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Knots Landing
KNOTS LANDING versus DALLAS versus the rest of them week by week
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<blockquote data-quote="James from London" data-source="post: 15395" data-attributes="member: 22"><p><u>16/Oct/84: PAPER DOLLS: Episode 3 v. 17/Oct/84: DYNASTY: Fallon v. 18/Oct/84: KNOTS LANDING: Calculated Risks v. 19/Oct/84: DALLAS: Jamie v. 19/Oct/84: FALCON CREST: The Outcasts</u></p><p></p><p>This week’s KNOTS LANDING and DALLAS both open with a recent gunshot victim, Karen Mackenzie and Bobby Ewing respectively, lying in their hospital bed trying to make sense of what is happening to them. Karen is full of questions about the terminal prognosis she received at end of the previous episode while Bobby, even more pressingly, wants to know why Katherine Wentworth is looming over him with a syringe.</p><p></p><p>Death — or at least the threat of it — looms large in all of this week’s soaps. As well as Katherine’s attempt to murder Bobby at the beginning of DALLAS, KNOTS and FALCON CREST both end with an apparently fatal shooting, PAPER DOLLS with two hit men lurking outside a married couple’s apartment and DYNASTY with the shock news of a major character's death.</p><p></p><p>The searches for Soap Land’s missing wives, DYNASTY’s Fallon and KNOTS LANDING’s Abby, both reach a conclusion this week. "She's dead, Blake,” weeps Jeff upon his return from Portland, Oregon in DYNASTY’s poignant final scene. Over on KNOTS, Mark St Claire summons Greg to the marina where he is holding Abby hostage. During their tense showdown, Greg shoots St Claire at point-blank range. Crucially, he pulls the trigger after he and Abby are out of danger. A central KNOTS character committing cold-blooded murder is at least as rule-breakingly thrilling as Johann Reibmann blowing up his own father on FALCON CREST two weeks ago. While not quite in the same league, the twist at the end of this week’s FC — Richard Channing’s trusted Head of Security turning out to be his assassin — is also pretty neat. The freeze frame of Pamela Lynch watching from the shadows as Padgett pumps bullets into Richard’s sleeping form adds an extra spooky frisson.</p><p></p><p>In the midst of all this death, Dr. Garner backtracks a little in this week’s KNOTS, telling Karen that her condition isn’t quite as untreatable as he previously claimed: there is an extremely high-risk operation that might save her life. There was a similar revision made on last season’s FALCON CREST following the episode where Maggie was told her brain tumour was inoperable. Like Maggie, Karen decides against surgery. “Mrs. Mackenzie, you’ve just chosen to die,” Dr. Garner tells her. When it comes to such decisions, there seems to be clear a gender divide in Soap Land. “If an operation is the only way I’m going to get my eyesight back, then I’m gonna have the operation no matter what the risks!” Bobby Ewing insisted on last week’s DALLAS. Similarly, FALCON CREST’s Chase and KNOTS LANDING's Sid have both previously gambled on life-or-death surgery to restore the use of their limbs. For Chase the risk paid off, for Sid it didn’t. More recently, DALLAS’s Mark Graison chose to go out in a blaze of glory rather than endure a slow terminal decline. On last week’s DALLAS, Sue Ellen referred to such behaviour as “that whole stupid macho thing — the image that men have of themselves.” What would be the female equivalent of such behaviour, I wonder? “That whole passive-aggressive maternal martyrdom thing” perhaps.</p><p></p><p>Almost exactly a year to the day after FALCON CREST’s Vicky bade farewell to her father Chase (still in hospital after being shot) before leaving California for an exciting future in New York, KNOTS LANDING’s Diana bids farewell to her mother Karen (still in hospital after being shot) before leaving California for an exciting future in New York. Like Vicky, who was set to resume her plans of becoming a dancer, Diana’s inclinations lean towards the creative. Given her flair for fashion design, she’ll probably hook up with Victoria Hill from KNOTS Season 3, who can then introduce her to Racine and the rest of the PAPER DOLLS crowd. “You'll have all of Manhattan,” Karen assures her, "the beginnings of a wonderful career.”