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Contemporary US Drama
Tyler Perry's The Haves and the Have Nots
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<blockquote data-quote="Daniel Avery" data-source="post: 70060" data-attributes="member: 27"><p>While Kathryn's shooting the DA certainly made me say "Oh, wow!", it only took me a few minutes for the reality to set in (well, as much as reality has a place in HAHN). While they provided Kathryn with some motivation (her love of Wyatt and desperation to keep him from ending up like Amanda), I just didn't buy this as the logical progression of her situation. While a good shocker like that will make people talk, it didn't ring true as the best course of action for Kathryn, who usually seems much smarter than this. Turning the DA into Swiss cheese won't get that money out of Wyatt's bank account. Kathryn ought to know not to trust a barracuda like Veronica to successfully argue the case (as that whole "Now get me off the murder charge" line to Veronica led us to believe), rather than simply using the situation to manipulate Kathryn, Jim, and everyone else. It is definitely one of HAHN's "Hell Yeah!" moments, but it does not stand up to much scrutiny as a logical plot point. Luckily, things will steer themselves into a different territory when they (inevitably) pick up where they left off. Some GREAT stuff there for you to look forward to between the ladies.</p></blockquote><p></p>
[QUOTE="Daniel Avery, post: 70060, member: 27"] While Kathryn's shooting the DA certainly made me say "Oh, wow!", it only took me a few minutes for the reality to set in (well, as much as reality has a place in HAHN). While they provided Kathryn with some motivation (her love of Wyatt and desperation to keep him from ending up like Amanda), I just didn't buy this as the logical progression of her situation. While a good shocker like that will make people talk, it didn't ring true as the best course of action for Kathryn, who usually seems much smarter than this. Turning the DA into Swiss cheese won't get that money out of Wyatt's bank account. Kathryn ought to know not to trust a barracuda like Veronica to successfully argue the case (as that whole "Now get me off the murder charge" line to Veronica led us to believe), rather than simply using the situation to manipulate Kathryn, Jim, and everyone else. It is definitely one of HAHN's "Hell Yeah!" moments, but it does not stand up to much scrutiny as a logical plot point. Luckily, things will steer themselves into a different territory when they (inevitably) pick up where they left off. Some GREAT stuff there for you to look forward to between the ladies. [/QUOTE]
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Contemporary US Drama
Tyler Perry's The Haves and the Have Nots
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