A Chronological History of Australian Soap

Willie Oleson

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When an actress is literally exhausted by her soap alter ego...."Patricia" simply had to be stopped.
She's done the best years of Sons and Daughters, the timing was good and there was so much suspense in the recast/reboot storyline that it almost looked as if it had been planned that way, regardless of Ms. Wallace's decision.
And together with nasty Leigh Palmer it added a (perhaps much needed) variety to the show that had already reached its peak.
The Golden Girls shenanigans in season 5 and 6 didn't really fit the tone of the series (imho) and unfortunately some of it rubbed off on Alison.
I wonder what the reason was to do it that way, as the first episodes of season 5 looked very promising. It was also the introduction of the tackiest Sons and Daughters set ever: the gym. John Palmer never needed a reason to be naked, I'm just saying.
 

AndyB2008

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When an actress is literally exhausted by her soap alter ego...."Patricia" simply had to be stopped.
She's done the best years of Sons and Daughters, the timing was good and there was so much suspense in the recast/reboot storyline that it almost looked as if it had been planned that way, regardless of Ms. Wallace's decision.
And together with nasty Leigh Palmer it added a (perhaps much needed) variety to the show that had already reached its peak.
The Golden Girls shenanigans in season 5 and 6 didn't really fit the tone of the series (imho) and unfortunately some of it rubbed off on Alison.
I wonder what the reason was to do it that way, as the first episodes of season 5 looked very promising. It was also the introduction of the tackiest Sons and Daughters set ever: the gym. John Palmer never needed a reason to be naked, I'm just saying.
The reason for the gym was probably to cash in the aerobics craze at the time.

But in shades of the Lexie/Boy George stuff on Prisoner, Grundy had devised the Bumps n Grinds stuff on SAD at the time the craze was dying out (what with the John Travolta film Perfect flopping at the box office as a sign, although one scene from that film was later recreated for the infamous Call On Me video)
 
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Marika

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Regarding "The Restless Years": The show's concept was exported to Europe two decades later: In the Netherlands, "Goede Tijden, Slechte Tijden" debuted in 1990, and in Germany, "Gute Zeiten, Schlechte Zeiten" debuted in 1992. During their first year on the air, both shows used the same set of characters and storylines as "The Restless Years" with only minor alterations.
In the German adaption, the Archer family remained intact while in the original version, Louise and Clive were written out quite early in the show's run. The German pendants of Jeff and Carol Archer only had a few appearances whereas in the Dutch adaption, they became main characters. Also in the German version, the first incarnation of Heather Russell turned out to be an impostor when the actresses needed to be switched, which apparently didn't happen in the Australian nor the Dutch version.
Both the Dutch and the German adaption are still on the air as of today. GZSZ is the most successful show in Germany and has aired over 7.200 episodes.

Here's a comparison of the original characters ... I linked the German counterparts with character profiles (with English translations) so you can read what happened to these characters in the German adaption. The show was heavily retooled after the first 230 episodes with many of the original characters leaving and being replaced by newbies.

The Restless Years | Gute Zeiten, Schlechte Zeiten | Goede Tijden, Slechte Tijden

Peter Beckett – Peter Becker – Peter Kelder
Alan Archer – Heiko Richter – Arnie Alberts
Barry King – Patrick Graf – Rien Hogendoorn
Alison Clarke – Elke Opitz – Annette van Thijn
Penny Russell – Tina Ullrich – Linda Dekker
Raelene Geddes – Marina Geppert – Myriam van der Pol
Olivia Baxter– Julia Backhoff – Suzanne Balk
Elizabeth McKenzie – Elisabeth Meinhart – Helen Helmink
Bruce Russell – Frank Ullrich – Simon Dekker
Louise Archer – Vera Richter – Laura Alberts
Clive Archer – Clemens Richter – Robert Alberts
A.R. Jordan – A.R. Daniel – Daniël Daniël
Rita Merrick – Lilo Gottschick – Martine Hafkamp