</p><p></p><p>As Diana heads off for pastures new, it’s kind of poignant to see her DALLAS equivalent, Lucy Ewing, embark on her own new career path — as a waitress at the Hot Biscuit. A rich heiress choosing to sling hash at a diner might seem like one of Soap Land’s zanier storyline decisions, but then Lucy explains her reasons to Ray: "I've got status, money and that wonderful Ewing name. None of it's ever meant happiness for me ... I wanna feel like I'm part of this world, not just some aging rich kid.” Her reasoning is reminiscent of Fallon’s in DYNASTY two years ago: "I should have gotten out a long time ago, to prove myself, to prove that I’m a worthwhile human being.” Whereas Fallon’s idea of independence was to run one of her father’s businesses, thereby still trading on her family name, Lucy sheds her Ewing identity altogether, reverting to her married name of Cooper. “The people here … they just know me as Lucy,” she explains. "They either like me or they don’t, but either one's OK because they’re judging me, not my money or my name, just me. And that’s the first time in my life that’s ever happened.” Granted, it’s still an unlikely scenario, but there’s something very endearing about it. And let’s not feel too sorry for Lucy; she's already sampled the PAPER DOLLS world and found it wanting. “Modelling was a joke,” she tells Ray flatly — a viewpoint with which PAPER DOLLS itself seems to partially concur, judging by a scene in this week’s ep where the future Paige Matheson poses happily in some deliberately tasteless teenage fashions as her mother, who aspires to see her on the cover of British Vogue dressed like Princess Di, looks on in exasperation.</p><p></p><p>There’s some unexpected self-analysis from two of Soap Land’s least introspective characters this week. DALLAS's Cliff and DYNASTY’s Alexis each explains what motivates their quest for power and, even more interestingly, acknowledges some of their own shortcomings. "All my life, I have had one drive and that’s to be the winner that Digger wanted me to be,” Cliff tells Pam while discussing what led to his break-up with Afton. "That has been the most important thing in my life. I’m not saying that that’s right, but that’s me." "Steven, there is nothing in my life more important than my children,” insists Alexis during an argument with her youngest son, "but I do value money because money can help protect people that I love. I value it as much as I resent this trial that's coming up, this nightmare!” During a subsequent strategy meeting with her lawyer, she admits that “ever since Blake Carrington banished me from Denver, from my children, my main charity, unfortunately, has been Alexis Carrington Colby."</p><p></p><p>Meanwhile, to capitalise on her upcoming murder trial, Alexis's unauthorised life story is being serialised in the Denver Chronicle. It's full of scandalous tidbits about her past (“an incident in Portofino with a film star ... a party that made headlines”) but she doesn’t seem to mind. Amusingly, her only concern is about the photograph chosen to accompany the feature. "I don't particularly like this picture,” she frets. "I look a bit pale.”</p><p></p><p>In contrast, two of Soap Land’s more mysterious women, DYNASTY’s Dominique Devereaux and PAPER DOLLS’ Racine (so mysterious she has no surname — “like Cher,” as someone helpfully explains), are less willing to have their histories documented. "I don't share my private life with anyone,” declares Dominique. This makes things a little tricky both for Claudia Carrington, who is trying to assemble a biography of Dominique to promote her singing engagement at La Mirage, and the reporter who has been charged with writing Racine’s life story for Newsbeat Magazine. (In pleasingly soapy fashion, the reporter is also the lover of the best friend of Racine’s oldest client.) Hoping to prise Racine out of her glamorous comfort zone, the reporter takes her on a mystery date — to a rib shack on the wrong side of town populated entirely with black extras. Racine acquits herself surprisingly well, even managing to nibble on a chicken wing without smearing her lipgloss — an indication, perhaps, of humbler beginnings.