A Chronological History of Australian Soap

Alexis Colby Carrington

Telly Talk Fan
LV
0
 
Awards
4
I’m loving this thread. All I remember of the Sullivans is the theme tune as I’m sure it was shown at lunchtime over here in the U.K. i do remember more of the young doctors as this used to be on once I got in from school. I remember sister Scott being vile played brilliantly by Cornelia Frances.
 

Carrie Fairchild

Telly Talk Star
LV
3
 
Awards
7
Glenview High - 1977 to 1978
glenviewhigh.jpg
After some fleeting success with Class of 74/75, Seven and Grundy decided to go back to school in 1976. A pilot called Jackson High was filmed starring the ubiquitous Carmen Duncan and Homicide star Bud Tingwell, with the plot revolving around the kidnapping of wealthy students, who were subsequently held for ransom in their school. The show was commissioned to series but by the time it hit the air in 1977, it was renamed Glenview High and the focus had shifted to a tough suburban high school in Sydney. The action began with the arrival of English teacher Greg Walker (Matlock Police's Grigor Taylor), who had transferred from a sleepy country school to the more boisterous surroundings of Glenview. Number 96's Elaine Lee played the school principal while Rebecca Gilling was one of his housemates. Each episode featured standalone stories while a more serialised thread ran through it following Walker's work and home life. The episodic element allowed for a string of guest stars to wander through the halls of Glenview including Rowena Wallace, Anne Haddy and Ray Meagher.

Airing once a week, it premiered in September 1977, with the show initially commissioned for 26 episodes before Seven ordered an additional 13 episodes in January 1978. However, the additional episode order needn't have gone ahead. From the beginning, the show struggled to find an audience (particularly in Melbourne) and it was moved around the schedule in a bid to gain traction. Ironically, one of it's later problems was the launch of another Grundy soap The Restless Years on Ten, which Glenview struggled against when they were scheduled opposite each other. Melbourne eventually moved the show from primetime to Saturday night before pulling the show altogether after only 23 episodes had aired, while Sydney kept it on air but moved it around the schedules.

Amidst rumours of it's impending axing, there was outcry from it's stars. Rebecca Gilling said "I can't point a finger, but there are certain people with other interests who appear to be intent on putting a damper on Glenview High." while Camilla Rountree claimed the show was the victim of "a scurrilous campaign". Official word of it's end came in April 1978. It petered out in Sydney by mid 1978 while Melbourne viewers would eventually see out the series during the 78-79 non-ratings period, when it was shown in various late night and daytime slots. While it's stars were less than impressed with the show's treatment, it's creator Ron Mclean pragmatically noted "Australian productions are expensive and they have to rate well to justify their existence". Despite the bumpy ride, the show did garner a Logie Award for Brandon Burke, who won Best New Talent in 1977 for his role as rebellious student Tony Moore.

 

Alison Carr

Telly Talk Active Member
LV
0
 
Awards
5
I’m loving this thread. All I remember of the Sullivans is the theme tune as I’m sure it was shown at lunchtime over here in the U.K. i do remember more of the young doctors as this used to be on once I got in from school. I remember sister Scott being vile played brilliantly by Cornelia Frances.
Young Doctors DVD announced today too! Whoop! i tried with The Sullivans, never again. I also remember it being on around lunchtime in the HTV region
 

Mel O'Drama

Admin
LV
16
 
Awards
44
I also remember it being on around lunchtime in the HTV region

12:30pm is where I remember it. The commercial break in the middle was my cue to leg it back to school, so I hardly ever got to watch a full episode.


I believe the theme was by Mike Perjanik who also did the home and Away theme

Yes, he also did the score for early H&A, which I absolutely love. Obviously by then he'd evolved from disco to Eighties spacial bass.
 

Alison Carr

Telly Talk Active Member
LV
0
 
Awards
5
the scores used as background/incidental music in the late 80s early 90s in these shows was wonderful. Neighbours in particular had some lovely music which added so much to a scene. Watching The Flying Doctors at the moment and most of the background music I am hearing in season 1 is very familiar from being used on Prisoner too. Home and Away also used music really well, i loved Frank & Roo's song (Have You Ever Been in Love) as that featured as a song and also as instrumental music over a lot of their scenes


also Frank and Bobby's song (When Best Friends Fall in Love)


From memory there was also The Fletcher Theme, Bobby's Theme and Sophie's Theme

oh and this little gem....


