Something funny happened after I had finished episode 6 and then went back to episode 5 for a screen shot. It started with the same scene but I noticed that the video progress/playing time bar had already skipped the first 6 or 7 minutes.
I went back to the episode menu...

….and for the first time I saw "Play Episode". And then it actually starts with the Footballer's Wives theme (a mini-theme, but still) and the introduction scenes.
Although it was kinda funny that this episode incorrectly "started" with the mayhem of the turbulence.
Anyway, I checked the other episodes to see if I had missed something important, turned out this was not the case (hadn't really expected it to be), but then I remembered….
*wobbly flashbacks*
And who saved Dr. Giles, Lucy and Angelica? Angelica? gelica? And why did Lucy decide to go back to Bruno? Bruno? uno?
It's a massive plot hole stinker! stinker! inker!
*wobbly unflashbacks*
And indeed, series 5 first episode starts with a summary monologue by Bruno Milligan.

It still doesn't explain the cover-up, the missing gun that also didn't belong to Dr. Giles etc. but at least there's a mention of Bruno's other family and there's a scene between him and Lucy that "explains" why she went back to him. Because he's less psycho than Giles? It's a tacky intro to be honest and now I almost regret that I discovered it.
And now, let's talk Joan Collins.
After the disturbing discovery in the mini-temple, Bruno starts to fight back and it becomes a painfully unsubtle cat-and-mouse game that is still kind of fun to watch. File under "so bad it's good".
He also burns down her mini-temple with all the evidence (pictures of Conrad = evidence?)

Eventually it comes to a confrontation and after that Amber threatens to shoot him and - more shockingly - revamps herself into an Indian war goddess in a Lucy Milligan design.
That same Lucy Milligan knocks her unconscious and destroys most of Amber's brain cells in the process, but not before a fatal gunshot causes Roger to lose his sight!
It's just an average cliffhanger for the Footballer's Wives!
Tanya's return in the fourth series finale suggests that she's been "missing" for a few episodes, but it didn't actually happen at
that point in the story, it was more like a mini-trailer within the episode!
She also spots the foreign footballer player recently acquired by "Sparks", then there's the turbulence and a passionate kiss, and to cut a long story short, he's going to be Mr. Tanya Turner #4.
But wait!
Paolo (who could be Salvatore Biagi's little brother) belongs to a lady with a very, very familiar face.
And a very familiar catty attitude. Of course it's a big honour to be insulted by The One And Only, but Tanya doesn't quite see it that way.
Tremaine and Liberty are getting married. Hurrah. What that horrible Liberty needs is a big meteor on top of her ten million dollar head!
Footballer Tremaine is loyal and faithful and divine, but there's also a "connection" between him and Lucy. It goes way back to that lunchbox-in-her-face moment.
I really shouldn't talk about it.
Footballer's Wives mocks the bling & vulgarity of the nouveau riche (at least that's my interpretation of it) but that doesn't take away the fact that the decor and many of the outfits are simply mouthwatering. Even by 2020 standards, this looks very very good.
It almost out-dynasties Dynasty. Will Alexis out-lexis herself this time?
Like Conrad before him, Bruno is trying to win back his ex-wife. I don't mind watching a separated couple on an emotional journey as it can reinforce that feeling of True Love, but if the plot is only about the end result then it's never going to satisfy.
I also miss the footballers slag parties. Jason Turner would turn in his grave if he could see the Earls Park prissypants grovel for the wifey's affection.
Meanwhile, Tanya is getting more and more interested in Paolo and there are various confrontations between her and Eva De Wolffe.
Like publishing the most unflattering pictures of Tanya - and look, Mark Jennings was there too!
However, Tanya's not afraid to bite the dust and that's what makes her victories so satisfying.
She discovers the truth about Eva's relationship with Paolo (Marcelo) - she adopted him when he was a caged and abused little boy - and she threatens to give the story to the press.
Eva responds, in that typical Alexis style:
Hahahaha, I AM the press! There's a mighty bitch-slap and an almost-strangulation (this time Alexis is on the other side of the throat, how thrilling!) and the camp line
"Momma says go to your room!" , channeling Ruth Roman in the cult-classic THE BABY.
It's a relatively long scene and they're milking it for all it's worth, to the point of losing momentum. But hey, you don't get to do an Alexis-rematch every day.
All in all, a mixed bag of great & bad stuff, but never boring.