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DYNASTY versus DALLAS versus KNOTS LANDING versus the rest of them
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<blockquote data-quote="James from London" data-source="post: 103797" data-attributes="member: 22"><p><u>30 Sep 87: DYNASTY: The Siege (2) v. 01 Oct 87: KNOTS LANDING: The Trouble with Peter v. 02 Oct 87: DALLAS: The Son Also Rises v. 02 Oct 87: FALCON CREST: Opening Moves</u></p><p></p><p>At the end of last week’s DYNASTY and DALLAS, Blake Carrington entered the Carrington mansion to find his entire family had disappeared while Bobby Ewing discovered his son Christopher was missing from Southfork. Who will be the first man to track down his loved ones? While it takes Blake eighteen screen minutes to trace the remaining Carringtons to the old Lankershim/Blaisdel drill site where Matthew is still holding them hostage, Bobby learns within six screen minutes that Christopher has hitched a ride to Soap Memorial Hospital in the hopes of seeing his mother. </p><p></p><p>During the DYNASTY siege, the Carrington servants confront their own mortality. “Oh Gerard, I don’t think we’re ever going to get out of here,” whispers Jeanette before lamenting all the things they had talked about doing but never gotten round to (“a Sunday afternoon picnic … ice skating at Christmas”), presumably because their lives revolve around serving their rich masters. Similarly, as Chao Li lies at the bottom of the FALCON CREST staircase after taking a Clayton Farlow-ish tumble at the end of last season, his priority is not himself but his employer’s daughter Emma, currently teetering on the edge of the roof in a white nightdress as if she was Joan van Ark in a remake of “Three Sisters”. Things aren’t quite so extreme for Phyllis on DALLAS, but when Bobby gives her the go-ahead to start furnishing his new offices, she nonetheless breaks into a smile of disproportionate joy.</p><p></p><p>Falling down stairs isn’t the only thing Clayton and Chao Li have in common. Each refuses to take medical advice this week. “It’s my body and my life!” insists Clayton after being warned against over-exerting himself. “It’s my body! I won’t allow it!” echoes Chao Li when his doctor tells him surgery is “unavoidable”.</p><p></p><p>DYNASTY’s Morgan Hess becomes the latest character to exhibit signs of soap fatigue this week when he refuses to fulfil his primary dramatic function — in this case as a money-hungry private eye. “Why don’t we forget it?” he suggests when Alexis orders him to find the man who saved her life in last week’s episode. “You know, every time I get involved with you, I end up in nothing but trouble … Sometimes the bucks just aren’t that important.” Hess’s DALLAS equivalent, Harry McSween, reacted similarly last season when JR told him to dispose of Garrett Gordon’s body and, for the first time, he refused to take orders. Just as JR was able to change Harry’s mind, Alexis wins Hess round by admitting that this is “a personal thing, an affair of the heart.” JR similarly opens up when Harry reappears on this week’s DALLAS, explaining his decision not to hang Jock’s painting in his new office until “I do something he’d be proud of.” But while JR is candid about some things, he is less forthcoming about others. “It would help if I knew why you wanted all of this,” Harry ventures, regarding his latest assignment. “All you need to know is that you paid for your last house in cash,” JR replies tersely. Over on FALCON CREST, Angela sends out similarly mixed messages to her consigliere, Jay Spence. First, she entrusts him with the highly sensitive revelation that Richard Channing is her son, but then blackmails him over an unspecified marital infidelity into making sure Richard never finds out: “I want that evidence buried so deep it’ll take another earthquake to dig it up.”</p><p></p><p>During his discussion with Steven about AIDS at the end of last season, Blake painted a grim view of the outside world: “I’m worried about you being out in that kind of a world … I don’t want to see you die.” This week, Matthew suggests to Steven that the world outside is not as dangerous as the one he is currently living in. “You can’t survive in Blake Carrington’s world,” he tells him, “a jungle where men kill each other for sport or gain or survival.” Whereas Blake begged Steven to stay in Denver, Matthew asks him to accompany he and Krystle to “a place your father never allowed you to know … a good place, no war, no greed.”