Game Night (2018)
Smug, entitled, middle-aged Americans act like the smart-talking sassy teenagers from
Scream for no reason other than, apparently, because.
The constant pop-culture references were tedious. The lines were driven home with all the subtlety of the circus. One got the sense that the self-conscious actors thought they were incredibly clever to be delivering "funny" lines in a "naturalistic" way (which amounts to weird emphases, annoying pauses and saying "OK" at the end of sentences).
The self-indulgent existentialism of the three couples was highly unnecessary. Who cared that one couple wanted a baby and were having problems conceiving. Or that there had been infidelity in another relationship. Or that the third couple (the completely un-hilarious slow young guy and his incompatible date) weren't really sure if they were a couple. It's all there to pad out the wafer thin plot.
In place of actual intelligence was an over-abundance of self-awareness and a series of heavy, unoriginal twists which changed the reality of the film, each of which reduced my already fragile investment.
In terms of tone, one felt that it purloined from much of Nineties pop culture. Primarily sitcoms (the traditional game night scenes were lifted directly out of Nineties
Will & Grace, while the "look how funny I am" delivery of dialogue had all the smugness of
Friends - which at least had
actual funny lines to support it) and the meta-horrors like
Scream and
Final Destination. On that level, it was quite accessible to me. But there was really nothing new. It was nowhere near as original as it seemed to think.
Although it doesn't sound like it, there was something strangely watchable about it. But I couldn't watch it again. Probably.