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Global Telly Talk
Classic US TV
Mary Tyler Moore Show and Its Spin-Offs
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<blockquote data-quote="ClassyCo" data-source="post: 327564" data-attributes="member: 7"><p style="text-align: justify">When you think about it, that's basically the voids Georgette and Sue Ann filled. </p><p></p><p style="text-align: justify">Yeah, the final two seasons especially focused on Mary's life at WJM-TV. Sue Ann had her own show there, and Georgette was connected to Mary through Ted, a long-time coworker of Mary's. I'm sure such a decision to make the newer characters was easier for the writers to keep the stories at the workplace, and also cheaper for the producers to use less sets. </p><p></p><p style="text-align: justify">Quite true. Sue Ann and Georgette are jewels and just as important to the MARY TYLER MOORE legacy as Rhoda and Phyllis are. </p><p></p><p style="text-align: justify">Quite true. Especially on sitcoms, the producers don't want to shake the status quo and when a character leaves, they try their hardest to recreate a cookie-cutter character that typically takes just the most basic characteristics of the one that left. </p> <p style="text-align: justify"></p> <p style="text-align: justify">I often think about DESIGNING WOMEN. When Delta Burke left in 1991, she was replaced with Julia Duffy. They traded a brunette for a blonde, but Suzanne and Allison -- the actresses' respective characters -- were meant to mirror one another. What they didn't give Allison, however, was a sense of humanity or likability to the audience or the other ladies in the show. They were more successful in transitioning from Jean Smart to Jan Hooks, also in 1991.</p></blockquote><p></p>
[QUOTE="ClassyCo, post: 327564, member: 7"] [JUSTIFY]When you think about it, that's basically the voids Georgette and Sue Ann filled. [/JUSTIFY] [JUSTIFY]Yeah, the final two seasons especially focused on Mary's life at WJM-TV. Sue Ann had her own show there, and Georgette was connected to Mary through Ted, a long-time coworker of Mary's. I'm sure such a decision to make the newer characters was easier for the writers to keep the stories at the workplace, and also cheaper for the producers to use less sets. [/JUSTIFY] [JUSTIFY]Quite true. Sue Ann and Georgette are jewels and just as important to the MARY TYLER MOORE legacy as Rhoda and Phyllis are. [/JUSTIFY] [JUSTIFY]Quite true. Especially on sitcoms, the producers don't want to shake the status quo and when a character leaves, they try their hardest to recreate a cookie-cutter character that typically takes just the most basic characteristics of the one that left. I often think about DESIGNING WOMEN. When Delta Burke left in 1991, she was replaced with Julia Duffy. They traded a brunette for a blonde, but Suzanne and Allison -- the actresses' respective characters -- were meant to mirror one another. What they didn't give Allison, however, was a sense of humanity or likability to the audience or the other ladies in the show. They were more successful in transitioning from Jean Smart to Jan Hooks, also in 1991.[/JUSTIFY] [/QUOTE]
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Global Telly Talk
Classic US TV
Mary Tyler Moore Show and Its Spin-Offs
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