</p><p></p><p>Is Matthew talking about the jungles of Peru or somewhere more otherworldly? Since his return, we’ve seen him endure a series of painful-looking headaches. As this is Soap Land where a headache is never simply a headache, might we assume that he is dying and this whole escapade has been some kind of elaborate suicide mission? Speaking of unexplained symptoms, Laura Avery suffers a slight dizzy spell on KNOTS. While in the real world, this could easily be the result of low blood pressure, the ominous musical score suggests otherwise. Could Laura’s light-headedness be somehow connected to the news that she has reestablished communication with her ex-husband?</p><p></p><p>Yes, following Matthew Blaisdel and Katherine Wentworth, Richard Avery is the third character from Soap Land’s past to resurface unexpectedly in recent weeks (albeit offscreen). Just as Katherine insists on this week’s DALLAS that she has seen the error of her ways (“Bobby, I’ve changed … I was sick before. A sick person can get better … I’m me now”), Richard has apparently also turned over a new leaf. “I really think he’s cleaned up his act,” says Laura. “Yeah, and I’m Pope John,” Greg retorts. Equally cynical about Katherine’s claim, Bobby challenges her to turn herself over the authorities “and give up the plush life you’ve been leading in Europe.” “Bobby, my life has been anything but plush,” she replies. </p><p></p><p>If anyone in Soap Land has been leading a plush life in Europe it’s the mysterious French woman we are introduced to in this week’s FALCON CREST via an impressive montage sequence: an establishing shot of London (Big Ben, the House of Parliament) followed by a woman, her features obscured, in a luxurious apartment, stepping out of her bath then plunging her face into an ornate bowl of ice. We see a maid setting out her clothes then lighting her cigarette, followed by an expensive perfume bottle smashing to the floor as the news of Chase Gioberti’s death is announced by a radio newsreader with a cut-glass English accent. (Would the news of Chase’s apparent demise really make the morning news on the other side of the Atlantic? For the purposes of this montage, yes, dammit, it would.) Finally, the camera pans across the room to a signed photograph of a poignantly youthful, beardless Chase.</p><p></p><p>Having made her way to San Francisco (by private jet, inevitably) Mysterious French Woman checks into the Del Oro Spa. “I won’t be staying long,” she declares, as two full luggage carts are wheeled on behind her. C’est très Dominique Devereaux — only this time it’s not just the name that’s French-sounding. Whereas Dominique waited for a few episodes to land her shock pronouncement on Blake (“We have so much in common — our blood, our genes, our daddy”), Mysterious French Woman lets Maggie have it straightaway: “You may be Chase Gioberti’s widow, but I own you — lock, stock and vineyard.”</p><p></p><p>Chase’s “probable” drowning dominates this week’s FALCON CREST as Peter Hollister’s murder does KNOTS. When questioned by the police, most KL characters are keen to distance themselves from Peter. “I didn’t know the guy personally,” says Gary. “I didn’t really know him — I mean, not personally,” echoes Karen. “I can’t say that I was intimately involved with every aspect of my brother’s affairs,” adds Greg. Conversely, we see the news about Chase impact people all over the world — a past amour in London, a wartime buddy in North Africa, an indolent daughter in Morocco.</p><p></p><p>Gaining access to Pam Ewing’s last will and testament was relatively straightforward for JR on last week's DALLAS — all he needed to do was blackmail a nameless underling over some unknown misdemeanour. When it comes to sneaking a peek at Peter’s and Chase’s wills, Greg and Richard Channing do not find it so easy. Greg fails to persuade his attorney to break the law and show him the relevant documents. (The lawyer does reveal this much: “It seems Mrs Ewing owns slightly more than half of your brother.”) Richard, meanwhile, has henchman Garth break into Chase’s office to steal what appear to be the pertinent files, only to find a handwritten note from Chase instead. <em>“Guess I’ve always been one step ahead of you,”</em> it reads.