I also loved the song Martin, Lance and Marilyn released on the show 'Living Without Your Love' i wish I had the full version of that
 

Carrie Fairchild

Telly Talk Star
LV
3
 
Awards
7
Cop Shop - 1977 to 1984
copshop_narrowweb__200x281.jpg
By 1977, police dramas were a staple of Australian TV and a core part of Crawford's output, with Homicide, Matlock Police and Division 4 being among their hits. Such a core part, that many Crawford staff had grown tired of making cop shows and breathed a sigh of relief when they were given the opportunity to do something different and started working on a pilot about a priest called The Mission. Their relief was short-lived however, when Hector Crawford decided that they would do another police show after all, albeit a blending of soap and crime. Originally titled Palace Guards and then Saints & Sinners, the show eventually became Cop Shop.

Based around the police posted at Riverside Station, the show would maintain the crime of the week element of it's predecessors, while the cops' personal lives would provide the soapy drama. What set it apart from the cop shows that came before it was the focus on both the men and women in the police force, a departure from the male oriented police dramas of the time. Crawford veteran George Mallaby (Homicide, The Box) took a lead role as Detective Sergeant Glenn Taylor, Paula Duncan (younger sister of Carmen) was Detective Constable Danni Francis, while on the homefront, Rowena Wallace played Pamela, the boozy wife of Det. Taylor. Later additions to the cast included Lynda Stoner, who was fresh off The Young Doctors and in a Crawford crossover, Bill Stalker as Det Sgt Peter Fanelli, the same character he played in Crawford's airport soap Skyways.

The blend of crime, love affairs and personal strife proved to be a hit for Seven, as Cop Shop pulled in both the viewers and the awards. Despite it being a hit show, in keeping with some of the other soaps of the time that we've looked at already, working conditions on set were not always great as actors worked long days and often had to get changed in the back of cars or in public toilets. The Cop Shop cast decided to take a stand and went to the union, their actions bringing major changes in how things were done across the TV industry. The only other minor bit of backstage drama was the sacking and reinstating of Rowena Wallace. Tired of Pamela's lack of storylines, Rowena complained in an interview that all she seemed to do "was pour cups of tea". Crawford's took it as a slight on the show and fired her, only to reinstate soon after, with Rowena quipping "The beauty of it was I started getting better scripts".

By 1983, the show was nearing it's natural end. Having aired twice a week in a primetime 8.30pm slot for most of it's run, it was now airing in a weekly two hour block. After an impressive run of 582 hour long episodes, character turnover took it's toll and with ratings dipping and the impending departure of two of it's leads (Paula Duncan and Lynda Stoner were both leaving due to pregnancy), the show drew to a close in mid 1984 (although it finished up in a late night slot in early 1985 in Sydney). Given it's format, the show played host to a vast number of Australian actors and it's guest cast list really is a who's who of Australian soap. By mixing both crime and soap, it also set the template for many shows that have come since including The Bill and more recently Red Rock.

 

Carrie Fairchild

Telly Talk Star
LV
3
 
Awards
7
The Restless Years - 1977 to 1981
48b754068b69c2ad2244120a17c01379.jpg
"The Restless Years is as dramatic and timely as today's headlines". Whoever wrote that headline certainly wasn't too far off the mark. To fill the soapy void left in their schedules following the demise of The Box and Number 96, Ten turned to Grundy's. Having recorded that the younger audience had been the first to switch off from the aforementioned soaps, Ten wanted a serial that would hook those teenage viewers in for the long run. Grundy were already doing a school soap with Glenview High over on Seven, so they pitched a drama about young adults in Sydney, starting out in life after they'd left school. And what lives they would lead. Premiering in late 1977, The Restless Years seemed to reach soapier heights than anything that had come before it on Australian TV.

Murder, prostitution, blackmail and long lost children were the order of the day, all played out by a cast of newcomers (Kim Lewis, Peter Phelps and Penny Cook all got their starts on the show) with a few older soap veterans there to flesh out the cast (including Certain Women's June Salter). To give you a sample of the heady drama, one character Alison (Julieanne Newbould) was raped, forced into sex work and falsely accused of murder before finally finding love. A love that was short-lived, as she was swept out to sea following a marriage proposal and presumed dead, only to return with amnesia. When her memory eventually came back, she finally married her true love only to miscarry following a runaway pram / stalker incident. Exhausted by the drama, Alison was packed off on a world cruise which ended with her being murdered by terrorists while ashore somewhere in Asia. Viewers ate up the melodrama and The Restless Years became the biggest new show of 1978. It remained a ratings winner for it's first two years but as the cavalcade of murders, bombings, affairs and car crashes wore on, coupled with a high cast turnover, ratings began to slip.