</p><p></p><p>Back on DYNASTY, Racine’s former FLAMINGO ROAD father, Claude Weldon, resurfaces in Caracas as Billy Waite, “a killer shark” in business according to Blake. While Claude was as unscrupulous as they come, he was more a stooge than a shark. It’s during Billy's unsuccessful attempts to charm Krystle, and later seduce Alexis after she flies to Venezuela to dissuade him from doing business with Blake, that Claude’s sleazy, and ineffably amusing, personality reemerges. He suggests "a siesta in one of the cool recesses of my hot hacienda” to Alexis. "Oh Billy, we tried that once and it wasn't such a good idea,” she reminds him.</p><p></p><p>Trend of the week: Soap Land divas violating the terms of their parole. Arrested for shooting Bobby and then freed on bail, DALLAS’s Katherine skips the country, getting as far as London before disappearing altogether. As she is leaving Billy Waite’s villa in Caracas, Alexis is apprehended by police officials on suspicion of trying to do something similar. The scene is reminiscent of JR's surprise arrest in Cuba a couple of seasons ago ("Silencio, Signora!”), only funnier and more glamorous. "I will escort you to your plane and on to your flight," she is informed by one Lieutenant Lopez. "Upon your arrival in Miami, you will be met by federal officers and taken to the county jail, then you will be served with extradition papers from the state of Colorado and taken to Denver in custody." "This is outrageous!" Alexis protests. She then looks to Billy for help, only to find that he has vanished at the first sign of trouble — a quintessentially Claude Weldon move.</p><p></p><p>Soap Land sometimes makes strange bedfellows and this week finds innocent Michael Fairgate on KNOTS and battle weary JR on DALLAS singing from similar hymn sheets. “It's all over, everything,” laments Michael to his mom. "Diana, she’s going to New York, Eric’s always working, Mack’s moved out, and you’re in the hospital — I don’t even have a family anymore!” “Everything’s gone so damn wrong,” sighs JR during another heart to heart with Sue Ellen, “the family and the business … No matter what I do, I can't seem to win anymore.”</p><p></p><p>Two uninvited guests appear on Soap Land doorsteps this week. Both young and plainly dressed, they each announce themselves as a long-lost relative. “I’m your nephew,” Joshua Rush informs Lilimae Clements when he shows up in Seaview Circle. "Your sister was my mother, married to Jonathan J. Rush.” The stranger at Southfork, meanwhile, introduces herself to JR as “Jamie Ewing, Jason’s daughter. My daddy and your daddy were brothers.” A third unfamiliar face appears without warning by Terry's pool on FALCON CREST but he needs no introduction. Terry identifies him as Joel — "a lousy coke head with a stinking habit you can't afford and you’re not going to get any money from me to pay for it!" “Terry sweetheart,” Joel replies, "that’s no way to welcome back your long-lost husband.” Whereas Joel is enjoyably scuzzy, Joshua is almost dazzlingly pure on KNOTS. Jamie, meanwhile, only appears in the closing moments of this week’s DALLAS and is so shabbily dressed it takes the Ewings a moment to even determine her gender.</p><p></p><p>Speaking of FALCON CREST newcomers, Jean-Louis de Bercy, the latest arrival in the Tuscany Valley, pays a visit to Angela this week to present her with a sculpture of a falcon he has carved for her. Angela is characteristically suspicious of new neighbours bearing gifts but accepts it, unaware of the state of the art listening device planted inside. (Ironically, this is the same week that Bobby finally gets the Ewing Oil phone system debugged in DALLAS.) Nor does Angela realise that Jean-Louis is really the father-killing, Nazi-treasure-hunting Gustav Reibmann. There have been Soap Land imposters before — Michael Tyrone alias Michael Edwards on FLAMINGO ROAD, Chip Roberts aka Tony Fenice on KNOTS LANDING — but this is the first time the audience has been in on the deception from the start.</p><p></p><p>And this week’s Top 5 … it’s a close run thing but ...</p><p></p><p>1 (3) KNOTS LANDING</p><p>2 (-) DYNASTY</p><p>3 (1) DALLAS</p><p>4 (2) FALCON CREST</p><p>5 (-) PAPER DOLLS</p></blockquote><p></p>
