Yes, there’s a good chunk online. I was going to start with the episodes that cover a storyline to do with the making of a horror film called Mansion of the Damned (from 1980 I think). These episodes also mark the debut of porn star turned disco star turned soap star Dennis Parker as Detective Thomas Mallory.I think you will love Edge of Night. You can find a lot (if not all) of the series from about 1980 until its end in 1984 and it rarely disappoints.
That’s quite the switch up! I do like the older title though. It reminds me of the intros to some of the sleepy daytime soaps that ITV churned out in the 70’s & 80’s.Guiding Light got the most extreme makeover
Am I right in thinking that they kept this intro into the mid-90’s? Because I recall thinking their intro was quite dated back then compared to the one (their final intro?) that followed.It might look dated now, but it was a visual feast in 1987.
the debut of porn star turned disco star turned soap star Dennis Parker as Detective Thomas Mallory.
Yeah, they kept the concept until 1996, just removing the characters who left and producing similar-looking images for new additions to the cast. By 1996 the images all looked subtly different due to different tech advances and the network wanting to cut corners. I disliked the replacement opening titles---a percussion-heavy rip-off of the opening titles of ER. A new producer was hired who wanted the show to be more like ER and NYPD Blue, which was a disaster the show never recovered from.Am I right in thinking that they kept this intro into the mid-90’s? Because I recall thinking their intro was quite dated back then compared to the one (their final intro?) that followed.
I knew Thomas Mallory didn’t sound right when I typed it. There’s quite a lengthy article online about his life and career (that actually pointed me towards his starting episode on EON) which features contributions from family, friends and colleagues. I must read it all to see what the situation was regarding his previous career being known to the EON producers. He appeared in a couple of straight roles which are in films considered to be part of the “Golden Age of Porn” so I’m presuming someone at P&G must’ve known.Derek Mallory
Thanks for the info. I’m looking forward to getting stuck in.Mansion of the Damned is a pretty good starting point, and of course Nola Madison is a fabulously soapy villainess who sticks around to cause a lot of mischief.
ER is the exact show that I thought of when I saw those titles. I’m not hugely familiar with Another World but based on the little that I’ve seen of it, trying to turn it into an ER/NYPD clone seems like a bit of a wild change in tone, which I’m presuming was in response to it’s low ratings and the network’s attempts to breathe life into it.a percussion-heavy rip-off of the opening titles of ER. A new producer was hired who wanted the show to be more like ER and NYPD Blue, which was a disaster the show never recovered from.
The best.I think we talked about this somewhere else recently but my favourite of all US daytime intros is the original 1987 opening for The Bold and the Beautiful. There’s a great energy to it and everybody looks gorgeous in the stills.
Yes, yes and yes! The intro for The City was great. Probably the most innovative out of the soap opening sequences of the time. It’s a shame the show itself didn’t deliver on the edgy promise of that intro.The best.
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The best.
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The City: I agree.Yes, yes and yes! The intro for The City was great. Probably the most innovative out of the soap opening sequences of the time. It’s a shame the show itself didn’t deliver on the edgy promise of that intro.
I loved the second version of the Sunset Beach intro too. The first one was so slow. It felt like it went on for so long. That music was much better suited when the moved it to the closing credits.
I’ve had a read of that article and apparently they didn’t know when he was hired. When Dennis later found out that it was going to be leaked to producers, he went to them himself and told them. They were that happy with his role on EON that they told him they didn’t care about his past. There was a rumour that P&G were not happy but apparently the producer at the time insisted he stay. One of his co-stars said they used to see him on posters down in Times Square anyway, as his films were still being run in theatres there while he was on EON.I've always wanted to know if the producers knew about Dennis Parker's "Wade Nichols" years when he was hired.
It is a pretty standard opening as soaps go. I think my love for it is probably more for nostalgic reasons.Sunset Beach: the intro was nothing special, but I'm fond of that music.
The jazzy theme may have worked better as closing credit music but the piano intro is just classic and shouldn’t be tampered with. Kind of like that awful jazzy revamp they briefly tried with the EastEnders theme in the 90’s.At one time they used that more jazzy version in the early 2000s but it just didn’t click. There’s only one version that works for Y&R.
The Edge of Night benefitted from many of its top brass staying long-term. Erwin Nicholson was likely the one who stepped up for him; Nicholson had been the EP since 1966 (an incredible run in soap producing) and someone who stays in a job that long usually gets their way more often than not. Derek Mallory had really crisp chemistry with Sharon Gabet (Raven), though the characters' very different views of right and wrong did not really allow them to explore that chemistry.I’ve had a read of that article and apparently they didn’t know when he was hired. When Dennis later found out that it was going to be leaked to producers, he went to them himself and told them. They were that happy with his role on EON that they told him they didn’t care about his past. There was a rumour that P&G were not happy but apparently the producer at the time insisted he stay.
I could’ve lived with that. The jazzy theme on the closing credits would’ve worked better perhaps. But that classic original theme just has to play at the beginning. It’s too iconic.The jazzy theme may have worked better as closing credit music but the piano intro is just classic and shouldn’t be tampered with. Kind of like that awful jazzy revamp they briefly tried with the EastEnders theme in the 90’s.