</p><p></p><p>When JR learnt that Bobby would gain control of Pam’s fortune in the event of her death, he decided that the best strategy would be to make nice to his brother. Greg takes the opposite approach: “Abby figures she’s gonna inherit a small fortune, but don’t bet your mortgage on it. It’ll be a cold day in hell before that woman sees a penny.” To that end, he tries to pin Peter’s murder on her: “Something good ought to come out of all of this and hanging Abby Ewing out to dry might just make Peter’s death seem worthwhile.” Richard also takes action — he summons John Remick, that old soldier pal on the North African frontline, to the Tuscany Valley to fulfil his duties as the executor of Chase’s estate.</p><p></p><p>Back on DALLAS, even as JR tries to take advantage of Bobby’s crisis, he still insists that his gift of a new office came “from the bottom of my heart”. On FALCON CREST, Richard exhibits a similar duality towards Chase. Even as he schemes to gain control of his sometime cousin-sometime brother’s estate, he still refuses to stop looking for him. (“What do you mean you’re giving up the search? … I’ll hire my own damn navy if I have to!”) “I don’t know why I get so damn sentimental about family. I sure as hell never had any reason to,” he tells Garth ruefully before suddenly losing control and smashing a picture frame.</p><p></p><p>Maggie’s reaction to the loss of Chase is just as intriguing. It mirrors Val’s attitude to Ben’s recent disappearance on KNOTS. Both women seem almost eager to believe their husbands have gone forever. “I don’t wanna be filled with false hope,” Maggie insists, even as the search for Chase continues. “Last night I had this feeling … an emptiness, a coldness … Chase is probably dead. I need to come to terms with that.” This odd trend flies in the face of Soap Land convention. Usually when a soap character — be it Jock Ewing, Mark Graison, Steven, Fallon or Val’s twins — is presumed dead, those closest to them simply refuse to accept it. Val and Maggie’s behaviour could be another version of soap fatigue — worn down by all the traumas they have suffered over the years, it’s simply become easier to assume the worst.</p><p></p><p>Maggie is the most compelling Soap Land character at present. In one fell swoop, she finds herself reunited with her lost baby, in love with Richard and in mourning for Chase. While juggling these different emotions, she has gone from being balanced and reliable to volatile and unpredictable. When John Remick offers his help, she is suspicious. When Angela offers her condolences, she is hostile (“You come in here, you expect me to embrace you? As far as I am concerned, your hands are as bloody as Melissa’s … You turned your back on Chase a long time ago. Don’t you think I’m ever gonna forget that”) and when Chase’s grieving girlfriend Gabrielle comes calling with an olive branch, she’s even more coldly dismissive than Jenna was towards Pam at the end of last season’s DALLAS. “I am not your friend. I am never going to be … Maybe in time, I will learn to forget you,” she informs her briskly, showing her the door.</p><p></p><p>While this week’s DALLAS concludes with a pleased-looking JR hanging up Jock’s portrait following his first meeting with Casey Denault, the final scenes of the rest of the soaps each focus on a tense gathering of characters. Alexis joins Blake outside the bunkhouse for the climax of the siege on DYNASTY, everyone but Val and Lilimae convenes at Greg’s ranch for Peter’s memorial service on KNOTS, and Richard meets with Angela for a poolside summit at Falcon Crest to discuss “the interesting repercussions” of Chase’s death.</p><p></p><p>Each of these scenes culminates in an act of violence — Steven stabs Matthew to save Blake and Krystle, Abby strikes Gary when he accuses Olivia of killing Peter, and Angela’s pool man tries to shoot Richard (Jay Spence’s somewhat drastic way of ensuring Richard never learns who his real mother is). This puts Angela in the peculiar position of saving the life of the son she is trying to deny. “Tell him, Mother. Tell Richard who he really is,” urges Emma as the episode ends.</p><p></p><p>Back in DYNASTY’s first season, when relations between Steven and Blake were at their worst, Matthew became something of a surrogate father for Steven. If one thinks of Blake and Matthew as Steven’s two fathers, then perhaps there’s something symbolic about the fact that Steven ends up killing Matthew — as if he were killing the part of himself that Matthew represents (the Al Corley part, perhaps). Nor is that the only moment on this week’s DYNASTY that might be read metaphorically. Directly after Fallon flashes back to her UFO experience, she tells Jeff that she wants to move to Denver — almost as if her alien abduction and THE COLBYS’ cancellation are one and the same thing. There is literally no going back after that.</p><p></p><p>And this week’s Top 4 are …</p><p></p><p>1 (3) KNOTS LANDING</p><p>2 (-) FALCON CREST</p><p>3 (2) DYNASTY</p><p>4 (1) DALLAS</p></blockquote><p></p>