Recurring characters and later additions during the first 230 episodes:
Jean Hutton Stafford – Claudia Wedemaier – Stephanie Kreeft
Unknown – Bertram Köhler – Jan van Ede
Unknown – Denise Köhler – Petra van Ede
Unknown – Oswald Löpelmann – Nico Stenders
Unknown – Jessica Naumann – Wil de Smet
Richard Dawson – Michael Döring – Marc de Waal
Unkown – Rüdiger Opitz – David van Tijn
Unknown – Richard Graf – Herman Hogendoorn
Heather Russell – Helga Ullrich – Jeanne Dekker
Unknown – Robert Linden – Rolf Huygens
Unknown – Alexandra Linden – Alexandra Huygens
Carol Archer – Carola Richter – Karin Alberts
Jeff Archer – Wilfried Richter – Jef Alberts
Shane Archer – Karsten Richter – John Alberts
David Harker – André Holm – David Harkema
Unknown – Holger Bachstein – Govert Harmsen
Unknown – Markus Born – Mickey Lammers
Maurice Brown – Armin Braun – Maurice de Bruin
Unknown – Sybille Vogler – Angela Nieuwkoop
Unknown – Jo Gerner – Frits van Houten
Unkown – Saskia Rother – Emma Driessen
Diane Archer – Diana Richter – Dian Alberts
Tim Watson – Tommy Walter – Tim Waterman

And here are detailed summaries of the German adaption's first year:
Episodes 1 to 100
Episodes 101 to 200
Episodes 201 to 300
 

Englishboy

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One thing I’ve often wondered is what is meant by the “non ratings period” in the context of Australian television?
 

Carrie Fairchild

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One thing I’ve often wondered is what is meant by the “non ratings period” in the context of Australian television?
Funnily enough, I heard it mentioned briefly on a podcast yesterday and wondered about it too as the impression they gave was that ratings weren't counted during that period but that they kind of were. From what I've gleaned from the below articles, it's the equivalent of a show premiering during the summer months in the UK or the US. The thought process is that it's summer time, so people are either on holidays or outside enjoying the weather, rather than watching TV. Also, a lot of network staff take leave during this period. So they save the big shows for the autumn when more people will be watching TV and churn out repeats, imports and reality shows during the non-ratings period in the run up to Christmas and into January. From what I can gather, the big difference from UK TV, is that they don't officially report on ratings in Australia during this period but unofficial figures are available. So for example, shows that air during this period aren't included in the official end of year ratings tally, even though unofficial ratings are available.


 

Carrie Fairchild

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It was also the introduction of the tackiest Sons and Daughters set ever: the gym. John Palmer never needed a reason to be naked, I'm just saying.

The reason for the gym was probably to cash in the aerobics craze at the time.
It's mentioned in the book, where they compare it to Number 96's hammy attempt to ride the disco wave near the end of it's run.
 

Carrie Fairchild

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I loved A Country Practice.
When they aired it in Ireland, they did it as half hour episodes running 5 days a week. I don't think we caught up fully until it had stopped airing in Australia.
It's original run ended on RTE in 1997. It ran in a few different timeslots but my main recollection of it is it airing weekdays at 5.30pm on RTE1. I remember it on UTV too but I don't know when it finished it's run there.
 

Carrie Fairchild

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Taurus Rising - 1982
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After the gold standard of S&D and ACP, we return to car crash territory, as we profile the beginning of Nine's (to date) unbroken run of soap flops after it's Young Doctors / The Sullivans imperial phase. With the aforementioned wartime saga nearing it's end, Nine were on the lookout for something big and flashy to add to their schedule, in a similar vein to the US mega hits Dallas and Dynasty. Reg Watson and Grundy's were tasked with coming up with the goods and thus, Taurus Rising was born.

Like many sagas before and since, it was the tale of two wealthy families at war - the Brents and the Drysdales. Opening in the 1920's, young Isabella is jilted by Harry Brent and ends up married to the unloving James Drysdale. Jumping forward to the present day of 1982, the Brents and the Drysdales have become vicious business rivals in the intervening 60 years. Harry (Gordon Glenwright) is on his last legs, much to the delight of James and Isabella's (Georgie Sterling) businessman son Ben Drysdale (Alan Cassell). But Ben is in for a shock when his long lost love and Harry's long lost daughter Jennifer (Annette Andre) shows up at her father's deathbed, after 26 years away, with a son Mike (Andrew Clarke) in tow, that may or may not be Ben's secret son. Throw in a long suffering wife, a rich bitch daughter, a tennis playing wastrel son and a Damien from The Omen-esque child prodigy grandson, and you get the idea of the traumas that ensued.

