Favorite end titles of a TV series

Luke_Krebbs_Ewing

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Gosh - I just had to double-check I hadn't stumbled into a Dallas forum thread about its theme music variations. :eyes:

On the subject of end titles, I've always found those from The Incredible Hulk very effective and moving. I like the way each episode's titles are unique and there's a sense of a continuing journey with David hitchhiking away from the current story's location and moving onto another. There's also Joe Harnell's piano composition The Lonely Man Theme playing over the whole thing. It gets my throat tight every time.

While some episodes cheat with a still image, the best examples are those where the scene cinematically continues under the credits. Like this...


Sorry about that, I hope I didn't derail the thread too much. :oops:
 

Snarky Oracle!

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Indeed-- have whole series; love how practically everything else moves except the players.

Here's another one of mine: The Streets of San Francisco.


I'm half-watching a STREETS OF SAN FRANCISCO marathon on some obscure broadcast station this weekend. I used to watch it as a kid. It's a competent '70s cop show, filmed 100% on location, so it looks great, and it's amazing how many old actors turn up.

Perhaps it's my age, but now I just find myself stressed-out thinking about how hard it must be to plan, stage and execute all those scenes in the short time allotted to a weekly series. It must be maddening and exhausting.

And then there's Michael Douglas, still in his twenties, with that young, handsome, cold, alert face.

The Golden Gate Bridge needed a paint job. And the theme and theme design are great.
 
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bmasters9

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I'm half-watching a STREETS OF SAN FRANCISCO marathon on some obscure broadcast station this weekend. I used to watch it as a kid. It's a competent '70s cop show, filmed 100% on location, so it looks great, and it's amazing how many old actors turn up.

True-- when my sister got me some on DVD for Christmas (it was the first half of the first go [Season 1, Vol. 1]), I ate it up (saw it all through), and truly enjoyed it.

Then in 2018, I got CBS' condensed all-in-one, and picked up where I left off, staying with it for the long haul (even through the season where Richard Hatch succeeded Michael Douglas [Hatch being Insp. Dan Robbins]). As I've probably said before, very few shows lately (that I've tried on DVD) have had all the ingredients just right to have me enjoying them through and through (this, Emergency!, The Bob Newhart Show and Barney Miller to me being truly the best of the 70s).
 

Snarky Oracle!

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True-- when my sister got me some on DVD for Christmas (it was the first half of the first go [Season 1, Vol. 1]), I ate it up (saw it all through), and truly enjoyed it.

Then in 2018, I got CBS' condensed all-in-one, and picked up where I left off, staying with it for the long haul (even through the season where Richard Hatch succeeded Michael Douglas [Hatch being Insp. Dan Robbins]). As I've probably said before, very few shows lately (that I've tried on DVD) have had all the ingredients just right to have me enjoying them through and through (this, Emergency!, The Bob Newhart Show and Barney Miller to me being truly the best of the 70s).

Although all the rage at the time, the '70s cop shows didn't sell very well once DVDs came out years later -- unless it was something shlocky like STARSKY & HUTCH or CHARLIE'S ANGELS from shlockmeister Aaron Spelling (where the shlock seems to be the main appeal).

It's not that the '70s cop shows aged badly, necessarily -- some of them, like disco, were fairly well-produced (like SOSF) -- but, also like disco, they seemed to date right away, and it's an old genre that will probably be rediscovered in the 2050s, as sometimes happens.

What's really funny about those shows, though, is the billing issues for the guest stars... I mean, in the '60s, if you were billed as "Special Guest Star" there was usually a reason for it and it made some sense. If Bette Davis does GUNSMOKE or Joan Crawford does THE VIRGINIAN, you'd expect them to get the "Special" billing and they usually did. And by the '80s, once again, if you were Lana Turner on FALCON CREST, or just a recognizable veteran actor who'd been around -- even if you'd never been a tabloid-covered kind of celebrity actor -- you might be getting that "Special" billing, too.

But in the '70s, particularly obvious on the cop shows, ambitious agents trying to establish status-in-advance for their clientele would negotiate a "Special Guest Star" billing for the most questionable of subjects. And that has you laughing, especially decades later, when you see these half-a-century old shows in reruns, where the "mere" guest stars are all recognizable-even-today faces and names -- like the Martin Sheens and the Ruby Dees and the Leslie Nielsens and the Mariette Hartleys and the Stuart Whitmans and the Dean Stockwells -- but then the Special Guest Star is, like, Biffy McLeod or, maybe, Shirley Anaconda ... actors no one remembers at all, not just because they'd died young killed by a fan or done in from an overdose or who "turned their backs on Hollywood" and left the business to start a macadamia nut farm in Dubuque, but actors no one knew even at the time!

I mean, Biffy McLeod is the Special Guest Star??

It's got to be embarrassing, even to them, and especially in retrospect.