[QUOTE="James from London, post: 15395, member: 22"] [U]16/Oct/84: PAPER DOLLS: Episode 3 v. 17/Oct/84: DYNASTY: Fallon v. 18/Oct/84: KNOTS LANDING: Calculated Risks v. 19/Oct/84: DALLAS: Jamie v. 19/Oct/84: FALCON CREST: The Outcasts[/U] This week’s KNOTS LANDING and DALLAS both open with a recent gunshot victim, Karen Mackenzie and Bobby Ewing respectively, lying in their hospital bed trying to make sense of what is happening to them. Karen is full of questions about the terminal prognosis she received at end of the previous episode while Bobby, even more pressingly, wants to know why Katherine Wentworth is looming over him with a syringe. Death — or at least the threat of it — looms large in all of this week’s soaps. As well as Katherine’s attempt to murder Bobby at the beginning of DALLAS, KNOTS and FALCON CREST both end with an apparently fatal shooting, PAPER DOLLS with two hit men lurking outside a married couple’s apartment and DYNASTY with the shock news of a major character's death. The searches for Soap Land’s missing wives, DYNASTY’s Fallon and KNOTS LANDING’s Abby, both reach a conclusion this week. "She's dead, Blake,” weeps Jeff upon his return from Portland, Oregon in DYNASTY’s poignant final scene. Over on KNOTS, Mark St Claire summons Greg to the marina where he is holding Abby hostage. During their tense showdown, Greg shoots St Claire at point-blank range. Crucially, he pulls the trigger after he and Abby are out of danger. A central KNOTS character committing cold-blooded murder is at least as rule-breakingly thrilling as Johann Reibmann blowing up his own father on FALCON CREST two weeks ago. While not quite in the same league, the twist at the end of this week’s FC — Richard Channing’s trusted Head of Security turning out to be his assassin — is also pretty neat. The freeze frame of Pamela Lynch watching from the shadows as Padgett pumps bullets into Richard’s sleeping form adds an extra spooky frisson. In the midst of all this death, Dr. Garner backtracks a little in this week’s KNOTS, telling Karen that her condition isn’t quite as untreatable as he previously claimed: there is an extremely high-risk operation that might save her life. There was a similar revision made on last season’s FALCON CREST following the episode where Maggie was told her brain tumour was inoperable. Like Maggie, Karen decides against surgery. “Mrs. Mackenzie, you’ve just chosen to die,” Dr. Garner tells her. When it comes to such decisions, there seems to be clear a gender divide in Soap Land. “If an operation is the only way I’m going to get my eyesight back, then I’m gonna have the operation no matter what the risks!” Bobby Ewing insisted on last week’s DALLAS. Similarly, FALCON CREST’s Chase and KNOTS LANDING's Sid have both previously gambled on life-or-death surgery to restore the use of their limbs. For Chase the risk paid off, for Sid it didn’t. More recently, DALLAS’s Mark Graison chose to go out in a blaze of glory rather than endure a slow terminal decline. On last week’s DALLAS, Sue Ellen referred to such behaviour as “that whole stupid macho thing — the image that men have of themselves.” What would be the female equivalent of such behaviour, I wonder? “That whole passive-aggressive maternal martyrdom thing” perhaps. Almost exactly a year to the day after FALCON CREST’s Vicky bade farewell to her father Chase (still in hospital after being shot) before leaving California for an exciting future in New York, KNOTS LANDING’s Diana bids farewell to her mother Karen (still in hospital after being shot) before leaving California for an exciting future in New York. Like Vicky, who was set to resume her plans of becoming a dancer, Diana’s inclinations lean towards the creative. Given her flair for fashion design, she’ll probably hook up with Victoria Hill from KNOTS Season 3, who can then introduce her to Racine and the rest of the PAPER DOLLS crowd. “You'll have all of Manhattan,” Karen assures her, "the beginnings of a wonderful career.” As Diana heads off for pastures new, it’s