[QUOTE="James from London, post: 103797, member: 22"] [U]30 Sep 87: DYNASTY: The Siege (2) v. 01 Oct 87: KNOTS LANDING: The Trouble with Peter v. 02 Oct 87: DALLAS: The Son Also Rises v. 02 Oct 87: FALCON CREST: Opening Moves[/U] At the end of last week’s DYNASTY and DALLAS, Blake Carrington entered the Carrington mansion to find his entire family had disappeared while Bobby Ewing discovered his son Christopher was missing from Southfork. Who will be the first man to track down his loved ones? While it takes Blake eighteen screen minutes to trace the remaining Carringtons to the old Lankershim/Blaisdel drill site where Matthew is still holding them hostage, Bobby learns within six screen minutes that Christopher has hitched a ride to Soap Memorial Hospital in the hopes of seeing his mother. During the DYNASTY siege, the Carrington servants confront their own mortality. “Oh Gerard, I don’t think we’re ever going to get out of here,” whispers Jeanette before lamenting all the things they had talked about doing but never gotten round to (“a Sunday afternoon picnic … ice skating at Christmas”), presumably because their lives revolve around serving their rich masters. Similarly, as Chao Li lies at the bottom of the FALCON CREST staircase after taking a Clayton Farlow-ish tumble at the end of last season, his priority is not himself but his employer’s daughter Emma, currently teetering on the edge of the roof in a white nightdress as if she was Joan van Ark in a remake of “Three Sisters”. Things aren’t quite so extreme for Phyllis on DALLAS, but when Bobby gives her the go-ahead to start furnishing his new offices, she nonetheless breaks into a smile of disproportionate joy. Falling down stairs isn’t the only thing Clayton and Chao Li have in common. Each refuses to take medical advice this week. “It’s my body and my life!” insists Clayton after being warned against over-exerting himself. “It’s my body! I won’t allow it!” echoes Chao Li when his doctor tells him surgery is “unavoidable”. DYNASTY’s Morgan Hess becomes the latest character to exhibit signs of soap fatigue this week when he refuses to fulfil his primary dramatic function — in this case as a money-hungry private eye. “Why don’t we forget it?” he suggests when Alexis orders him to find the man who saved her life in last week’s episode. “You know, every time I get involved with you, I end up in nothing but trouble … Sometimes the bucks just aren’t that important.” Hess’s DALLAS equivalent, Harry McSween, reacted similarly last season when JR told him to dispose of Garrett Gordon’s body and, for the first time, he refused to take orders. Just as JR was able to change Harry’s mind, Alexis wins Hess round by admitting that this is “a personal thing, an affair of the heart.” JR similarly opens up when Harry reappears on this week’s DALLAS, explaining his decision not to hang Jock’s painting in his new office until “I do something he’d be proud of.” But while JR is candid about some things, he is less forthcoming about others. “It would help if I knew why you wanted all of this,” Harry ventures, regarding his latest assignment. “All you need to know is that you paid for your last house in cash,” JR replies tersely. Over on FALCON CREST, Angela sends out similarly mixed messages to her consigliere, Jay Spence. First, she entrusts him with the highly sensitive revelation that Richard Channing is her son, but then blackmails him over an unspecified marital infidelity into making sure Richard never finds out: “I want that evidence buried so deep it’ll take another earthquake to dig it up.” During his discussion with Steven about AIDS at the end of last season, Blake painted a grim view of the outside world: “I’m worried about you being out in that kind of a world … I don’t want to see you die.” This week, Matthew suggests to Steven that the world outside is not as dangerous as the one he is currently living in. “You can’t survive in Blake Carrington’s world,” he tells him, “a jungle where men kill each other for sport or gain or survival.” Whereas Blake begged Steven to stay in Denver, Matthew asks him to accompany he and Krystle to “a place your father never allowed you to know … a good place, no war, no greed.” Is Matthew talking about the jungles of Peru or somewhere more otherworldly? Since