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DYNASTY versus DALLAS versus KNOTS LANDING versus the rest of them
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<blockquote data-quote="James from London" data-source="post: 15458" data-attributes="member: 22"><p><u>07/Nov/84: DYNASTY: The Verdict v. 08/Nov/84: KNOTS LANDING: Ipso Facto v. 09/Nov/84: DALLAS: Homecoming v. 09/Nov/84: FALCON CREST: The Intruder</u></p><p></p><p>In this week’s DYNASTY, Steven Carrington testifies in court that he witnessed Mark Jennings' death at the end of last season. This claim doesn’t quite match up with what we saw on screen at the time, but Alexis’s incredulity at being betrayed by her favourite child (“It's a lie! I didn't do it! Steven, how could you do this to me? I'm your mother!”) is sufficiently entertaining to compensate for any lapse in continuity. Meanwhile, on KNOTS LANDING, Lilimae tells Joshua about a letter she wrote to his father after moving in with Val and Gary. We subsequently learn it was his discovery of this letter that prompted Joshua to track her down. We never saw Lilimae write such a letter of course, but that doesn’t seem too important now — Lilimae isn’t as prominent a KNOTS character as Val or Karen and as such there’s no reason we should be privy to her every move. Over on FALCON CREST, Julia seeks out former lover Lucas and explains how she cheated death during the springhouse fire. (She escaped through a hole in the plot.) However, no mention is made of the human remains found in the ashes that were believed to be hers. Again, we’re happy not to dwell on this omission because the prospect of having Julia back on the show is just such an intriguing one — not only has she returned from the dead but she's still on the run: where on FALCON CREST can she go from here?</p><p></p><p>While none of this narrative revisionism is especially troubling for the audience — I doubt I’d have noticed any of these discrepancies as a once-only viewer — Soap Land's characters are less willing to take each other at face value. On DYNASTY, Blake still refuses to acknowledge Dominique as his sister, even as he allows her to bail him out of trouble with a $70,000,000 cheque. On DALLAS, JR remains similarly unwilling to believe that Jamie is Jason’s daughter despite her insider knowledge that Jock’s nickname for his brother was Tumbleweed. Meanwhile, FALCON CREST's Angela Channing becomes the latest Soap Land character to look bemused when a perfect stranger shows up at the door claiming to be a member of the family. “I am Francesca, Francesca Gioberti!” cries an excitable Italian woman, flinging her arms around her. Back on DALLAS, a suspicious Eddie follows Lucy after she leaves her waitressing job at the Hot Biscuit and rumbles her true identity as a Ewing.</p><p></p><p>In the midst of all this distrust and talk of impostors, it’s ironic that Miss Ellie should return to DALLAS after what feels like a lengthy absence (in actual fact, her honeymoon lasted the same amount of time as Julia remained dead on FALCON CREST) looking and sounding like an entirely different, much more glamorous person. Ellie Ewing — a character whose appearance was so unchanging it resulted in an unintentional gag in her final episode when her “beautiful” wedding dress proved indistinguishable from almost every outfit she’d worn previously — is completely unrecognisable as Ellie Farlow. This is far by Soap Land’s most conspicuous recast to date. The nearest equivalent is Steven Carrington's on DYNASTY and that transformation was an incorporated into the narrative. When the Carringtons lined up to welcome Steven home, viewers and characters were on the same page. When the Ewings do the same for Mama, we’re not.</p><p></p><p>Miss Ellie’s new look aside, this is a strangely minor key installment of DALLAS. The fireworks and dramatic confrontations that led up to Miss Ellie and Clayton's wedding have been replaced by a melancholic resignation at the prospect of their homecoming. “I can’t believe a Farlow’s going to be living here at Southfork,” sighs JR more in sadness than in anger. It’s an intriguing, even brave, tone to adopt for an ep that supposedly heralds the start of a new era for the show — the one where Mr. and Mrs. Clayton Farlow take their places as the new heads of Southfork. Instead of looking forward, the episode winds up looking back to Jock’s glory days as a wildcatter, and by the end of the hour, it’s turned into a roundabout tribute to his enduring strength as a character. “You still live here, Jock. It’s still your house,” Clayton quietly acknowledges. Even the ever gracious, all-new Miss Ellie is not immune to the pervasive sense of anti-climax. Tear your eyes away from that eye-catching bouffant in her final scene and there’s a sad looking woman underneath it, silently disappointed that the big homecoming hasn’t worked out as she’d hoped.