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Joan Crawford: Not the Girl-Next-Door
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<blockquote data-quote="Crimson" data-source="post: 378550" data-attributes="member: 5079"><p>There must have been a compromise, with Gable getting top billing in the ads -- but Joan still got top billing in the actual movie. But it effectively ended their nearly decade long screen partnership. He was on the rise, she was on decline.</p><p></p><p>[ATTACH=full]49009[/ATTACH]</p><p></p><p>The book <a href="https://www.amazon.com/Hollywood-Studios-Ethan-Mordden-ebook/dp/B00ALBR1YQ/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1699644163&sr=8-1" target="_blank">THE HOLLYWOOD STUDIOS</a> (very good) addresses this. </p><p></p><p><em>In DANCING LADY, she is so surely the principal that Gable was unhappy making the film, and looks tired when he doesn't look bored ... By 1940, however, with GONE WITH THE WIND behind him, Gable could not realistically support anyone, and STRANGE CARGO veers with difficulty in order to justify her story while telling his ... But at least Crawford got top billing.</em></p></blockquote><p></p>
[QUOTE="Crimson, post: 378550, member: 5079"] There must have been a compromise, with Gable getting top billing in the ads -- but Joan still got top billing in the actual movie. But it effectively ended their nearly decade long screen partnership. He was on the rise, she was on decline. [ATTACH type="full" width="697px"]49009[/ATTACH] The book [URL='https://www.amazon.com/Hollywood-Studios-Ethan-Mordden-ebook/dp/B00ALBR1YQ/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1699644163&sr=8-1']THE HOLLYWOOD STUDIOS[/URL] (very good) addresses this. [I]In DANCING LADY, she is so surely the principal that Gable was unhappy making the film, and looks tired when he doesn't look bored ... By 1940, however, with GONE WITH THE WIND behind him, Gable could not realistically support anyone, and STRANGE CARGO veers with difficulty in order to justify her story while telling his ... But at least Crawford got top billing.[/I] [/QUOTE]
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Joan Crawford: Not the Girl-Next-Door
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