his return, we’ve seen him endure a series of painful-looking headaches. As this is Soap Land where a headache is never simply a headache, might we assume that he is dying and this whole escapade has been some kind of elaborate suicide mission? Speaking of unexplained symptoms, Laura Avery suffers a slight dizzy spell on KNOTS. While in the real world, this could easily be the result of low blood pressure, the ominous musical score suggests otherwise. Could Laura’s light-headedness be somehow connected to the news that she has reestablished communication with her ex-husband? Yes, following Matthew Blaisdel and Katherine Wentworth, Richard Avery is the third character from Soap Land’s past to resurface unexpectedly in recent weeks (albeit offscreen). Just as Katherine insists on this week’s DALLAS that she has seen the error of her ways (“Bobby, I’ve changed … I was sick before. A sick person can get better … I’m me now”), Richard has apparently also turned over a new leaf. “I really think he’s cleaned up his act,” says Laura. “Yeah, and I’m Pope John,” Greg retorts. Equally cynical about Katherine’s claim, Bobby challenges her to turn herself over the authorities “and give up the plush life you’ve been leading in Europe.” “Bobby, my life has been anything but plush,” she replies. If anyone in Soap Land has been leading a plush life in Europe it’s the mysterious French woman we are introduced to in this week’s FALCON CREST via an impressive montage sequence: an establishing shot of London (Big Ben, the House of Parliament) followed by a woman, her features obscured, in a luxurious apartment, stepping out of her bath then plunging her face into an ornate bowl of ice. We see a maid setting out her clothes then lighting her cigarette, followed by an expensive perfume bottle smashing to the floor as the news of Chase Gioberti’s death is announced by a radio newsreader with a cut-glass English accent. (Would the news of Chase’s apparent demise really make the morning news on the other side of the Atlantic? For the purposes of this montage, yes, dammit, it would.) Finally, the camera pans across the room to a signed photograph of a poignantly youthful, beardless Chase. Having made her way to San Francisco (by private jet, inevitably) Mysterious French Woman checks into the Del Oro Spa. “I won’t be staying long,” she declares, as two full luggage carts are wheeled on behind her. C’est très Dominique Devereaux — only this time it’s not just the name that’s French-sounding. Whereas Dominique waited for a few episodes to land her shock pronouncement on Blake (“We have so much in common — our blood, our genes, our daddy”), Mysterious French Woman lets Maggie have it straightaway: “You may be Chase Gioberti’s widow, but I own you — lock, stock and vineyard.” Chase’s “probable” drowning dominates this week’s FALCON CREST as Peter Hollister’s murder does KNOTS. When questioned by the police, most KL characters are keen to distance themselves from Peter. “I didn’t know the guy personally,” says Gary. “I didn’t really know him — I mean, not personally,” echoes Karen. “I can’t say that I was intimately involved with every aspect of my brother’s affairs,” adds Greg. Conversely, we see the news about Chase impact people all over the world — a past amour in London, a wartime buddy in North Africa, an indolent daughter in Morocco. Gaining access to Pam Ewing’s last will and testament was relatively straightforward for JR on last week's DALLAS — all he needed to do was blackmail a nameless underling over some unknown misdemeanour. When it comes to sneaking a peek at Peter’s and Chase’s wills, Greg and Richard Channing do not find it so easy. Greg fails to persuade his attorney to break the law and show him the relevant documents. (The lawyer does reveal this much: “It seems Mrs Ewing owns slightly more than half of your brother.”) Richard, meanwhile, has henchman Garth break into Chase’s office to steal what appear to be the pertinent files, only to find a handwritten note from Chase instead. [I]“Guess I’ve always been one step ahead of you,”[/I] it reads. When JR learnt that Bobby would gain control of Pam’s fortune in the event of her death, he decided that the best strategy would be to make nice to his brother. Greg takes the opposite approach: “Abby figures she’s gonna inherit a small fortune, but don’t bet your mortgage on it. It’ll be a cold day in hell before that woman sees a penny.” To that end, he tries to pin Peter’s murder on her: “Something good ought to come out