</p><p></p><p>"My children were born and raised in this house. One of them was buried from this house. Can't you understand what this place means to me?” Blake asked Krystle in a recent episode of DYNASTY. I was reminded of that dialogue during JR and Bobby’s argument over whether Jock’s portrait should be taken down from the wall at Southfork prior to Clayton and Ellie’s return. "I'm not ready to pretend Daddy never existed,” states JR. "Hell, he built this house, he built Ewing Oil, he's the reason the two of us are here ... I'm not going to bury his memory."</p><p></p><p>I was always a little resistant to this scene before. To see the Ewing boys arguing over a painting — even one as significant as Jock's — felt somehow un-DALLAS to me. Viewed from post-New DALLAS perspective, however, it’s another scene that has grown in significance. When one thinks of JR's own posthumous portrait hanging at Ewing Global, to see him back when he was fighting to keep his father’s memory alive becomes very poignant. After all these years, I feel as if I've finally grasped what this scene is really about.</p><p></p><p>Elsewhere this week, Soap Land stokes the flames of a few long-standing feuds. Steven’s testimony against her on DYNASTY has the effect of making Alexis more vengeful than ever. "I don't forgive my enemies," she informs Blake. "It's not over yet, and it won't be until I've repaid everyone for their treachery ten times over!” Meanwhile, Cliff’s new found success on DALLAS means that he is now in a position to poach key personnel from Ewing Oil. “He’s becoming a monster,” JR warns Bobby. "We’re in a war, buddy, and we’re losing one battle after another." Over on FALCON CREST, in the same week that Angela sues Chase over the wrongful death of her husband, she delivers a great speech to Greg Reardon reiterating her deep-seated resentment at her nephew’s presence in the Tuscany Valley: "Where was he when I was trying to rebuild the vineyards after Prohibition? And where was he when I was trying to pull all of this land together? He didn’t give a damn about Falcon Crest until he learned it was an empire!”</p><p></p><p>KNOTS LANDING is seemingly the odd soap out here. It’s the grand opening of Lotus Point this week, which means that, for the first time in ages (Season 4, perhaps?), all of the principle characters are in the same place at the same time. The rarity of such an occasion and the fact that everyone seems to be dreading it (Cathy to Laura: “Who do you least want to run into at this party?” Gary to Abby: “Half our guests are going to be avoiding the other half”) shows how much things have changed since KNOTS' community-spirited days when its characters actively chose to spend time in each other’s company. The gathering gives long-standing adversaries Val and Abby an opportunity to come face to face for the first time since Gary’s funeral but they don’t interact at all, KNOTS having little interest in rehashing old conflicts for the sake of it.</p><p></p><p>Except … the long dormant Val/Abby story takes an exciting and unexpected twist at the very end of the episode. By this point, we’ve already been introduced to Pacific World Cable employee PK Kelly. A tomboyish girl reporter nursing a barely concealed crush on Ben Gibson, she wouldn’t be out of place in Howard Hawks’ <em>His Girl Friday</em>, while her vocal delivery — all breathy vowels and precise consonants — has always reminded me of Marilyn Monroe’s. I guess Kelly's closest Soap Land contemporary would be Betty, Lucy’s fellow waitress at the Hot Biscuit on DALLAS. As well as being tough-talking but vulnerable working girls, both are tertiary characters on the very outskirts of the drama who nonetheless add a pleasing sense of texture to their respective show. Kelly admits to Ben that she observed him drafting love letters to Val on his word processor. Charmingly antiquated as it now seems, Ben’s rueful observation — “That’s the trouble with these damn computers: everything you type goes on the television” — sounds more pertinent in 2015 than it did in 1984.</p><p></p><p>Kelly’s confession is a set up for the scene at the end of the episode when Abby inadvertently happens upon a draft of one of Ben's letters to Val and can’t resist taking a closer look. So it is she discovers that Gary is the father of Val's unborn babies. The resulting freeze frame — Abby’s stunned reaction reflected in Ben's computer screen — is a Soap Land classic. Unsurprisingly, it comes courtesy of my favourite Soap Land director, Larry Elikann.</p><p></p><p>And this week’s Top 4 are …</p><p></p><p>1 (1) KNOTS LANDING</p><p>2 (4) DALLAS</p><p>3 (2) DYNASTY</p><p>4 (3) FALCON CREST</p></blockquote><p></p>
