- Awards
- 8
One great advantage of watching this show with no foreknowledge is not having any preconceived notions of which episodes are well regarded by the fans or even on this discussion. To me, this seems like the most intricately plotted episode so far -- a web of lies, every detail of which pays off by the end. This is also a rare instance of Basil getting away with something, although presumably not so much once he let Sybil out of the cupboard.For me it generally feels middling. It's Fawlty Towers so it's going to be good, but I've never felt this one to be peak Fawlty.
With Sybil largely absent from the central parts of the episode it's in some ways not a perfectly balanced ensemble episode.
It's true this isn't one of the episodes where the quartet is used equally, but Sybil being off screen in a huff is essential to the plot. Basil, Polly and Manuel all had such great comedic moments that I wasn't going to quibble about Sybil's screentime having to be sacrificed for the plot.
I've seen him in some other things and he usually bears the Friar Tuck with sideburns look that balding men typically wore during the era, but I'd say the combover was definitely for comic effect.
Certainly not the only actor of the era to use a bad combover for comedic effect -- Zero Mostel in THE PRODUCERS springs to mind -- but still curious to me. Men who were self-conscious enough about balding to have a combover but also willing to mock their own hairstyle; an odd mixture of vanity and self-deprecation. The nature of being an actor, I suppose.