Disastrous Comebacks

Carrie Fairchild

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The examples I’m using here are from soaps but this could be for any type of show - sitcom, police procedural, live TV. I’m talking about when a character (or host) has left a show, only to return at a later date amid much fanfare, only for their comeback to fall flat.

The topic is mainly inspired by the recent coverage of Michelle Ryan’s impending departure from British soap EastEnders. Ryan originated the role of Zoe back in 2000, when she was introduced as the youngest daughter of the Slater clan, a family who’d come to dominate the show for most of that decade. Almost immediately, Zoe became central to one of the show’s most memorable storylines, when it was revealed that her “sister” Kat, was actually her mother, resulting in the famous “You ain’t my muvva. Yes I am!” cliffhanger. She followed that up by becoming embroiled in the Dirty Den murder plot, that marked the show’s 20th anniversary.

Ryan left the show in 2005 for pastures new (including a short stint as NBC’s rebooted Bionic Woman) but her onscreen family remained on the show in some capacity since, leading to various chatter over the years about bringing her character back. That chatter was finally realised last year, when a new producer convinced Ryan to rejoin the show after twenty years away. Her much heralded permanent return in September 2025, saw her thrown headlong into a series of dramatic plots including the reveal that she’d secretly given birth to twins in the mid-00’s, her subsequent search and reunion with them, a murder mystery involving the twins’ father and a reunion with her Dirty Den cover up co-conspirators, Chrissie Watts and Sam Mitchell.

And then there was nothing. By early 2026, Zoe was offscreen more than she was on. Scenes involving the twins, that were presumably written for Zoe, were seemingly given over to Kat. Speculation about behind the scenes issues were reported in the newspapers. Then came the announcement that Zoe would be written out of the show, with recently filmed funeral scenes presumably confirming that she will be killed off. What was supposed to be a ratings grabbing return of the prodigal daughter of one of the show’s leading ladies, fell apart within a matter of months. After returning amid much fanfare, producers are now hurriedly writing her out for good.

Another notable comeback disaster was the return of Bet Lynch (Julie Goodyear) to save Coronation Street from the ratings doldrums in 2002. Bet is one of the show’s most recognisable characters, having reigned supreme behind the bar of the Rovers between 1970 and 1995. When the show was struggling in the ratings against EastEnders in the early 00’s, Goodyear was asked to return to the show on a permanent basis (she’d done a brief guest stint on a spinoff in 1999). With her post-Corrie career not shaping up as well as she’d hoped and the offer of a hefty paycheck, Goodyear obliged. Then came the press photo calls, the newspaper interviews and the special onscreen promos to mark the return of the Queen of the Rovers.

The big issue was, in the intervening years since Goodyear’s 1995 departure, the style of production had changed dramatically. Episodes had increased from three a week to five, storylines were faster paced, rehearsal time had been slashed and the cast had doubled in size. Goodyear admitted that she couldn’t hack the pace, not knowing “what page she was on, what day it was or where she was supposed to be looking”. After only seventeen days into her grand return, she went out sick. Scripts were hastily rewritten, initially in a rather clunky fashion, with Bet being “upstairs lying down” for an episode or two, before explaining that she’d done a moonlight flit after a court case went pear shaped. Veteran actress Maureen Lipman was drafted in as guest character Lillian Spencer, to fill the gaps in the script where Bet was supposed to be. Then the sick leave became permanent. After the media blitz, the six figure pay deal and the master plan to reinstate Bet behind the bar of the Rovers and save the show, she lasted only a fortnight onscreen.
 

James from London

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Episodes had increased from three a week to five, storylines were faster paced, rehearsal time had been slashed and the cast had doubled in size. Goodyear admitted that she couldn’t hack the pace, not knowing “what page she was on, what day it was or where she was supposed to be looking”.
Yeah, she'd come from a time when you rehearsed two or three episodes all week, honed your scenes and worked out whatever bits of business you wanted to do in them, and then recorded the whole episode almost "as live" (with pre-recorded on-location bits played in as you went along) at the end. The really nerve-wracking bit was if someone screwed up really badly, everyone would have to go back to the start of either Part One or Part Two of that ep and start again, knowing that union rules meant you had to stop filming at a certain time and that would be that.

From that, she was plunged into a world of rehearse/record, where you go through your lines once or twice in front of the camera operators for them to work out their shots, then boom, you're on: instant acting. Plus you could be working on about fifteen episodes at the same time. It's a completely different way of working and some actors are brilliant at it, but obviously it was a huge culture shock for Goodyear. added to the fact that I don't think she'd done much acting in the intervening years so she might have been a bit rusty anyway. I remember her saying she wanted to redo her make-up before a scene where she wakes up hungover and was told there wasn't time, whereas in the old days, that would have been factored in as part of the schedule. But I do remember her opening comeback scenes, where she interacts with the new breed of Corrie characters like Janice Battersby, as being really, really great. Plus her last appearance as Bet was in a kind of self-contained on-location soap bubble thing with Liz MacDonald, and that was really fun, so it wasn't all bad. (Actually, I think everything she did do on screen was great, there just wasn't very much of it.)

Here's a really good, well-balanced video about it:


Scenes involving the twins, that were presumably written for Zoe, were seemingly given over to Kat.

Oh interesting. I hadn't spotted that!
 
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Daniel Avery

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On ABC's All My Children, an actress named Rebecca Budig had created the role of Greenlee Smythe. She'd been very popular in the role but decided to leave for other work. The show recast the role with Sabine Singh and opted to continue on with the character. When Budig later expressed wishes to return, ABC chose to take her back and fire Singh. As if being tossed aside for her predecessor wasn't bad enough for Singh, ABC initiated a tone-deaf ad campaign touting "the return of the REAL Greenlee" while Singh's work continued to air. While Budig eventually slipped back into the role, the way ABC handled the comeback was indeed rather disastrous.
 