[QUOTE="James from London, post: 15458, member: 22"] [U]07/Nov/84: DYNASTY: The Verdict v. 08/Nov/84: KNOTS LANDING: Ipso Facto v. 09/Nov/84: DALLAS: Homecoming v. 09/Nov/84: FALCON CREST: The Intruder[/U] In this week’s DYNASTY, Steven Carrington testifies in court that he witnessed Mark Jennings' death at the end of last season. This claim doesn’t quite match up with what we saw on screen at the time, but Alexis’s incredulity at being betrayed by her favourite child (“It's a lie! I didn't do it! Steven, how could you do this to me? I'm your mother!”) is sufficiently entertaining to compensate for any lapse in continuity. Meanwhile, on KNOTS LANDING, Lilimae tells Joshua about a letter she wrote to his father after moving in with Val and Gary. We subsequently learn it was his discovery of this letter that prompted Joshua to track her down. We never saw Lilimae write such a letter of course, but that doesn’t seem too important now — Lilimae isn’t as prominent a KNOTS character as Val or Karen and as such there’s no reason we should be privy to her every move. Over on FALCON CREST, Julia seeks out former lover Lucas and explains how she cheated death during the springhouse fire. (She escaped through a hole in the plot.) However, no mention is made of the human remains found in the ashes that were believed to be hers. Again, we’re happy not to dwell on this omission because the prospect of having Julia back on the show is just such an intriguing one — not only has she returned from the dead but she's still on the run: where on FALCON CREST can she go from here? While none of this narrative revisionism is especially troubling for the audience — I doubt I’d have noticed any of these discrepancies as a once-only viewer — Soap Land's characters are less willing to take each other at face value. On DYNASTY, Blake still refuses to acknowledge Dominique as his sister, even as he allows her to bail him out of trouble with a $70,000,000 cheque. On DALLAS, JR remains similarly unwilling to believe that Jamie is Jason’s daughter despite her insider knowledge that Jock’s nickname for his brother was Tumbleweed. Meanwhile, FALCON CREST's Angela Channing becomes the latest Soap Land character to look bemused when a perfect stranger shows up at the door claiming to be a member of the family. “I am Francesca, Francesca Gioberti!” cries an excitable Italian woman, flinging her arms around her. Back on DALLAS, a suspicious Eddie follows Lucy after she leaves her waitressing job at the Hot Biscuit and rumbles her true identity as a Ewing. In the midst of all this distrust and talk of impostors, it’s ironic that Miss Ellie should return to DALLAS after what feels like a lengthy absence (in actual fact, her honeymoon lasted the same amount of time as Julia remained dead on FALCON CREST) looking and sounding like an entirely different, much more glamorous person. Ellie Ewing — a character whose appearance was so unchanging it resulted in an unintentional gag in her final episode when her “beautiful” wedding dress proved indistinguishable from almost every outfit she’d worn previously — is completely unrecognisable as Ellie Farlow. This is far by Soap Land’s most conspicuous recast to date. The nearest equivalent is Steven Carrington's on DYNASTY and that transformation was an incorporated into the narrative. When the Carringtons lined up to welcome Steven home, viewers and characters were on the same page. When the Ewings do the same for Mama, we’re not. Miss Ellie’s new look aside, this is a strangely minor key installment of DALLAS. The fireworks and dramatic confrontations that led up to Miss Ellie and Clayton's wedding have been replaced by a melancholic resignation at the prospect of their homecoming. “I can’t believe a Farlow’s going to be living here at Southfork,” sighs JR more in sadness than in anger. It’s an intriguing, even brave, tone to adopt for an ep that supposedly heralds the start of a new era for the show — the one where Mr. and Mrs. Clayton Farlow take their places as the new heads of Southfork. Instead of looking forward, the episode winds up looking back to Jock’s glory days as a wildcatter, and by the end of the hour, it’s turned into a roundabout tribute to his enduring strength as a character. “You still live here, Jock. It’s still your house,” Clayton quietly acknowledges. Even the ever gracious, all-new Miss Ellie is not immune to the pervasive sense of anti-climax. Tear your eyes away from that eye-catching bouffant in her final scene and there’s a sad looking