I'm not being snobbish, and they may have been perfectly good actors and lovely people -- but who the hell are they?? No one ever knew!

specialguest star.jpg

Come to think of it, this could be a good thread topic for the General TV page -- maybe I'll go start one...
 
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bmasters9

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Bumping this up: end titles from Season 5 of one of my new favorite shows, T.J. Hooker, from 1986:

 

colbyco

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Maybe but personally I think the Dynasty ending was visually more interesting than Dallas.

My view is that if this was just about the best theme tune then Dallas would be up there but for me a great end titles are a combination of sound and film.
- SO TRUE! Dallas´ending wasn´t very special ...
 

bmasters9

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First-and-second-season closing of T.J. Hooker
 

bmasters9

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Bumping this up: Heart of the City (short-lived '86 ABC effort from TCFTV; American Flyer Films, Ltd. IAW them); has opening and end titles

 

Toni

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Aaron Spelling could maybe have sued Lorimar if they'd copied his closing credit style on Dynasty.

This ending sequence is from the original mini series. before the show was picked up. :)


I prefer the visuals of the Miniseries End Titles too, but with Season 2´s music, brassier, classic and without that forced final re-arrangement that was used from Season 2 on (I use it as a ringtone):


Another favorite of mine is the end title song of "Dynasty´s" Pilot. I couldn´t find it on YouTube so here it is, at the end of one of my videos (I put my own visuals here, I hope you like them...):


 
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Toni

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Here´s three more Closing Titles that are deeply engraved in my memory, reminding me of those Saturday afternoons in the early 80s. They screamed out loadly "and next week, more mindless fun and guest stars!".


(That aereal shot is beautifully done)


(Love that three-column effect with the fairy-like touch)
And, finally, the catchy music theme of "thirtysomething" (aired on primetime), with the final addition of that tune from "It´s a Wonderful Life" and the roar by MGM´s lion (the producing company was named after that movie´s little town, Bedford Falls):

 

bmasters9

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Here's a short-lived early '82 NBC outing, Chicago Story, that had just 13 shows (most 90 minutes, albeit one was a 2-parter of around 3 hrs.; also, the pilot was a 2-hr. pilot); with opening and end titles:

 

Snarky Oracle!

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Here´s three more Closing Titles that are deeply engraved in my memory, reminding me of those Saturday afternoons in the early 80s. They screamed out loadly "and next week, more mindless fun and guest stars!".


(That aereal shot is beautifully done)


The closing credits were the best part of LOVE BOAT -- a show I had a hard time watching ordinarily.

If only DYNASTY's closing credits had a similarly-impressive, circling helicopter view of the mansion (yes, they started doing this midway through Season 5, but it was pathetic in execution and lacked the quasi-grandeur of LOVE BOAT's closing credit).

I like the closing credits from the POLICE STORY anthology series, probably because it's from Jerry Goldsmith (who also composed the theme to BARNABY JONES, a stultifyingly formulaic private eye show, but Goldsmith's theme was terrific).

 

bmasters9

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Two more '80s ones:

Code Name: Foxfire (NBC '85, from a showing on CFTO Channel 9 in Toronto):

Trauma Center (ABC '83; full episode, with end titles at 46:13 mark, OAD Thursday, December 8, 1983 on ABC)
 
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Snarky Oracle!

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I didn't know Joanna Cassidy had her own detective show in the mid-'80s!

She should have played Rita in Season 6 of DYNASTY --- and no one really notices her differences from Krystle (like actually happened that year). Or, Cassidy could play Krystle in the attic while Linda plays Rita at the mansion. Or the two actresses could switch roles repeatedly, back and forth, throughout the run of the story.

This idea is so bad that it might work. So I think I'll go re-post it on the DYNASTY page.

R.3bab83bd98c50687b52f7f3e8279e246
 

bmasters9

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Bring 'Em Back Alive w/Bruce Boxleitner as Frank Buck, et al. (full episode "The Warlord", OAD Tuesday, October 26, 1982 on CBS; end titles at 47:43 mark)

 

AndyB2008

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I didn't know Joanna Cassidy had her own detective show in the mid-'80s!

She should have played Rita in Season 6 of DYNASTY --- and no one really notices her differences from Krystle (like actually happened that year). Or, Cassidy could play Krystle in the attic while Linda plays Rita at the mansion. Or the two actresses could switch roles repeatedly, back and forth, throughout the run of the story.

This idea is so bad that it might work. So I think I'll go re-post it on the DYNASTY page.

R.3bab83bd98c50687b52f7f3e8279e246
John McCook was also on the same show as Joanna (Code Name Foxfire) , and of course 2 years later he was Eric Forrester on The Bold And The Beautiful.

Along with Katherine Kelly Lang, John and Katherine are the only two actors to be there from Episode 1 - Susan Flannery has since quit, while Ronn Moss quit later and Ridge was recast.
 

bmasters9

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Flying High, short-lived 1978-79 CBS dramedy w/Pat Klous, Kathryn Witt, Connie Sellecca and Howard Platt (open and close)

 
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