of all of this and hanging Abby Ewing out to dry might just make Peter’s death seem worthwhile.” Richard also takes action — he summons John Remick, that old soldier pal on the North African frontline, to the Tuscany Valley to fulfil his duties as the executor of Chase’s estate. Back on DALLAS, even as JR tries to take advantage of Bobby’s crisis, he still insists that his gift of a new office came “from the bottom of my heart”. On FALCON CREST, Richard exhibits a similar duality towards Chase. Even as he schemes to gain control of his sometime cousin-sometime brother’s estate, he still refuses to stop looking for him. (“What do you mean you’re giving up the search? … I’ll hire my own damn navy if I have to!”) “I don’t know why I get so damn sentimental about family. I sure as hell never had any reason to,” he tells Garth ruefully before suddenly losing control and smashing a picture frame. Maggie’s reaction to the loss of Chase is just as intriguing. It mirrors Val’s attitude to Ben’s recent disappearance on KNOTS. Both women seem almost eager to believe their husbands have gone forever. “I don’t wanna be filled with false hope,” Maggie insists, even as the search for Chase continues. “Last night I had this feeling … an emptiness, a coldness … Chase is probably dead. I need to come to terms with that.” This odd trend flies in the face of Soap Land convention. Usually when a soap character — be it Jock Ewing, Mark Graison, Steven, Fallon or Val’s twins — is presumed dead, those closest to them simply refuse to accept it. Val and Maggie’s behaviour could be another version of soap fatigue — worn down by all the traumas they have suffered over the years, it’s simply become easier to assume the worst. Maggie is the most compelling Soap Land character at present. In one fell swoop, she finds herself reunited with her lost baby, in love with Richard and in mourning for Chase. While juggling these different emotions, she has gone from being balanced and reliable to volatile and unpredictable. When John Remick offers his help, she is suspicious. When Angela offers her condolences, she is hostile (“You come in here, you expect me to embrace you? As far as I am concerned, your hands are as bloody as Melissa’s … You turned your back on Chase a long time ago. Don’t you think I’m ever gonna forget that”) and when Chase’s grieving girlfriend Gabrielle comes calling with an olive branch, she’s even more coldly dismissive than Jenna was towards Pam at the end of last season’s DALLAS. “I am not your friend. I am never going to be … Maybe in time, I will learn to forget you,” she informs her briskly, showing her the door. While this week’s DALLAS concludes with a pleased-looking JR hanging up Jock’s portrait following his first meeting with Casey Denault, the final scenes of the rest of the soaps each focus on a tense gathering of characters. Alexis joins Blake outside the bunkhouse for the climax of the siege on DYNASTY, everyone but Val and Lilimae convenes at Greg’s ranch for Peter’s memorial service on KNOTS, and Richard meets with Angela for a poolside summit at Falcon Crest to discuss “the interesting repercussions” of Chase’s death. Each of these scenes culminates in an act of violence — Steven stabs Matthew to save Blake and Krystle, Abby strikes Gary when he accuses Olivia of killing Peter, and Angela’s pool man tries to shoot Richard (Jay Spence’s somewhat drastic way of ensuring Richard never learns who his real mother is). This puts Angela in the peculiar position of saving the life of the son she is trying to deny. “Tell him, Mother. Tell Richard who he really is,” urges Emma as the episode ends. Back in DYNASTY’s first season, when relations between Steven and Blake were at their worst, Matthew became something of a surrogate father for Steven. If one thinks of Blake and Matthew as Steven’s two fathers, then perhaps there’s something symbolic about the fact that Steven ends up killing Matthew — as if he were killing the part of himself that Matthew represents (the Al Corley part, perhaps). Nor is that the only moment on this week’s DYNASTY that might be read metaphorically. Directly after Fallon flashes back to her UFO experience, she tells Jeff that she wants to move to Denver — almost as if her alien abduction and THE COLBYS’ cancellation are one and the same thing. There is literally no going back after that. And this week’s Top 4 are … 1 (3) KNOTS LANDING 2 (-) FALCON CREST 3 (2) DYNASTY 4 (1) DALLAS [/QUOTE]
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