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<blockquote data-quote="Mel O&amp;#039;Drama" data-source="post: 147752" data-attributes="member: 23">Well, how could I resist. I dived into the film this evening. Very enjoyable. I especially enjoyed the muted colour pallets: lots of washed out greens and yellows with grey. And then bold flashes of teal, red or rich browns. And with long shadows everywhere indoors. It had a very distinctive and attractive look. I was reminded of what David Fincher would be doing three or four decades down the line. It does. The dutch angles in the library, and shots through phone boxes, light shades, disembodied spectacles and parking meters. I liked that some of these shots seemed to be used for emphasis or symbolism. In the phone box, he&#039;d dialled a number that was unobtainable and then when he got hands on with the fight immediately afterwards, his target proved equally unobtainable. The phone box framing the fight subtly foreshadowed the outcome. At least that&#039;s how I saw it, watching with your comments fresh in my mind.</blockquote>

[QUOTE="Mel O'Drama, post: 147752, member: 23"] Well, how could I resist. I dived into the film this evening. Very enjoyable. I especially enjoyed the muted colour pallets: lots of washed out greens and yellows with grey. And then bold flashes of teal, red or rich browns. And with long shadows everywhere indoors. It had a very distinctive and attractive look. I was reminded of what David Fincher would be doing three or four decades down the line. It does. The dutch angles in the library, and shots through phone boxes, light shades, disembodied spectacles and parking meters. I liked that some of these shots seemed to be used for emphasis or symbolism. In the phone box, he'd dialled a number that was unobtainable and then when he got hands on with the fight immediately afterwards, his target proved equally unobtainable. The phone box framing the fight subtly foreshadowed the outcome. At least that's how I saw it, watching with your comments fresh in my mind. [/QUOTE]

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