kind of poignant to see her DALLAS equivalent, Lucy Ewing, embark on her own new career path — as a waitress at the Hot Biscuit. A rich heiress choosing to sling hash at a diner might seem like one of Soap Land’s zanier storyline decisions, but then Lucy explains her reasons to Ray: "I've got status, money and that wonderful Ewing name. None of it's ever meant happiness for me ... I wanna feel like I'm part of this world, not just some aging rich kid.” Her reasoning is reminiscent of Fallon’s in DYNASTY two years ago: "I should have gotten out a long time ago, to prove myself, to prove that I’m a worthwhile human being.” Whereas Fallon’s idea of independence was to run one of her father’s businesses, thereby still trading on her family name, Lucy sheds her Ewing identity altogether, reverting to her married name of Cooper. “The people here … they just know me as Lucy,” she explains. "They either like me or they don’t, but either one's OK because they’re judging me, not my money or my name, just me. And that’s the first time in my life that’s ever happened.” Granted, it’s still an unlikely scenario, but there’s something very endearing about it. And let’s not feel too sorry for Lucy; she's already sampled the PAPER DOLLS world and found it wanting. “Modelling was a joke,” she tells Ray flatly — a viewpoint with which PAPER DOLLS itself seems to partially concur, judging by a scene in this week’s ep where the future Paige Matheson poses happily in some deliberately tasteless teenage fashions as her mother, who aspires to see her on the cover of British Vogue dressed like Princess Di, looks on in exasperation. There’s some unexpected self-analysis from two of Soap Land’s least introspective characters this week. DALLAS's Cliff and DYNASTY’s Alexis each explains what motivates their quest for power and, even more interestingly, acknowledges some of their own shortcomings. "All my life, I have had one drive and that’s to be the winner that Digger wanted me to be,” Cliff tells Pam while discussing what led to his break-up with Afton. "That has been the most important thing in my life. I’m not saying that that’s right, but that’s me." "Steven, there is nothing in my life more important than my children,” insists Alexis during an argument with her youngest son, "but I do value money because money can help protect people that I love. I value it as much as I resent this trial that's coming up, this nightmare!” During a subsequent strategy meeting with her lawyer, she admits that “ever since Blake Carrington banished me from Denver, from my children, my main charity, unfortunately, has been Alexis Carrington Colby." Meanwhile, to capitalise on her upcoming murder trial, Alexis's unauthorised life story is being serialised in the Denver Chronicle. It's full of scandalous tidbits about her past (“an incident in Portofino with a film star ... a party that made headlines”) but she doesn’t seem to mind. Amusingly, her only concern is about the photograph chosen to accompany the feature. "I don't particularly like this picture,” she frets. "I look a bit pale.” In contrast, two of Soap Land’s more mysterious women, DYNASTY’s Dominique Devereaux and PAPER DOLLS’ Racine (so mysterious she has no surname — “like Cher,” as someone helpfully explains), are less willing to have their histories documented. "I don't share my private life with anyone,” declares Dominique. This makes things a little tricky both for Claudia Carrington, who is trying to assemble a biography of Dominique to promote her singing engagement at La Mirage, and the reporter who has been charged with writing Racine’s life story for Newsbeat Magazine. (In pleasingly soapy fashion, the reporter is also the lover of the best friend of Racine’s oldest client.) Hoping to prise Racine out of her glamorous comfort zone, the reporter takes her on a mystery date — to a rib shack on the wrong side of town populated entirely with black extras. Racine acquits herself surprisingly well, even managing to nibble on a chicken wing without smearing her lipgloss — an indication, perhaps, of humbler beginnings. Back on DYNASTY, Racine’s former FLAMINGO ROAD father, Claude Weldon, resurfaces in Caracas