woman underneath it, silently disappointed that the big homecoming hasn’t worked out as she’d hoped. "My children were born and raised in this house. One of them was buried from this house. Can't you understand what this place means to me?” Blake asked Krystle in a recent episode of DYNASTY. I was reminded of that dialogue during JR and Bobby’s argument over whether Jock’s portrait should be taken down from the wall at Southfork prior to Clayton and Ellie’s return. "I'm not ready to pretend Daddy never existed,” states JR. "Hell, he built this house, he built Ewing Oil, he's the reason the two of us are here ... I'm not going to bury his memory." I was always a little resistant to this scene before. To see the Ewing boys arguing over a painting — even one as significant as Jock's — felt somehow un-DALLAS to me. Viewed from post-New DALLAS perspective, however, it’s another scene that has grown in significance. When one thinks of JR's own posthumous portrait hanging at Ewing Global, to see him back when he was fighting to keep his father’s memory alive becomes very poignant. After all these years, I feel as if I've finally grasped what this scene is really about. Elsewhere this week, Soap Land stokes the flames of a few long-standing feuds. Steven’s testimony against her on DYNASTY has the effect of making Alexis more vengeful than ever. "I don't forgive my enemies," she informs Blake. "It's not over yet, and it won't be until I've repaid everyone for their treachery ten times over!” Meanwhile, Cliff’s new found success on DALLAS means that he is now in a position to poach key personnel from Ewing Oil. “He’s becoming a monster,” JR warns Bobby. "We’re in a war, buddy, and we’re losing one battle after another." Over on FALCON CREST, in the same week that Angela sues Chase over the wrongful death of her husband, she delivers a great speech to Greg Reardon reiterating her deep-seated resentment at her nephew’s presence in the Tuscany Valley: "Where was he when I was trying to rebuild the vineyards after Prohibition? And where was he when I was trying to pull all of this land together? He didn’t give a damn about Falcon Crest until he learned it was an empire!” KNOTS LANDING is seemingly the odd soap out here. It’s the grand opening of Lotus Point this week, which means that, for the first time in ages (Season 4, perhaps?), all of the principle characters are in the same place at the same time. The rarity of such an occasion and the fact that everyone seems to be dreading it (Cathy to Laura: “Who do you least want to run into at this party?” Gary to Abby: “Half our guests are going to be avoiding the other half”) shows how much things have changed since KNOTS' community-spirited days when its characters actively chose to spend time in each other’s company. The gathering gives long-standing adversaries Val and Abby an opportunity to come face to face for the first time since Gary’s funeral but they don’t interact at all, KNOTS having little interest in rehashing old conflicts for the sake of it. Except … the long dormant Val/Abby story takes an exciting and unexpected twist at the very end of the episode. By this point, we’ve already been introduced to Pacific World Cable employee PK Kelly. A tomboyish girl reporter nursing a barely concealed crush on Ben Gibson, she wouldn’t be out of place in Howard Hawks’ [I]His Girl Friday[/I], while her vocal delivery — all breathy vowels and precise consonants — has always reminded me of Marilyn Monroe’s. I guess Kelly's closest Soap Land contemporary would be Betty, Lucy’s fellow waitress at the Hot Biscuit on DALLAS. As well as being tough-talking but vulnerable working girls, both are tertiary characters on the very outskirts of the drama who nonetheless add a pleasing sense of texture to their respective show. Kelly admits to Ben that she observed him drafting love letters to Val on his word processor. Charmingly antiquated as it now seems, Ben’s rueful observation — “That’s the trouble with these damn computers: everything you type goes on the television” — sounds more pertinent in 2015 than it did in 1984. Kelly’s confession is a set up for the scene at the end of the episode when Abby inadvertently happens upon a draft of one of Ben's letters to Val and can’t resist taking a closer look. So it is she discovers that Gary is the father of Val's unborn babies. The resulting freeze frame — Abby’s stunned reaction reflected in Ben's computer screen — is a Soap Land classic. Unsurprisingly, it comes courtesy of my favourite Soap Land director, Larry Elikann. And this week’s Top 4 are … 1 (1) KNOTS LANDING 2 (4) DALLAS 3 (2) DYNASTY 4 (3) FALCON CREST [/QUOTE]
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