Taurus Rising's promotion and production were marred with issues. For a start, the title confused many and cast members spent their time explaining in interviews that the show had nothing to do with the zodiac or astrology. When discussing the show at a press launch, one Nine executive cluelessly offered up the explanation of "Taurus rising from the ashes" (Taurus was actually the name of the tower that both families were battling to build in the story). In addition to this, the network were being purposely coy about the show prior to it airing, telling cast members not to discuss any details in interviews, leading Damon Herriman (Phil Drysdale) to wonder "how were people going to watch if they didn't know anything about it". Production wise, the show was facing big delays as a result of their poorly thought out choice of studio location. The Bijou Theatre in Sydney had been converted to accommodate the interior shoots. This decision didn't take into account the fact that it was under a flight path and filming had to be halted every time a plane flew overhead. They also had to stop when the nearby clock on Balmain Town Hall chimed every half hour.

Amid much hype, Taurus Rising premiered in a two hour special in July 1982. In true soap fashion, a sibling from the Grundy's stable had a hand in it's early demise, as it was scheduled against Prisoner, which was at the height of it's ratings powers on Ten at the time. On the other side, the final episodes of the ratings grabbing Brideshead Revisited were playing out. Unable to compete with either, Taurus Rising didn't stand a chance. Ratings started low and continued to fall, leading Nine to quickly pull it from it's primetime 8.30pm Tuesday slot and dump it in the 10pm slot on Fridays or Saturdays (depending on your city). Reruns of The Love Boat took it's vacated Tuesday slot, generating various headlines to the effect of Taurus Sinking / Flopping / Falling while Crawford's labelled their failing rival Pisces Plummeting. The schedule change gave the writers a clear message that their days were numbered, so they wrote a conclusion, tying up most of the series' loose ends before it was officially axed. Costing $2m to produce, it was an expensive failure for Grundy's (their most expensive at that time). In a bid to recoup some of their losses, they sold it as a 21 hour miniseries around the world, with it airing in the US, Germany and Turkey, where it became the number one show.
 

Monzo

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Taurus Rising is the first weekly Australian soap that aired in West Germany. I remember I was disappointed watching it, because it wasn't as good as US primetime soaps, but nowadays I'm curious about it and would like to watch it once more. This summary already brings memories back like that Taurus tower, which I had totally forgotten.

I think the reason why short-lived 80's soaps worked internationally was the fact they were used as filler. In Germany stations realized best replacements for big soaps during their break were soaps. I remember Hill Street Blues was put in Dynasty's timeslot which turned out to be a ratings desaster, so next year they used Hotel. Paper Dolls aired between two seasons of Falcon Crest, next year Taurus Rising became filler between two FC seasons.
 

AndyB2008

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As I wrote before ref Possession, Taurus Rising was like most of Nine's soaps, shoved into competition opposite other established soaps.

How the heck was Nine thinking this would work against Prisoner? By the time TR debuted, Maggie Kirkpatrick was about to appear on Prisoner which killed any chance of success.
 
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Carrie Fairchild

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Carson's Law - 1983 to 1984
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By 1982, having watched Nine win universal praise for The Sullivans and Seven gain accolades for the issues driven A Country Practice, Ten wanted a "quality" soapie of it's own. Not that they weren't already enjoying ratings success with Prisoner, it just wasn't regarded as a prestige drama. Crawford's had the answer. They'd recreate the same nostalgic allure that they'd conjured with The Sullivans in a vehicle written specifically for the much loved Sullivans actress Lorraine Bayly.