as Billy Waite, “a killer shark” in business according to Blake. While Claude was as unscrupulous as they come, he was more a stooge than a shark. It’s during Billy's unsuccessful attempts to charm Krystle, and later seduce Alexis after she flies to Venezuela to dissuade him from doing business with Blake, that Claude’s sleazy, and ineffably amusing, personality reemerges. He suggests "a siesta in one of the cool recesses of my hot hacienda” to Alexis. "Oh Billy, we tried that once and it wasn't such a good idea,” she reminds him. Trend of the week: Soap Land divas violating the terms of their parole. Arrested for shooting Bobby and then freed on bail, DALLAS’s Katherine skips the country, getting as far as London before disappearing altogether. As she is leaving Billy Waite’s villa in Caracas, Alexis is apprehended by police officials on suspicion of trying to do something similar. The scene is reminiscent of JR's surprise arrest in Cuba a couple of seasons ago ("Silencio, Signora!”), only funnier and more glamorous. "I will escort you to your plane and on to your flight," she is informed by one Lieutenant Lopez. "Upon your arrival in Miami, you will be met by federal officers and taken to the county jail, then you will be served with extradition papers from the state of Colorado and taken to Denver in custody." "This is outrageous!" Alexis protests. She then looks to Billy for help, only to find that he has vanished at the first sign of trouble — a quintessentially Claude Weldon move. Soap Land sometimes makes strange bedfellows and this week finds innocent Michael Fairgate on KNOTS and battle weary JR on DALLAS singing from similar hymn sheets. “It's all over, everything,” laments Michael to his mom. "Diana, she’s going to New York, Eric’s always working, Mack’s moved out, and you’re in the hospital — I don’t even have a family anymore!” “Everything’s gone so damn wrong,” sighs JR during another heart to heart with Sue Ellen, “the family and the business … No matter what I do, I can't seem to win anymore.” Two uninvited guests appear on Soap Land doorsteps this week. Both young and plainly dressed, they each announce themselves as a long-lost relative. “I’m your nephew,” Joshua Rush informs Lilimae Clements when he shows up in Seaview Circle. "Your sister was my mother, married to Jonathan J. Rush.” The stranger at Southfork, meanwhile, introduces herself to JR as “Jamie Ewing, Jason’s daughter. My daddy and your daddy were brothers.” A third unfamiliar face appears without warning by Terry's pool on FALCON CREST but he needs no introduction. Terry identifies him as Joel — "a lousy coke head with a stinking habit you can't afford and you’re not going to get any money from me to pay for it!" “Terry sweetheart,” Joel replies, "that’s no way to welcome back your long-lost husband.” Whereas Joel is enjoyably scuzzy, Joshua is almost dazzlingly pure on KNOTS. Jamie, meanwhile, only appears in the closing moments of this week’s DALLAS and is so shabbily dressed it takes the Ewings a moment to even determine her gender. Speaking of FALCON CREST newcomers, Jean-Louis de Bercy, the latest arrival in the Tuscany Valley, pays a visit to Angela this week to present her with a sculpture of a falcon he has carved for her. Angela is characteristically suspicious of new neighbours bearing gifts but accepts it, unaware of the state of the art listening device planted inside. (Ironically, this is the same week that Bobby finally gets the Ewing Oil phone system debugged in DALLAS.) Nor does Angela realise that Jean-Louis is really the father-killing, Nazi-treasure-hunting Gustav Reibmann. There have been Soap Land imposters before — Michael Tyrone alias Michael Edwards on FLAMINGO ROAD, Chip Roberts aka Tony Fenice on KNOTS LANDING — but this is the first time the audience has been in on the deception from the start. And this week’s Top 5 … it’s a close run thing but ... 1 (3) KNOTS LANDING 2 (-) DYNASTY 3 (1) DALLAS 4 (2) FALCON CREST 5 (-) PAPER DOLLS [/QUOTE]
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Knots Landing
KNOTS LANDING versus DALLAS versus the rest of them week by week
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