Schedule moves did little to change the show's fortunes, although one move did inadvertently get it a final burst of press coverage as a stabbing scene airing in a family timeslot caused some furore. After four years and 780 episodes, the show faded away in late 1981, Sydney being so keen to get it off the air before the new ratings period, that they aired the last 7 episodes in one night. Despite it's relatively brief stint on Australian TV, The Restless Years lives on today in Holland (Goede tijden, slechte tijden) and Germany (Gute Zeiten, schlechte Zeiten), where the show was adapted into localised versions by Grundy, who decided to branch out into Europe in the 90's. Beginning in 1990 and 1992 respectively, both shows are the longest running soaps currently on air in Holland and Germany.
 

Mel O'Drama

Admin
LV
16
 
Awards
44
Alison (Julieanne Newbould) was raped, forced into sex work and falsely accused of murder before finally finding love. A love that was short-lived, as she was swept out to sea following a marriage proposal and presumed dead, only to return with amnesia. When her memory eventually came back, she finally married her true love only to miscarry following a runaway pram / stalker incident. Exhausted by the drama, Alison was packed off on a world cruise which ended with her being murdered by terrorists while ashore somewhere in Asia.

And looking at IMDb she was only in 140 episodes.

No wonder some of them ended up on Sons and Daughters. They wanted a quieter life!
 

James from London

International Treasure
LV
6
 
Awards
18
Alison (Julieanne Newbould) was raped, forced into sex work and falsely accused of murder before finally finding love. A love that was short-lived, as she was swept out to sea following a marriage proposal and presumed dead, only to return with amnesia. When her memory eventually came back, she finally married her true love only to miscarry following a runaway pram / stalker incident. Exhausted by the drama, Alison was packed off on a world cruise which ended with her being murdered by terrorists while ashore somewhere in Asia.

only in 140 episodes.

Sounds like the Heather O'Brien of her day.
 

Carrie Fairchild

Telly Talk Star
LV
3
 
Awards
7
Prisoner - 1979 to 1986
p.jpg
"He used to give me rosessss!" We now enter cult territory with Prisoner (or Prisoner: Cell Block H depending on what part of the world you are from), the gritty prison saga from the pen of Reg Watson and the production powerhouse of Reg Grundy. Watson was a fan of British prison drama Within These Walls and wanted to do a similar show, this time looking at the prisoners as well as the prison staff. Originally only supposed to be a 16 part drama, they faced an uphill struggle to get the show off the ground. Due to shoot in Melbourne, producer Ian Bradley said the city was seen as "a Crawford's town" at the time and Hector Crawford put out word that anyone who worked on Prisoner would never work for him again. As a result, trainee writers and directors were brought in from outside Melbourne to work on the show, although ironically, Ian Bradley would later become Crawford's CEO. Production was complete but Ten were unhappy with first episode and strangely flew in a Days of Our Lives executive to give advice on how it should be done. They said that the sets were too drab, lighting too dark, women were too unattractive, the show too violent and the pace too fast. Bradley, with the support of one Ten exec, ignored all the advice and the episode went out intact bar a reshoot because of a sound issue.

Prisoner premiered to generally positive reviews in February 1979. The show opened with the arrival of two new inmates to Wentworth Women's Prison - Peta Toppano as Karen Travers and Kerry Armstrong as Lynn Warner (whose arm was infamously steam pressed by top dog Bea Smith). Original prison staff included Vera "Vinegar Tits" Bennett (Fiona Spence) and Governor Erica Davidson (Patsy King). As the show became a hit, it went through a number of changes as a result of it's success. As younger viewers tuned in, the stories were slightly watered down to cater to it's impressionable audience (an anti drugs message ran throughout the stories). The episode format was changed to twice a week resulting in original cast member Carol Burns (Franky Doyle) quitting the show. Her "best bits" from the show were edited into a TV movie called The Franky Doyle Story, which was also a ratings success but resulted in the cast bringing Grundy's to court over not being paid for the film.

As it's popularity grew, Grundy's began shopping it overseas. In the US, it first aired in LA in 1979, where it grabbed huge ratings in it's Wednesday 8pm timeslot, beaten only by Charlie's Angels. It was soon airing in 35 cities (sometimes in slots as early as 5pm) and in New York, where it aired in a late night slot, it was out-rating competitor Johnny Carson. Sammy Davis Jr was allegedly such a fan that he asked for a cameo during a trip to the set but schedule conflicts meant that it wasn't to be (a bizarre story that may be more folklore than fact). On the foot of it's success in the US, Lorimar attempted an American version called Willow B: Women In Prison starring Sally Kirkland but it never went further than the pilot (which subsequently aired as a TV movie in 1980).