Where Cop Shop was a hybrid of cop show / soap and ACP was a hybrid of medical drama / soap, Carson's Law merged family soap with legal drama. Set in the 1920's, it followed the lives and loves of the wealthy Carson family, who were based on Hector Crawford's own family. Crawford made the writers know that he was well aware of what they were up to, although the press were told that the Kennedys had provided the influence for the family dynamics. Patriarch Godfrey Carson (Kevin Miles) ruled his family and his law firm with an iron fist. He had three adult sons from his first marriage - oldest son Bill (Jon Sidney) who was married to the free thinking (much to her father in law's annoyance) Jennifer (Lorraine Bayly); hard done by middle child Robert (Ross Thompson) who was henpecked by his snobbish wife Margery (Louise Pajo) who was worried that their childless status would leave them shortchanged in Godfrey's will; and youngest son (and Godfrey's favourite) Tommy (Chris Orchard), who was the tearaway playboy into gambling and womanising. Providing an Upstairs Downstairs angle to proceedings were the inclusion of Carson household staff, Jennifer's Irish housekeeper Eileen Brennan (Irene Inescourt) and Godfrey's driver and servant Gerard Kent (Noel Trevarthen).

The series opened with Godfrey announcing his engagement to the much younger Felicity (Christine Amor) and Jennifer deciding to return to work in the legal profession. As she was getting to grips with her first case, in a shock twist, Bill was killed in a plane crash in the early episodes, leaving Jennifer to bring up their three kids - student Billy (Gregg Caves), musician Sarah (Melanie Oppenheimer) and younger son Sam (Edward Upjohn) while juggling her career and her run ins with the disapproving Godfrey. Much of the ongoing drama going forward was derived from Jennifer facing life as a widow while brother in law Tommy got deeper and deeper into the world of criminality. Real life 1920's gangster Squizzy Taylor was introduced as a character, with Tommy having a fling with Squizzy's mistress. This development led to Squizzy putting a hit out on Tommy. On the day of Sarah's wedding, a hitman opened fire, missing Tommy but instead killing off Godfrey's only daughter Amy (Christine Harris), who'd recently returned to Melbourne after being widowed. This shocking turn of events was only to be the first of many for viewers.

Carson's Law had become yet another show to fall victim to the "it isn't rating well in Sydney" curse. It was doing great in Melbourne and the rest of Australia but feedback stated it wasn't racy enough for Sydney (although Lorraine Bayly said it's poor performance in Sydney was down to constant timeslot changes). As a result, Ten and Crawford's decided to overhaul the series. Immediately after the wedding day shooting, the series would jump 17 months ahead. Jennifer's three children and her father would be written out, while the law firm's faithful secretary Mrs Brooks (Marion Heathfield) would be replaced by a younger model. In an attempt to bridge the Sydney / Melbourne gap, Carson & Carson would open an office in Sydney, allowing action to take place in both cities. There would also be a stronger focus on the criminal misdeeds of Tommy Carson.

Before any of these big changes hit the screens as scheduled in May 1984, Crawford's announced that the show would cease production in July and the final episodes would air that December. In addition to the Sydney problem, a contributing factor to it's demise may have been the fact that the series main stars Lorraine Bayly and Kevin Miles had both told Crawford's that they wouldn't be continuing beyond their initial two year contracts (the filming schedule coupled with the exhaustion of having to learn pages and pages of legalese being cited as one of their reasons for departing). Crawford's said that none of their axed series had ever generated such a response from viewers who campaigned to keep the show on air. There were some initial talks of putting Noel Trevarthen into his own Gerard Kent spinoff series as the character had proved popular, but it wasn't to be and Carson's Law died in December 1984, although it's enjoyed runs on European TV throughout the 80's. 90's and 00's.
 

Carrie Fairchild

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Only two years? It seemed so much longer.
184 episodes were produced during it's two years on the air (January 1983 - December 1984). It looks like some of it's European airings were quite staggered. Some UK regions split the hourlong episodes in half, airing them as 30 minute episodes across four years in some cases, whereas other countries aired it five days a week in daytime.
 

AndyB2008

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Jon Sidney was part of an Crawford soap pilot in 1984 for Nine called Hospital alongside Belinda Giblin. There was that and Skin Deep, written by Anne Lucas and starring James Smillie, Briony Behets, Carmen Duncan, David Reyne and Nicole Kidman (!!!!).

