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Contemporary US Drama
Tyler Perry's The Haves and the Have Nots
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<blockquote data-quote="Daniel Avery" data-source="post: 64738" data-attributes="member: 27"><p>The episode where you saw the long-shot of the mansion and heard Amanda's gun go off was the season two cliffhanger. It's difficult to keep up with their style of episode "marking" where they refer to one batch of episodes as half a season rather than a complete season. Oh, and this spate of episodes is the one I referred to as the seven or eight episodes that cover about 24 hours. A lot of stuff happened in the minutes/hours before Amanda's gun went off in the final episode of season two, and of course all the stuff happening in the night/morning after kept Amanda's fate strung out impossibly long. And the day's not even over yet!</p><p></p><p>Jim's situation is not supposed to be funny, but it is to me. Candace's friends taking blackmail pics of Jim with transvestite hookers (or whatever that was) was uproarious. While Candace's kidnapping by the Malones (Jim's 'rent-a-thug' organization) was meant to be violent and horrifying, Candace took a more "kill 'em with embarrassment" approach and plans to get a few million bucks out of Jim as "severance pay". Her pal Warlock ("War") is a character to watch, not just some random thug, BTW. </p><p></p><p>I always thought Veronica's leverage against Jeffrey (the car) was doubly-bad, because even if Jeffrey developed a backbone and told her to pound sand, she could either turn in her son....or turn in her son's unrequited love, Wyatt. Jeffrey is too stupid to see what a basket case Wyatt is and seems totally blind to this. I mean, I know he's hot and all, but what a whiny, self-pitying mess. <em>Ronnie</em> knows that putting dear Wyatt in harm's way will keep Jeffrey in line, even if she virulently detests the way Jeffrey feels about Wyatt. In fact, all of Veronica's activities in this period are geared toward controlling everyone around her. The more control she tries to exert, the more she pushes away Jeffrey, David, and everyone else. Her insane jealousy about Maggie knows no bounds, either.</p></blockquote><p></p>
[QUOTE="Daniel Avery, post: 64738, member: 27"] The episode where you saw the long-shot of the mansion and heard Amanda's gun go off was the season two cliffhanger. It's difficult to keep up with their style of episode "marking" where they refer to one batch of episodes as half a season rather than a complete season. Oh, and this spate of episodes is the one I referred to as the seven or eight episodes that cover about 24 hours. A lot of stuff happened in the minutes/hours before Amanda's gun went off in the final episode of season two, and of course all the stuff happening in the night/morning after kept Amanda's fate strung out impossibly long. And the day's not even over yet! Jim's situation is not supposed to be funny, but it is to me. Candace's friends taking blackmail pics of Jim with transvestite hookers (or whatever that was) was uproarious. While Candace's kidnapping by the Malones (Jim's 'rent-a-thug' organization) was meant to be violent and horrifying, Candace took a more "kill 'em with embarrassment" approach and plans to get a few million bucks out of Jim as "severance pay". Her pal Warlock ("War") is a character to watch, not just some random thug, BTW. I always thought Veronica's leverage against Jeffrey (the car) was doubly-bad, because even if Jeffrey developed a backbone and told her to pound sand, she could either turn in her son....or turn in her son's unrequited love, Wyatt. Jeffrey is too stupid to see what a basket case Wyatt is and seems totally blind to this. I mean, I know he's hot and all, but what a whiny, self-pitying mess. [I]Ronnie[/I] knows that putting dear Wyatt in harm's way will keep Jeffrey in line, even if she virulently detests the way Jeffrey feels about Wyatt. In fact, all of Veronica's activities in this period are geared toward controlling everyone around her. The more control she tries to exert, the more she pushes away Jeffrey, David, and everyone else. Her insane jealousy about Maggie knows no bounds, either. [/QUOTE]
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Tyler Perry's The Haves and the Have Nots
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