With success came the usual round of spinoffs. A series of tie in novels led to the cast going on strike due to their softcore porn content. Ten produced a variety special where cast members performed for inmates of the real life Pentridge Prison, belting out hits including YMCA while the show's closing theme "On The Inside" by Lynne Hamilton, charted in Australia and the UK (three years after the show had ended in Oz). Behind the scenes, it was known as a hard show to break into, with new or guest cast members often facing indifference and hostility. Of the green room gossip, Rowena Wallace (Anne Griffin) said "I've never heard so many people torn limb from limb in all my life". Elspeth Ballantyne (Meg Jackson) noted "We had some enormous egos" while Tina Bursill (Sonia Stevens) was also critical of behaviour behind the scenes "I saw a lot of people ostracised and a lot of bitchery".

A late but notable addition to the cast was Maggie Kirkpatrick as Joan "The Freak" Ferguson. Arriving in episode 287, the leather gloved sadistic screw has become one of the series most memorable characters as viewers lapped up her reign of terror over the inmates of Wentworth. Murders, fires, escape attempts and cave ins all kept the viewers glued to the screens but by season five, attrition was setting in. Key characters including Vera "Vinegar Tits", Bea, Erica and Lizzie were written out as the actresses jumped ship. Vera and Bea got the Prisoner equivalent of the Neighbours' "moving to Queensland" exit when they were transferred to Barnhurst Prison (as governor and prisoner respectively). Writers scrambled to try and recreate the magic of the departed characters with some thinly veiled and poorly received clones. One of the better attempts to create a "new Bea" was the return of Myra Desmond (Anne Phelan) but her reign as top dog was short-lived as Phelan quit after being refused a pay rise. With cast and viewers deserting the show, there were a number of attempts to relive the old days including a flashback episode and the arrival of new inmates from Barnhurst (following a fire) which allowed them to pepper the script with mentions of classic characters Vinegar Tits and Bea (who'd died in the Barnhurst fire). It was to no avail and the decline continued, with Maggie Kirkpatrick noting "It got really silly towards the end". In the face of continued cast turnover and falling ratings, Ten announced that the show was ending and the action wrapped up in late 1986 after 692 episodes.

Prisoner may have gone off the air, the show wasn't ready to die just yet. In 1987, there were plans for a spinoff called Barnhurst, with rumours that it would be set in a mixed prison featuring male and female inmates. However, the idea never went further than just talks. In the UK, the show had been shown regionally since 1984 on ITV but when more ITV networks picked it up for a late night slot in 1987, it became a massive cult hit spawning talk show appearances from the cast, fan clubs, a stage play and in the mid 90's, Prisoner: Cell Block H - The Musical starring Maggie Kirkpatrick and drag queen Lily Savage. It continued it's regional ITV run until 1999, crossing over with the nationally broadcast rerun from Channel 5 which ran from 1997 - 2001. While it's popularity had waned in the US in the early 80's, Grundy's attempted another US remake (after Lorimar's failed attempt) with Dangerous Women, a syndicated series that ran for one season from 1991-92, that was loosely based on Prisoner. The late 90's and early 00's saw more talk of a remake in both Australia and the US but it wasn't until Foxtel produced Wentworth in 2013, that a successful reimagining took off, with that series due to end this year after 8 seasons.
 

Carrie Fairchild

Telly Talk Star
LV
3
 
Awards
7
Skyways - 1979 to 1981
EcbRHM1X0AMFM3F.jpg

After a string of false starts, Cop Shop had finally provided Seven with a successful soap. Off the back of this, they wanted to expand their soap stable, specifically to go up against Nine's hit variety hour The Don Lane Show. Initially they considered going the sex and sin route with a pilot about horny truckers called Roadhouse starring Number 96's Deborah Gray. This was canned and they turned again to Crawford's, who pitched an airport soap called Skyways. The show would follow the Cop Shop pattern of having guest stars and stand alone stories being told across it's two episodes a week while it's regular cast of airport staff would provide the serialised soapiness. The promise of another Cop Shop style success story coupled with boasts of using props worth $42m (the jets) were obviously enough to dazzle Seven, who committed to 78 episodes before a scene had been shot.

