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<blockquote data-quote="Willie Oleson" data-source="post: 397158" data-attributes="member: 8"><p>HALLOWEEN ENDS (2022)</p><p></p><p>[ATTACH=full]52748[/ATTACH]</p><p></p><p>I was in the mood for something new <em>and</em> familiar, and HALLOWEEN ENDS seems like the perfect choice for some "comfort horror". I have seen the original, at least one sequel from the 1980s and also the one from the late 1990s - which means that this is my first 21st century Halloween film.</p><p></p><p>Babysitter Corey Cunningham accidentally kills the "baby" which could have been a terrific drama in itself, but at the same time it also looks like a dark comedy "oops!" moment. I honestly don't know if we were supposed to feel sorry for the nasty little brat.</p><p>In the next scene we see Corey on his bike and I figured it was going to be one of those "one week earlier" kind of narratives, but it isn't, and the accident mostly serves as a backdrop, a new piece of Haddonfield history to build on.</p><p></p><p>It's clear that Corey has become quite the underdog who's just trying to keep his head down, further hammered home by his quirky-overbearing mother (although it made me giggle when she said "who's that calling you under the dinner table?").</p><p>Meanwhile, Laurie Strode is writing her memoir Serial Dearest and she's living with a young woman named Allyson who turns out to be her granddaughter.</p><p>Via-via Allyson and Corey meet and a romance develops even though Corey thinks that kind of life isn't meant for him.</p><p>She takes him to a Halloween party - she's dressed like Catwoman - but later that evening Corey has an emotional run-in with the mother of the boy who was killed.</p><p>On top of everything he is ambushed by a group of troublesome teenagers who throw him off the bridge and leave him for dead, but then an unseen person drags him away.</p><p></p><p>Funnily enough, this sequence - and the way it would transform his character - reminded me of Selina Kyle who was pushed out of the window, sort of died and then resurrected by the cats which would turn her into the iconic super anti-hero.</p><p>Corey's confrontation with Michael Myers who's secretly living in the sewers (hello, Penguin) followed by the stabbing of a vagrant (although not entirely without self-defence) has a similar effect on him.</p><p>There's even a scene that suggests some kind of super power.</p><p>[ATTACH=full]52749[/ATTACH]</p><p>[ATTACH=full]52750[/ATTACH]</p><p></p><p>After a confontation with Allyson's romantic pursuer Corey lures him to Michael's hiding place and the man gets stabbed to death.</p><p>It seems that the bloodshed awakens Michael, as if he had been a dormant vampire patiently waiting for his next bite.</p><p>This is where the slasher part takes off except that we have now a serial killer duo, and not in a mysterious way like the SCREAM movies.</p><p>However, since the killings are a big part of the thrill it didn't bother me that much, and the meatiest drama is still about Laurie and her role in the various tragedies - here and in the previous chapters (which kinda made me wish I had started from the very beginning, and maybe I'll do that anyway).</p><p>Jamie Lee Curtis really throws herself into it and there's even a moment that suggests that Laurie had killed herself à la JR in the last scene of DALLAS.</p><p>Michael and Laurie's final battle is quite satisfying - naturally it takes him forever to die - and in case they used a stunt double for JLC then they've done a terrific job obscuring it.</p><p></p><p>All in all an entertaining film but the killings could have been a bit more brutal.</p></blockquote><p></p>
[QUOTE="Willie Oleson, post: 397158, member: 8"] HALLOWEEN ENDS (2022) [ATTACH type="full"]52748[/ATTACH] I was in the mood for something new [I]and[/I] familiar, and HALLOWEEN ENDS seems like the perfect choice for some "comfort horror". I have seen the original, at least one sequel from the 1980s and also the one from the late 1990s - which means that this is my first 21st century Halloween film. Babysitter Corey Cunningham accidentally kills the "baby" which could have been a terrific drama in itself, but at the same time it also looks like a dark comedy "oops!" moment. I honestly don't know if we were supposed to feel sorry for the nasty little brat. In the next scene we see Corey on his bike and I figured it was going to be one of those "one week earlier" kind of narratives, but it isn't, and the accident mostly serves as a backdrop, a new piece of Haddonfield history to build on. It's clear that Corey has become quite the underdog who's just trying to keep his head down, further hammered home by his quirky-overbearing mother (although it made me giggle when she said "who's that calling you under the dinner table?"). Meanwhile, Laurie Strode is writing her memoir Serial Dearest and she's living with a young woman named Allyson who turns out to be her granddaughter. Via-via Allyson and Corey meet and a romance develops even though Corey thinks that kind of life isn't meant for him. She takes him to a Halloween party - she's dressed like Catwoman - but later that evening Corey has an emotional run-in with the mother of the boy who was killed. On top of everything he is ambushed by a group of troublesome teenagers who throw him off the bridge and leave him for dead, but then an unseen person drags him away. Funnily enough, this sequence - and the way it would transform his character - reminded me of Selina Kyle who was pushed out of the window, sort of died and then resurrected by the cats which would turn her into the iconic super anti-hero. Corey's confrontation with Michael Myers who's secretly living in the sewers (hello, Penguin) followed by the stabbing of a vagrant (although not entirely without self-defence) has a similar effect on him. There's even a scene that suggests some kind of super power. [ATTACH type="full"]52749[/ATTACH] [ATTACH type="full"]52750[/ATTACH] After a confontation with Allyson's romantic pursuer Corey lures him to Michael's hiding place and the man gets stabbed to death. It seems that the bloodshed awakens Michael, as if he had been a dormant vampire patiently waiting for his next bite. This is where the slasher part takes off except that we have now a serial killer duo, and not in a mysterious way like the SCREAM movies. However, since the killings are a big part of the thrill it didn't bother me that much, and the meatiest drama is still about Laurie and her role in the various tragedies - here and in the previous chapters (which kinda made me wish I had started from the very beginning, and maybe I'll do that anyway). Jamie Lee Curtis really throws herself into it and there's even a moment that suggests that Laurie had killed herself à la JR in the last scene of DALLAS. Michael and Laurie's final battle is quite satisfying - naturally it takes him forever to die - and in case they used a stunt double for JLC then they've done a terrific job obscuring it. All in all an entertaining film but the killings could have been a bit more brutal. [/QUOTE]
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