience from co-stars and director (still George Crichton, presumably), but the end result sounds like magic. [/QUOTE]

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Who played Sue Ellen in Dallas?