After a boozy press launch in Tasmania and print promos teasing "You won't believe what they get up to" and "Adult TV Drama Takes Off", Skyways premiered in July 1979, airing twice a week on Mondays and Thursdays. Paul McFarlane (Tony Bonner) was the newly appointed head of Pacific International Airport. At work, his ambitious assistant manager Louise (Tina Bursill) was after his job, while at home he faced further strife from his teenage twins (one being played by future S&D star Andrew McKaige) and his recently returned estranged wife Elaine (Carmen Duncan). Peter Fanelli (Bill Stalker) was the airport security chief in love with recovered heroin addict/ex prostitute Faye (Kris McQuade) who would tragically die in a skydiving accident. Lesbian air hostess Robyn (Judy Morris) was similarly unlucky in love, as she fought off advances from both women and men while she hopelessly pursued her uninterested straight colleague Jackie (Deborah Coulls). Her relationship woes would come to an end when she was killed off, Psycho style, in the shower. Amidst the dramas of the regulars was a rotation of guest characters including runaways, drug smugglers, East German defectors and Arab sheikhs played variously by the likes of Bunney Brooke, Kylie Minogue and Jason Donovan.

Critics never took to the show. "Fasten the seatbelts. Skyways might be a long, long flight" said the Sydney Morning Herald, while the Adelaide Advertiser dramatically wished for "a fast crash landing with no survivors". Producer Jock Blair admitted that the use of chroma key technology (the first soap to use it) to insert airport and runway backgrounds was a mistake as it left scenes looking very ropey. In addition to poor reviews, dodgy looking scenes and the old issue of it not rating in Sydney because it was a Melbourne show, cast members began to depart. Seven began promoting new episodes as Skyways '80 as a host of new characters arrived but the new arrivals didn't give it the boost producers had hoped for and the show wrapped up in 1981. It ended with a bizarre episode featuring a Princess Diana lookalike, as the royal couple travelled through the airport during their Australian tour.

Unlike some other short-lived soaps, Skyways isn't remembered for being particularly bad. It just isn't particularly well remembered. In the UK, a market where most Aussie soaps got a turn, it only aired on minor satellite channels in the 80's and 90's while it also had runs in Kenya and Zambia. It's most memorable legacy is probably the transfer of character Peter Fanelli over to the more successful Cop Shop, where he stayed until the tragic death of actor Bill Stalker in 1981. A less successful transfer was the relocating of George Tippett (Brian James) to another Crawford's failure Holiday Island which we are due to visit soon.
 
Last edited:

Willie Oleson

Telly Talk Schemer
LV
9
 
Awards
27
Airport drama doesn't seem like a great choice for an ensemble cast series because the characters are supposed to be all over the place (or in the sky).
And it must be difficult to write popular soap staples such as greed and ambition into the story, unless the writers and producers are willing to make a big effort e.g. a high quality BBC production.

Because of its exciting and ambitious backdrop, everything that isn't exciting and adventerous looks too mundane and restrained by default.
It's as if the characters are controlled by a company that isn't really there - maybe that also applies to Emerald Point N.A.S. - and it leaves very little for the characters/actors to sink their teeth into and soap it in a convincing and dramatic way.
It just can't live up to its intriguing TV guide ad.

I think PAN AM (2011) tried to make the most of it but that series wasn't a traditional soap opera.
 

Carrie Fairchild

Telly Talk Star
LV
3
 
Awards
7
I think PAN AM (2011) tried to make the most of it but that series wasn't a traditional soap opera.
I'd forgotten all about Pan Am. The series that did pop into my head when I was writing this was Heather Locklear's LAX from the mid 00's. I never saw it but from what I read at the time, they also struggled to mine gripping drama from the airport setting.
 

Willie Oleson

Telly Talk Schemer
LV
9
 
Awards
27
Gosh, I suddenly remember that there was also a Dutch airport soap, TAKE OFF (1991).
It crashed after 13 episodes and ended with a Who Shot The Nasty Boss cliff hanger. How original.

Pan Am was cancelled just when it got a bit soapier. A rich evil patriarch started to interfere in his son's love life, or something like that.

Aaron Spelling had produced a TV version of the AIRPORT movie, starring Bill Bixby and Connie Sellecca. I was a bit confused when it turned out to be just a movie because it had the feel of a pilot episode (no pun intended) and I kinda expected it to continue.
Of course that wouldn't be possible with Connie since she was doing HOTEL, but they could have recast her.
 
Top