I appreciate your threads and ability to hold your own in a debate and not resort to ad hominem attacks. Unfortunately, that's becoming more and more rare.
It’s becoming more and more rare by the day.
Regarding Valene, there was that first time when she came back where she didn't know JR wouldn't make good on her threat. If I recall correctly, she came back all in her own then. Also, she knew Gary wasn't the most reliable support anyway.
Her main beef was with JR. She didn't turn on Miss Ellie, I'm assuming, because JR was the main hurdle for her.
I don't think how long a character is in the show matters. She's still a significant character in the whole Ewing saga. I think she's the only one who would be a dyed in the wool hero.
How often she appears doesn’t lessen her character’s virtues, her ethics or morals, I’ll grant you that. But how is “the only dyed in the wool hero” going to take the fight to the “villain” if she appears on average, less than one episode a year?
The hero and the villain are adversaries. It’s the hero’s job to fight and hopefully vanquish the villain. To do that, the hero has to be present.
JR may have played fair with Bobby when he was blind, but there were so many other times when he didn't. What do you think of JR paying someone to die for custody of Christopher? Is that fair play? What about setting up Gary to fail when Gary came back?
Fair play is meeting each other on an equal playing field. No back stabbing, sucker punches, or unfair advantages. JR, with the exception of when Bobby was blind, never played fair. If he did, please give me an example.
Paying Alden to pretend to go after Christopher, and then Alden on her own actually going after custody – That’s inexcusable. I can’t condone that. Setting up Gary to fail, not quite as bad as the Alden case, but again, I can’t condone it.
Fair play is what you said. No argument there either. However, from the story Dallas tells us, and since this is fiction we have to either go by the story they tell us or just not watch, there is no such thing as fair play in the oil industry. Not for anyone who lasts for long.
The way they presented the oil business is what I would equate to a shark tank. If you’re not the biggest, baddest great white in the tank, one of the other sharks is gonna eat you up. That’s why Bobby became a harder, more aggressive man during the contest. He became what he had to be to not only to survive but to flourish. To win control of Ewing Oil. That’s justifiable. If you're naive enough to think you can survive in that cutthroat a business sticking to fair play, it won’t end well for you, although it will end quickly.
Also, you say JR is not a true villian
What about the two rapes? Are there some lines a character can't cross, in your opinion, or they are no longer morally ambiguous.
That’s correct. JR is not a villain. He’s a bad guy, sometimes a real bad guy, who still happens to have enough redeeming values that he’s just too likable to be a villain. In the early 1980s JR Ewing was the most popular character on TV. JR Ewing was just too likable, and as a result, too well liked to be a villain. He was the first of a new type of character “the cool bad guy.” He does bad things but in a cool enough way with the right style, pizazz, and attitude. JR was also always smiling and it's hard, especially for women, to not like a guy with an upbeat personality who looks happy and positive minded. People couldn’t help but like him even though deep down I'm sure at least some of them kind of felt like they shouldn’t.
How realistic is that? As realistic as it gets. Any guy who has ever seen a beautiful, hot girl with everything going for her start going out with some prick because “he’s a bad boy she can’t resist” knows exactly what I’m talking about. It’s probably where the expression “Nice guys come in last” came from. Well, every guy wants to be successful with women, and since they know that a lot of chicks dig bad guys, then some of them are gonna become that kind of guy if they believe that's gonna make the difference between success and failure in getting that particular girl they just have to have.
Just like Bobby transforming to win – not the girl in that case – but to win the company. It’s the same principle. If there is something or someone a man can’t live without, are you going to blame him for becoming what he needs to be to have it? It’s survival of the fittest, remember that, not survival of the nicest, or survival of the most ethical. Have you ever seen the girls in a nightclub all of the sudden stop flirting with the "bad guy" at the bar who's got charm, swagger and attitude and flock to the dull, plain looking, but very nice, ethical guy who just walked in the door? No way. That’s science fiction at best.
Not every guy is going to be willing or even able to change who he is and become the “bad guy” to impress the hot chick who is attracted to that type, or to win control of a company, but a LOT of them are. Enough, that they would, and did, identify with JR. Lots wanted to be just like him! They envied him having the money, the power, and the women.
How are you going to have a show where so many women are attracted to the villain and so many men admire the villain? How will the hero get any sympathy? It’s impossible! How about when the hero appears ready to kick the villain’s ass and the audience actually boos the hero? That’s a disaster! You can’t have that. It doesn’t work.
How about removing the hero altogether? Well a hero vs villain movie without the hero is an even worse idea. Imagine Die Hard with the German terrorist Hans Gruber but without the Bruce Willis character John McCLane. Oh, that would have been big box office!!!
How about the movie Dirty Harry without “Dirty” Harry Callahan? All you’ve got left then is the villain - "Scorpio." Who is gonna pay money to watch Scorpio shoot priests and nuns, rape and kill girls, and on and on with nobody capable enough to stop him? Nobody would go see it! Would you want to see it, even for free? I doubt it. Most of us don’t get off on seeing a villain terrorize the innocent citizens of a city for two hours with nobody there capable enough to stop him. That's because he’s not a “cool bad guy.” He’s a villain - a repugnant piece of sh*t with no redeeming qualities.
That’s a real villain. That requires a real hero. Believe me, a real villain with nobody to stop him, again imagine Die Hard or Dirty Harry without the heroes and just the villains. They would have been absolute failures! Dallas didn't need heroes because it had no villains. It was an ensemble show filed with people of varying morals and ethics who existed along a spectrum of shades of gray, and then at the center there was JR - the "cool bad guy" far too likable to be a villain. It was a formula for more success than they ever dreamed of having. It turned out they did things just right, in the years when Dallas was hot, anyway. Dallas was the hottest thing on TV in the early to mid 80s and it’s damn hard to argue with success.