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Dallas the TV series
Dallas - The Original Series
Re-watching the Ewingverse ... alphabetically!
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<blockquote data-quote="James from London" data-source="post: 199177" data-attributes="member: 22"><p><u><em>Aftermath</em> (KNOTS, 26 Nov 81) v.<em> Aftermath</em> (DALLAS, 05 Nov 82)</u></p><p></p><p>aka 'The One After Sid Dies' versus 'The One After the Reading of Jock’s Will'</p><p></p><p><img src="https://i.ytimg.com/vi/gX7bxK7HFOM/hqdefault.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /><img src="https://dallasdecoder.files.wordpress.com/2013/06/dallas-scene-of-the-day-aftermath.jpg?w=600&h=456" alt="" class="fr-fic fr-dii fr-draggable " style="" /> </p><p></p><p>Karen is not exactly in denial about Sid’s death, but there’s a parallel between her behaviour following his funeral and Miss Ellie’s following Jock’s helicopter crash, in that she does everything she can to avoid facing her grief. Whereas Ellie had the luxury of isolating herself out at Southfork, Karen is out in the world, trying to raise a family and run a business. There’s a rawness about the reaction to Sid’s death that wasn’t there with Jock’s — maybe that’s because they never found Jock’s body, or because DALLAS is just that bit glossier a show. But there’s a corresponding moment between this ep and <em>Acceptance</em> (DALLAS, Season 4) where Karen and Ellie each permit themselves a second to stroke the arm of their late husband’s jacket as it hangs in a closet before quickly bringing the emotional shutters down again. </p><p></p><p>Every single beat of this episode of KNOTS rings emotionally true, but it’s the Fairgate kids’ fear and bewilderment as they try to adjust to their new circumstances that is the most heartbreaking. Their storyline is juxtaposed with the Wards’ excitement at the impending arrival of their new baby. Inevitably, the two stories collide as Karen picks up the baby and finally starts to sob. Instinctively, Kenny goes to take the kid from her, only ditzy-but-wise Ginger stops him. “It’s OK,” she whispers. Good for Ginger.</p><p></p><p>The atmosphere on DALLAS is less emotional, more ominous. As the battle for control of Ewing Oil commences, metaphorical storm clouds gather, characters find themselves obliged to take sides and everyone predicts the worst: “That will’s gonna be a disaster for all Jock’s sons.” “I just don’t wanna be anywhere near this slugfest JR and Bobby are gonna have.” “I get the distinct impression there’s an army mobilising against me.” A lot of groundwork is done to make this nutty contest seem credible — the why’s and wherefores of dividing up company assets are discussed as is Jock’s reasoning behind setting up what Bobby describes as “a very peculiar situation.” </p><p></p><p>Karen and Miss Ellie both admit to being angry at their dead husbands — Karen for the “admirable morality” that helped get Sid killed (“He had to go and do the right thing! Out of his way to help, to do his duty!”), Miss Ellie at Jock for the treatment of Gary in his will. While Karen takes her anger out on Gary when she finds him sitting behind Sid’s desk (Michele Lee doesn’t pull her punches in this scene - those are real blows she’s landing on him), Lucy is also pissed off with her father for disappearing back to his own show so quickly after the will-reading.</p><p></p><p>And the winner is … <em>Aftermath</em> (KNOTS)</p><p></p><p>BONUS BEATS</p><p></p><p>[MEDIA=youtube]k_KSTXfXzIE[/MEDIA]</p></blockquote><p></p>
[QUOTE="James from London, post: 199177, member: 22"] [U][I]Aftermath[/I] (KNOTS, 26 Nov 81) v.[I] Aftermath[/I] (DALLAS, 05 Nov 82)[/U] aka 'The One After Sid Dies' versus 'The One After the Reading of Jock’s Will' [IMG]https://i.ytimg.com/vi/gX7bxK7HFOM/hqdefault.jpg[/IMG][IMG]https://dallasdecoder.files.wordpress.com/2013/06/dallas-scene-of-the-day-aftermath.jpg?w=600&h=456[/IMG] Karen is not exactly in denial about Sid’s death, but there’s a parallel between her behaviour following his funeral and Miss Ellie’s following Jock’s helicopter crash, in that she does everything she can to avoid facing her grief. Whereas Ellie had the luxury of isolating herself out at Southfork, Karen is out in the world, trying to raise a family and run a business. There’s a rawness about the reaction to Sid’s death that wasn’t there with Jock’s — maybe that’s because they never found Jock’s body, or because DALLAS is just that bit glossier a show. But there’s a corresponding moment between this ep and [I]Acceptance[/I] (DALLAS, Season 4) where Karen and Ellie each permit themselves a second to stroke the arm of their late husband’s jacket as it hangs in a closet before quickly bringing the emotional shutters down again. Every single beat of this episode of KNOTS rings emotionally true, but it’s the Fairgate kids’ fear and bewilderment as they try to adjust to their new circumstances that is the most heartbreaking. Their storyline is juxtaposed with the Wards’ excitement at the impending arrival of their new baby. Inevitably, the two stories collide as Karen picks up the baby and finally starts to sob. Instinctively, Kenny goes to take the kid from her, only ditzy-but-wise Ginger stops him. “It’s OK,” she whispers. Good for Ginger. The atmosphere on DALLAS is less emotional, more ominous. As the battle for control of Ewing Oil commences, metaphorical storm clouds gather, characters find themselves obliged to take sides and everyone predicts the worst: “That will’s gonna be a disaster for all Jock’s sons.” “I just don’t wanna be anywhere near this slugfest JR and Bobby are gonna have.” “I get the distinct impression there’s an army mobilising against me.” A lot of groundwork is done to make this nutty contest seem credible — the why’s and wherefores of dividing up company assets are discussed as is Jock’s reasoning behind setting up what Bobby describes as “a very peculiar situation.” Karen and Miss Ellie both admit to being angry at their dead husbands — Karen for the “admirable morality” that helped get Sid killed (“He had to go and do the right thing! Out of his way to help, to do his duty!”), Miss Ellie at Jock for the treatment of Gary in his will. While Karen takes her anger out on Gary when she finds him sitting behind Sid’s desk (Michele Lee doesn’t pull her punches in this scene - those are real blows she’s landing on him), Lucy is also pissed off with her father for disappearing back to his own show so quickly after the will-reading. And the winner is … [I]Aftermath[/I] (KNOTS) BONUS BEATS [MEDIA=youtube]k_KSTXfXzIE[/MEDIA] [/QUOTE]
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Dallas - The Original Series
Re-watching the Ewingverse ... alphabetically!
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