Neither was picked up to go into production as Nine went with Grundy's Possession instead.

Hospital not being picked up was relief for Belinda as she went into SAD later.
 

Carrie Fairchild

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Waterloo Station - 1983 to 1984
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Cop shows had always been the forte of Crawford's, but in 1982, Grundy's decided to give the format a go, this time adding the Grundy hallmark of having a young, sexy cast. Harbourside Force was announced by the December 1982 TV Week headline "Nine Pins Hopes on Harbour Cops". Soap supremo Reg Watson had created the premise of hot young police trainees in a Sydney station, with the hourlong show scheduled to run twice a week.

As it drew closer to the February 1983 premiere date, Nine went into overdrive with promotion for the now retitled Waterloo Station. One exec told TV Week "We think it's going to be a smash. There's a lot of soap opera and because most of the characters are young trainees, we can get into the problems that face young people today". TV Week added to the hype, announcing "Toss in your badge Pepper Anderson (of Police Woman) and your guns and handcuffs, Danni Francis and Amanda King (of Cop Shop) - Sally Edwards (Sally Tayler) is set to become TV's most popular female cop" and described the show as a mix of hit shows Cop Shop, Sons & Daughters and The Restless Years.

Waterloo Station opened with the arrival of new trainee officers including Rick Thompson (Gerry Sont) and the aforementioned Sally, whose father Jack (Ron Graham) was the academy instructor, who was dead against his daughter's decision to join the force. Jack's brother in law, Detective Sergeant George Logan (John Bonney) was also stationed at Waterloo. Both he and his womanising partner Detective Tony Harris (Bartholomew John) were the target of undercover assassin Steve Colby (Steven Grives) who was also trying to seduce George's neglected wife Ann (Jenny Ludlam). Away from the station, much of the action centred around the Bondi boarding house where Rick lived. Larger than life landlady Mrs Wallace (Jennifer West) played matriarch to the ragtag band of tenants including recovering alcoholic comic Harry (Tex Morton), hooker with a heart Stacey (Julianne White) and potential teen tearaways Joey (Paul Smith) and Trevor (Danny Roberts).

Despite all of the pre-launch promotion, Waterloo Station didn't live up to the hype. The acting, scripts, camerawork and lighting, all came in for criticism. However, one thing that critics agreed on was that young Danny Roberts was the show's breakout star. The show rated well in Adelaide, Brisbane and Perth, but it struggled in Sydney, where it was scheduled against A Country Practice and Carson's Law. "Like Napoleon, the Nine Network has been defeated at Waterloo" crowed TV Week, as it announced that production had ceased in May 1983 after just 52 episodes had been made. As usual, it's failure in Sydney was the final nail in the coffin. The show was pulled off the air immediately in all cities except Brisbane. It eventually played out elsewhere during the non-rating summer period, where viewers saw Jack die, Sally get engaged and Mrs Wallace and Harry face charges over the murder of Mr Wallace (whose body they'd been hiding in her basement). The positive coverage of Andy Roberts and Sally Tayler paid off, as after Waterloo Station's demise, they migrated to more successful Grundy pastures as Andy Green and Samantha Morell in Sons and Daughters.
 

Carrie Fairchild

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Starting Out - 1983

Another month, another Grundy attempt to rehash a successful format, another failure for Nine. With their 6.30pm news bulletin languishing in the ratings, Nine asked Grundy's to come up with a strong lead in to lift their evening schedule. Having enjoyed great success with the soon to be canned The Young Doctors, Reg Watson decided to rework the formula, this time setting it in a medical university.