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Carrie Fairchild

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But I do remember her opening comeback scenes, where she interacts with the new breed of Corrie characters like Janice Battersby, as being really, really great. Plus her last appearance as Bet was in a kind of self-contained on-location soap bubble thing with Liz MacDonald, and that was really fun, so it wasn't all bad. (Actually, I think everything she did do on screen was great, there just wasn't very much of it.)
Her 2002 return scenes were great. But as you said, there just wasn't very much of it. I know that they were building up to Fred taking her on as manager of the Rovers, so for us not to get as far as that and then have her depart offscreen, was a disappointment. The 2003 Blackpool episodes, as ludicrous as the storyline was, were a proper send off for her and I'm glad that she returned for it. I haven't watched Corrie in a long time but in my head, Bet is still propping up a bar somewhere in Brighton.
Here's a really good, well-balanced video about it:
His videos are so good. I'm still waiting for the follow up to his Brookside video from six months ago.
Oh interesting. I hadn't spotted that!
After being reunited with Josh in March, Zoe only appeared in seven episodes with him before disappearing offscreen for a month. When she came back, she appeared in six more episodes with him before disappearing again. A lot of what was supposed to be "Zoe getting to know her son" scenes appear to have become "Kat getting to know her grandson" scenes instead.
 

Carrie Fairchild

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Michael Culhane in DYNASTY.
"Disastrous" seems a bit exaggerated because at that time there wasn't much to destroy, but it certainly wasn't a memorable comeback (but memorable enough for this thread)
I understand what you mean. It certainly was a random comeback. Northrop had been off Days of Our Lives for three years by the time of his return, so it wasn’t a case of bringing a hot daytime star over to the show to attract ratings. His main connection to the past (Fallon) wasn’t even on Dynasty at this point (bar a couple of guest appearances). And then to have the misfortune of being paired with Amanda, just as she’s been recast and soon to be shown the door. It was a mess but also indicative of the state of the show at that time.
 

James from London

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Michael Culhane in DYNASTY.
"Disastrous" seems a bit exaggerated

It certainly was a random comeback.
Yes, I'd go with random rather than disastrous. Resurrecting Matthew as well at the end of the same year suggests they were aiming for something, but it's hard to say what. Bringing back "early days" characters seems more a modern-day UK soap thing (most specifically an Enders thing) rather than an 80s super soap thing, so it still feels quite intriguing from that angle.
 

Soaplover

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On the American soap opera side, there were some comebacks/returns that didn't seem to amount to much.

On Guiding Light, in 1995 there were two actresses that were popular on the soap in the 80s that both made their returns to the soap with one of the actresses having an adjustment period before the show became focused solely on her (Kim Zimmer as Reva Shayne) while the other actress seemed to struggle for about three years before she stopped appearing altogether (Lisa Brown as Nola Reardon).

I remember people were excited that Nola was coming back, she had been fairly popular during her 1980 to 1985 stint, including a popular gothic fairytale coupling with another character Quint before they left the show in the spring of 1985. When she came back, she came back solo stating that Quint had cheated on her.. and just seemed a sad depressing presence on the show. Despite later bringing back Michael Tylo as Quint and casting someone to play their son.. the show didn't seem that invested in their characters/story with Quint eventually vanishing and her on screen son J leaving in 1997 while her character ends up stalking Buzz Cooper while the show using her fantasies like how it was done back in the day didn't work as well.. and eventually she stopped appearing on the show in early 1998. She didn't end up coming back until 2009 when the show was being canceled.
 

Willie Oleson

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Resurrecting Matthew as well at the end of the same year suggests they were aiming for something, but it's hard to say what.
Good heavens, I can't believe I forgot about Matthew Blaisdel - now that was definitely a disastrous comeback. Not because of the plot twist or the things that followed, but it made for a bitter aftertaste that this great season 1 character didn't deserve. This could only happen in a world of goody-two-shoes Carringtons which makes the situation even worse.

Similar things happened in Sons & Daughters, for example the lovely Paul Sheppard as Patricia's mystery stalker and then later he "suicides in bay" - but as you pointed out the present-time feel of this format (just like the UK soaps) make these weird comebacks far more feasible and intriguing. And I still like Paul Sheppard so nothing was destroyed, except for his death of course. Very cruel.

I think, overall, the problem is with main characters whose story arcs have been concluded especially after a successful run. Their comeback will inadvertently look a bit sequel-ish or remake-ish. "I'm only here because I forgot my purse. Oh wait there's a storyline over there maybe I should get involved".
 

Carrie Fairchild

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I think, overall, the problem is with main characters whose story arcs have been concluded especially after a successful run. Their comeback will inadvertently look a bit sequel-ish or remake-ish. "I'm only here because I forgot my purse. Oh wait there's a storyline over there maybe I should get involved".
I’m not a regular viewer of Emmerdale but what you describe here, is exactly what I felt about the return of Kim Tate. Her original run in the 90’s was soap gold and after a string of misdeeds, she escaped the Dales by helicopter, leaving a legacy of being remembered as one of the greatest soap bitches to grace British TV.

She returned to the show in 2018, after an absence of nearly twenty years, and the whole thing felt really contrived. She had a few tenuous connections to characters that were still on the show but the effort to crowbar her into conflict with the current cast, and some really bad attempts at catty dialogue, made it look like a karaoke version of the original Kim. She’s still on the show today, so I wouldn’t describe it as a disastrous comeback, but it fits the bill of what you’re describing as remake-ish.
 
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