Starting Out was basically "The Young(er) Doctors". Set in Thornleigh College, it was based around a boarding house on the college grounds, where the sexy young medical students crossed paths with a coterie of older college staff. The show opened with farmhand Craig (Peter O'Brien) leaving country life behind and returning to Thornleigh after being guilted into going to medical college to honour his dead doctor father's wishes (who of course had been driving to the country to talk his son into following family tradition, when he'd been killed in a car crash). "Starting out" alongside Craig was joker Peter (Paul Williams), Peter's unpopular roommate Jason (John Higginson), the college Dean's troublesome niece Aggie (Leander Brett) and former orphan Margot (Nikki Coghill) as well as Will (Yves Stening) and Paul (David Reyne). The older set included Craig's mother Dr Judith Holt (Jill Forster) who ran the local surgery, Russell Dean (Colin Vancao) the college Dean who's mysterious wife was rumoured to have been murdered but was actually locked in the attic and local hairdresser Mrs De Soosa (Anne Phelan).

Production began in 1982 but it was April 1983 before Nine quietly added the show to their schedule. So quietly, The Sun-Herald commented that "stung by the failure of Taurus Rising and Waterloo Station, Nine is launching this one with not so much of a bang as a whimper. Never before has a new Australian soap been launched with less ado". The only preview provided to critics was a confusing compilation of the first five episodes. When they did eventually get to see the full episodes (at the same time as the rest of Australia), it did little to improve their reaction to the show with one TV Week critic describing it as "drivel". After just five weeks, the show was pulled from the schedules on May 20th, replaced by reruns of Diff'rent Strokes. Some episodes popped up sporadically during the summer months of '83 but it wasn't until a late night repeat run some time later that all 85 episodes were seen on Australian TV. In an unusual example of international sales, the show screened in Vietnam in the early 00's.
 
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AndyB2008

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Starting Out - 1983

Another month, another Grundy attempt to rehash a successful format, another failure for Nine. With their 6.30pm news bulletin languishing in the ratings, Nine asked Grundy's to come up with a strong lead in to lift their evening schedule. Having enjoyed great success with the soon to be canned The Young Doctors, Reg Watson decided to rework the formula, this time setting it in a medical university.

Starting Out was basically "The Young(er) Doctors". Set in Thornleigh College, it was based around a boarding house on the college grounds, where the sexy young medical students crossed paths with a coterie of older college staff. The show opened with farmhand Craig (Peter O'Brien) leaving country life behind and returning to Thornleigh after being guilted into going to medical college to honour his dead doctor father's wishes (who of course had been driving to the country to talk his son into following family tradition, when he'd been killed in a car crash). "Starting out" alongside Craig was joker Peter (Paul Williams), Peter's unpopular roommate Jason (John Higginson), the college Dean's troublesome niece Aggie (Leander Brett) and former orphan Margot (Nikki Coghill) as well as Will (Yves Stening) and Paul (David Reyne). The older set included Craig's mother Dr Judith Holt (Jill Forster) who ran the local surgery, Russell Dean (Colin Vancao) the college Dean who's mysterious wife was rumoured to have been murdered but was actually locked in the attic and local hairdresser Mrs De Soosa (Anne Phelan).

Production began in 1982 but it was April 1983 before Nine quietly added the show to their schedule. So quietly, The Sun-Herald commented that "stung by the failure of Taurus Rising and Waterloo Station, Nine is launching this one with not so much of a bang as a whimper. Never before has a new Australian soap been launched with less ado". The only preview provided to critics was a confusing compilation of the first five episodes. When they did eventually get to see the full episodes (at the same time as the rest of Australia), it did little to improve their reaction to the show with on TV Week critic describing it as "drivel". After just five weeks, the show was pulled from the schedules on May 20th, replaced by reruns of Diff'rent Strokes. Some episodes popped up sporadically during the summer months of '83 but it wasn't until a late night repeat run some time later that all 85 episodes were seen on Australian TV. In an unusual example of international sales, the show screened in Vietnam in the early 00's.
The name Starting Out must be cursed, as the creators of Birds of A Feather Maurice Gran and Laurence Marks used the same title for their 1999 BBC1 sitcom.

Like with the Grundy soap, this had newcomers Siobhan Hayes and Ricci Harnett alongside the likes of well known actors like Chris Jury and Julie Legrand.

And like the Grundy soap, it failed to achieve much success unlike BOAF or Goodnight Sweetheart from the same creators.

Fremantle interestingly own the rights to both Starting Outs- with the acquisitions of Grundy and Alomo.
 
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